Most fans know that Cormac relied heavily on Samuel Chamberlain's memoir, My Confession. Chamberlain was a US Army soldier who went AWOL during the Mexican-American War & ended up with Glanton's scalp-hunters.
3. Ford rode with Glanton, served with him in the Mexican-American War, and hated his guts. Both had been Texas Rangers, but Glanton brought shame on the organization (according to Ford).
[LEFT: photo of Ford; RIGHT: artist depiction of John Joel Glanton]
4. Here is a footnote from Rip Ford's Texas (p. 64):
"Only 26 when he joined the US Army in January, 1847, John Joel Glanton got into trouble for shooting a Mexican civilian--Glanton said he did it in self-defense, eyewitnesses said he did it in cold blood... twitter.com/i/web/status/1…
5. "When army police sought to put him in irons, [Glanton] borrowed food and ammunition from his friend and rode for Texas.
Later, he reenlisted in Jack Hays' second regiment and saw action throughout the Mexico City Expedition. In 1849, Glanton, attracted by the stories...
6. "...of gold in California, left his wife and two children in San Antonio and headed for the Pacific Coast. he paid his way by killing Apaches and selling the scalps at fifty dollars apiece to Mexican authorities. Some said the scalps were not always Apache...
7. "He was killed in an Indian fight at Yuma, Arizona, early in 1850."
That footnote is the plot of Blood Meridian. There are drafts of BM in the archives at San Marcos that go back to the early 1970s.
8. I believe this footnote was Cormac's starting point.
He moved to El Paso in 1976 and began doing firsthand research. Somewhere about this time, he read My Confession and encountered the vast abhorrence of the Judge. twitter.com/i/web/status/1…
9. Along this time, novelist William Gay wrote Cormac and asked what he was working on (they kept up a correspondence for several years).
Cormac wrote back: "I'm working on this thing where a bunch of ole boys ride south of the border and it keeps getting darker & darker."
10. That is the last time William Gay ever heard from Cormac (late 70s).
That particular letter is now in the possession of Tom Franklin. Tommy was Gay's best friend and is his literary executor, I believe.
11.
They Saw One Day a Pack of Viciouslooking Humans:
For a long time, I assumed that with the exception of Glanton and Judge Holden, Cormac made up the other members of the Glanton Gang.
After all, what kind of person is named Toadvine? Or Bathcat? Or Grannyrat? https://t.co/Mkdug8Zs4Utwitter.com/i/web/status/1…
12. Then I read J. Frank Dobie's Apache Gold & Yaqui Silver. He writes of the Glanton Gang and all the characters are there: Tobin, Webster, Grannyrat, Bathcat, Doc Irving, John Jackson.
Every named character in Blood Meridian is based on an historical figure.
A follower asked for some Lit Theory/Crit recs for “amateurs.” These are just some works I’ve enjoyed and found useful.
Also, all my theory is up at my office in Charlotte, and I’m here at the cabin rn.
Here goes:
1. Erich Auerbach’s MIMESIS:
Wrote it without his library when he was on the run from the Nazis. Completely brilliant study of the representation of reality in the Western Canon. Beautifully written and crystal clear.
2. Harold Bloom’s THE ANXIETY OF INFLUENCE.
Plenty to rip on wrt Bloom, but this is the most influential poetic theory of the 20th century. Even if you hate him, you should read this for ammunition.
2. I'm not dunking on Adam: I think his reply is in good faith.
If the "settler-colonial" gaze is a phenomenological system in the American West in 2023, it seems like it would be hard for white Americans to say much about it or see beyond it. Perhaps impossible?
3. When PM talks about "ungoverned space," I think he's pointing to the unbridled freedom of the Nermernuh People who certainly weren't inhibited by Western notions of governance.
The main problem with the first 40+ years of Finnegans Wake scholarship is that it focused on finding a "skeleton key" or cracking a code, picking a lock, etc. Critics understandably wanted to "make sense out of it"--i.e. to make it behave like a standard novel.
HOW TO KNOW IF YOUR SHORT STORY HAS A LARGE ENOUGH CONFLICT:
The chief function of Conflict in a short story is to drive the protagonist to the point where s/he makes a consequential CHOICE—after which, s/he will never be the same.
2. A story is always a narrative about a transformation, a metamorphosis.
“Once upon a time, X was a certain way. Trouble entered X’s life and s/he made a choice to get out of trouble and was never the same again.”
3. The Choice is an attempt to return to the paradigm of stasis that existed before trouble entered the protagonist’s life (the beginning of the story).
Humans are story/meaning-making machines. We evolved to live in communities of 150. At some point, pictorial representation and verbal storytelling entered our lives. The stories we told allowed for greater tribal cohesion.
2. Then a great evil entered our lives: Sapiens in Mesopotamia began to plant seeds in the ground. It was possible to manipulate the primary food source and sustain a population larger than 150.
The City was born.
3. This is the so-called Agricultural Revolution and it changed the way we lived forever. We went from hunter-gatherers to farmers and city-dwellers.
Fiction becomes crucial and allows strangers to cooperate.
You need a number of fictions, actually: Money, Religion, etc.
Okay, folks: I'm doing something new with my Blood Meridian S*bstack.
I'll continue to write these essay-episodes on various topics as they relate to Cormac McCarthy's masterpiece, but I'm adding entries that annotate each chapter of the novel.
2. This new feature will be exhaustive annotations that you can reference as you read Blood Meridian.
So, you can have a screen up as you read along.
Ever wonder what "the Leonids" are?
Boom.
Want to know what a "bungstarter" is?
Bang.
3. These 'Chapter Annotations to Blood Meridian' will be for paid subscribers.
I have quite a bit of free stuff up for folks who don't want to pay (don't blame you).
Annotations will be paywalled: $5 per month or $30 per year.