We all know that Westerns aren't accurate representations of Old West history. Having said that, some Westerns go so far as to take historical events & have the characters do the exact opposite of what they did in reality. Some examples*
*Read alt text before commenting
I should probably explain a bit more. I'm not talking about shit like a film having Billy the Kid killing a guy someone else killed or whatever. I'm talking about filmmakers taking a problematic aspect of a historical figure & purposely having them do the opposite. Here goes:
In The Life & Times of Judge Roy Bean, Tab Hunter is hanged for the murder of a Chinese man, but first argues that there's no law against that. In reality, it was Bean who declared that while there was a law against killing a man, there was "no law against killing a Chinaman"...
The actual murderer was an Irishman named...uh... Paddy O'Rourke & supposedly a mob of about 200 Irishmen gathered to hear Bean's verdict, which might've swayed him a bit.
Can't say that the movie didn't warn us. Besides, it resulted in one of my favorite images from a Western
In Ulzana's Raid, Army scout McIntosh chides a rez agent for shorting the tribe of their allotted rations. The real Archie McIntosh (who once helped secure Geronimo's surrender) admitted to diverting Apache rations for resale on his own ranch & was fired from service in 1884
Saturday night beckons, so I'll be back with more examples later.
In Tombstone (1993) Wyatt Earp laments the fact that Curly Bill Brocius isn't going to be charged with the murder of Marshal Fred White. In reality, Earp testified that the shooting of Fred White was accidental. Earp was partially responsible for Curly Bill's exoneration
Kevin Jarre, the writer & original director of Tombstone, consulted historian Jeff Morey while developing the script. Here's Morey talking about Jarre's justification for the change (from John Farkis' The Making of Tombstone):
In The True Story of Jesse James (1957), Nicholas Ray's movie about a rebel with a cause*, Jesse's mama claims that the James family doesn't own slaves. The actual true story is... of course they fucking did.
*the cause was slavery
In Frank Perry's anti-Earp screed Doc (1971), Tombstone Epitaph editor John Clum is shown as leery of Wyatt Earp. In reality, the Epitaph was Tombstone's pro-Earp paper & Clum & Wyatt remained friends until Wyatt's death. Also, Clum was not some Tarantino-looking motherfucker
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A pattern among many of the Westerns made after 1970 is the singer/songwriter or rock musician score. Popular musicians have done music for Westerns since the advent of sound, but I'm talking about the entire score, not Elvis singing Flaming Star on the soundtrack. Here's a list:
The earliest example I can recall is Little Big Man's score by John Hammond, son of the legendary producer w/ the same name & an acclaimed blues artist in his own right. He also introduced Bob Dylan to The Band. The score got taken down so here's the film:
Leonard Cohen didn't write any music for McCabe & Mrs. Miller. Robert Altman was using 3 songs from Coen's 1967 album The Songs of Leonard Cohen as temp tracks but fell in love with them and kept them. There is no other score outside of diegetic music...
One of the scenes Peckinpah decided to cut out of The Wild Bunch was the killing of the bounty hunters. Here's a still from TC's demise (note that he's wearing General Mapache's shot-up coat on his back & has the German military advisor's sword on his horse):
A detail many viewers might miss is Coffer's replacement of his hat with the one that belonged to Tector Gorch:
You can see one of the bullet holes in Mapache's coat here:
Since Blood Meridian is trending, I again want to recommend My Confession by Samuel Chamberlain, the "non fiction" book Blood Meridian is based on. When I first read Blood Meridian, I thought the judge's lecture on geology was an anachronistic invention by McCarthy. I was wrong
Samuel Chamberlain's painting of Judge Holden lecturing Glanton's scalphunters on geology.
Chamberlain describes Holden as 6'6" in moccasins, w/ a large fleshy frame & a face destitute of hair. McCarthy turned that into Holden's entire head being bald but Chamberlain meant it as him not having beard or mustache, as seen in his paintings.
Unforgiven turned 30 today, so here's my thread on it...
Before we begin, let me say that I love Unforgiven & think it's the finest Western since Sam Peckinpah stopped making them in 1973. However, I have some issues with the film & the way it's usually discussed, specifically in comparison to the rest of the Western genre...
I'm going to get into minutiae regarding its script, casting, authenticity, costuming, influences & actual place within the overall Western genre. I'm also going to get into some uncomfortable territory regarding the film's treatment of race in the Old West
Happy Birthday to Silas Soule, one of my personal heroes and someone everyone should know...
Soule was born in 1839 in Bath, Maine. Like John Brown, his father Amassa believed it was his Christian duty to help end slavery. In 1854, he moved his family to Lawrence, Kansas, then known as Bleeding Kansas, which was a hot-bed of Border Ruffian violence on both sides...
The Soule home quickly became a spot on the Underground Railroad where abolitionist rescuers hid freed peoples from marauding bands of pro-slavery bounty hunters. Silas began escorting & protecting these freed people at the age of 15. Of course he had help from Beecher's Bibles