It's a village in the Netherlands called Bourtange (population: 430) built in and around an 18th century star fort.
How and why does it exist? That's where things get interesting...
Cannons, like gunpowder, were invented in China. They soon spread to Europe and, by the 16th century, had become incredibly advanced.
Picture a typical Medieval castle, with its knights and archers; those huge walls and towers were made redundant by the power of cannon.
In response the star fort was invented.
It had low, angled walls (to deflect cannon balls) and they were made from earth and faced with bricks or rubble (so that, unlike masonry, they wouldn't shatter when hit by cannon fire).
The rather strange overall layout was to ensure that enemies would always be in the line of fire, even when right up against the walls.
These increasingly complex systems of ramparts, ravelins, and bastions, surrounded by ditches, were designed to be impregnable.
It was none other than Michelangelo himself who helped to develop some of the earliest ideas about star forts, while he was employed to design the city defences of Florence.
Later Italian architects further refined his ideas, and soon the star fort spread around Europe.
For three hundred years, then, the star fort was the definitive military fortification.
It was in the 1580s that William I, leader of the revolt in the Netherlands against Spain, had Fort Bourtange built in the province of Groningen, during the Eighty Years' War.
But the star fort was itself made redundant in the 19th century after the invention of high explosives.
And so most of these old star forts were abandoned, demolished, or decommissioned.
Though some of them have had an afterlife...
Like Palmanova, built by the Republic of Venice in the 16th century not only as a fortified town but as an "ideal city".
This represented a major element in Renaissance thinking and its fascination with the idea of utopia.
Something about the star fort, with its symmetry and radiating lines, perfectly ordered and laid out, captured the imaginations of architects.
They were defensive fortifications first of all, but star forts inculcated the development of important ideas about urban planning.
Then there's Neuf-Brisach, built in the late 17th century on the French border in Alsace.
It was designed by the Marquis de Vauban, perhaps the greatest military engineer of his age, whose principles and models were immensely influential.
Or Naarden, also in the Netherlands, which almost looks as if it were generated by AI.
And Willemstad, another Dutch fortress-village, this time incorporating a harbour — it was built along the banks of the Hollands Diep.
And, of course, like Fort Bourtange, which was decommissioned in 1851 and thereafter became a lively agricultural town.
The walls crumbled and the ditches were filled in, but the village retained the unusual layout of the fortress it had once been.
But the story of Bourtange is more complicated than that.
By the mid 20th century the village had entered a state of seemingly unarrestable decline. It was falling to pieces and people were leaving; Bourtange was dying.
Until the local council came up with a brilliant idea...
Using surviving plans, drawings, and maps, the fort was carefully restored to the state it had been in during the 18th century, when it was at its largest and most significant.
Moats were redug, the windmill was brought back, and Fort Bourtange suddenly reemerged.
The purpose was twofold.
First, to reinvigorate the village and turn it into place that was actually liveable — and where people would want to live.
Second, to create a tourist attraction and restore some of the region's cultural heritage.
By the early 1990s it was complete.
And so Bourtange lives on, part open-air museum and part-village, with a small but thriving community and a healthy turnover of tourists and travellers.
Bourtange is a wonderful model for how to adapt the leftover architecture and infrastructure of the past.
What do we do with all these buildings, whether military fortifications or industrial megastructures?
Demolish them? Let them rot? Put up plaques?
Or do we transform them into living architecture?
Like the decommissioned Battersea Power Station in London, designed by Giles Gilbert Scott, which has recently been turned into a mix of shops, offices, and apartments.
There is undoubtedly something noble about ruins.
Mysterious, evocative, transporting... they retell the old and wise adage that "all things must pass" more profoundly than any book or person ever could.
Everything, no matter how powerful it seems, will fade away in time.
And to restore an old building can sometimes be a rather sad process.
Done poorly, the notion of "refurbishment" or "restoration" is mockery, and many buildings or structures would perhaps be better left to crumble away with dignity, sharing their wisdom with all who pass by...
But, sometimes, bringing back to life what might otherwise perish is surely the right approach.
That might mean restoring an old building to its former purpose and appearance, as with the derelict neo-Gothic hotel at St Pancras Station in London.
Though when that old purpose is redundant (as with star forts) the opportunities for unusual, characterful, and interesting urban design are endless.
Like when the Catalan architect Ricardo Bofill converted a disused cement factory into his firm's offices (and his home).
There have been many urban or rural regeneration projects, but Bourtange is surely one of the most fascinating.
All it takes is a little bit of imagination...
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If one thing sums up the 21st century it's got to be all these default profile pictures.
You've seen them literally thousands of times, but they're completely generic and interchangeable.
Future historians will use them to symbolise our current era, and here's why...
To understand what any society truly believed, and how they felt about humankind, you need to look at what they created rather than what they said.
Just as actions instead of words reveal who a person really is, art always tells you what a society was actually like.
And this is particularly true of how they depicted human beings — how we portray ourselves.
That the Pharaohs were of supreme power, and were worshipped as gods far above ordinary people, is made obvious by the sheer size and abundance of the statues made in their name:
It's over 500 years old and the perfect example of a strange architectural style known as "Brick Gothic".
But, more importantly, it's a lesson in how imagination can transform the way our world looks...
Vilnius has one of the world's best-preserved Medieval old towns.
It's a UNESCO World Heritage Site, filled with winding streets and architectural gems from across the ages.
A testament to the wealth, grandeur, and sophistication of the Polish-Lithuanian Commonwealth.
Among its many treasures is the Church of St Anne, built from 1495 to 1500 under the Duke of Lithuania and (later) King of Poland, Alexander I Jagiellon.
It's not particularly big — a single nave without aisles — but St Anne's makes up for size with its fantastical brickwork.
The Spanish edition of my new book, El Tutor Cultural, is now available for pre-order.
It'll be released on 22 October — and you can get it at the link in my bio.
To celebrate, here are the 10 best things I've written about Spain: from why Barcelona looks the way it does to one of the world's most underrated modern architects, from the truth about Pablo Picasso to the origins of the Spanish football badge...
What makes Barcelona such a beautiful city? It wasn't an accident — this is the story of how the modern, beloved Barcelona was consciously created: