Did you know the first church on Antarctica was built in 1956? Did you know a Roman Catholic cardinal once celebrated Mass there?
Here's a little thread about the Chapel of Our Lady of the Snows, and some other interesting Antarctic Catholic history!
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In 1955, the United States began building McMurdo Station on Ross Island in Antarctica.
The original plans for the station did not include a chapel - religious services would be held in the mess hall.
The US Seabees, building the station, decided to make a chapel on their own:
“As the construction of the buildings at McMurdo progressed a mysterious pile of lumber, planks, nails, Quonset hut sections, & assorted materials began to accumulate on a knoll overlooking the camp.”
In May 1956, the chapel was finished.
At first, it was referred to as the Chapel of St. Dismas (the Good Thief, an homage to the "requisitioned" supplies used to build it), but it was soon consecrated to Our Lady of the Snows.
In December 1964, Cardinal Archbishop of New York Francis Spellman to offer a series of Masses for the Catholic servicemen stationed around Antarctica.
Typo - sorry, Spellman visited in 1963 and 1964!
Here is Spellman offering Midnight Mass at South Pole station.
(You can see the portrait of JFK on the wall behind him. A special 30-day mourning period had just concluded.)
Spellman made the rounds to all the major US stations on the continent. Here he is pictured in the Chapel of the Snows in McMurdo.
Over the years, the chapel was gradually changed, repainted, and modified along with the rest of the base.
Then, on August 22, 1978, it was destroyed by a fire in the night.
The chapel was rebuilt twice more, and today looks like this.
There are so many interesting and moving moments throughout the decades of service at this chapel, built out of devotion by volunteers in their off-hours.
In 1956, a young navy man (Patrick McCormick, 18 years old) became the first Catholic baptized in the chapel!
There was other interesting Catholic Antarctic activity as well! For example:
There was a small hut used as a chapel at Little America (a seasonal exploration base on the Ross Ice Shelf).
In 1956, Robert Charles Haun created a beautiful Triptych as the altarpiece.
A ship's carpenter helped Haun build it from old packing crates. It is believed to be the first ecclesiastical painting ever made in Antarctica.
For more on Haun and his other paintings, see here:
"Until the mid-1900s, scripture was foreign territory to the laity & they had almost no engagement with the readings at Mass because they were only in Latin" etc.
In Medieval England there were a variety of popular texts, designed to be read from the pulpit, which included English translations of the Sunday Gospel before the homily.
Examples include Aelfric's Catholic Homilies and the “Dominical gospels and of other certain great feasts”
Most medieval towns with a cathedral had a population of less than 5,000 people.
Salisbury had a population of just 3,226 in 1377 AD. The majority of it's famous cathedral was built in just 38 years between 1220-1258, and was finished entirely by 1320.
Keeping with the nautical theme from last Friday, today I am excited to share one of my all-time favorite (and scarce) prayer-books with you:
📖 1925 - A Prayer Book for Catholic Seafarers
Check it out! 🧵
It is one of the most original, interesting, and moving prayer books I have ever encountered.
Compiled by the legendary and prolific Rev. CC Martindale, SJ, almost the entire book is newly-written original prayers and commentary specifically for sailors and seamen.
It also contains what is likely the first and only Marian hymn to include the word "torpedo"!
📖 The 1932 Missal-Vesperal with Commentary... featuring 'Symbolico-liturgical' illustrations
It's notable for a few things:
✅ Longest missal ever (!)
✅ Unique illustrations
Check it out⤵️
Unlike most missals, which focused on offering commentary, notes, and context for the various sundays and feasts of the ecclesiastical year...
The Missal-Vesperal offered the unique feature of "Symbolico-liturgical illustrations" by carmelite Fr. Fath. Berthold
These were black and white symbolic drawings relating to the liturgy
While the actual texts of Sunday or Feast would receive a brief two-sentence explanation, the drawings were each explained with several paragraphs of text