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Jul 25, 2023 23 tweets 8 min read Read on X
Have you ever wondered why some cities are just so much nicer than others?

Well, it's probably because they have good "Third Places."

What is a Third Place? It's wherever you go when you're not at home or at work... Image
Where do we spend most of our time?

For adults it is either at home or at work (which are increasingly the same place) and for young people it is either at home or at school.

And... anywhere else?
There is a well-known theory that divides the places we spend our time into three categories.

First Place: Home.

Second Place: Work.

Third Place: Just about anywhere else, from cafes and pubs to libraries and parks to churches and mosques.
Perhaps the oldest and most important of all Third Places is the town square.

A large public space without any single purpose, often pedestrianised, filled with cafes and restaurants, perhaps a bandstand, and usually with historic architecture. Image
Why do tourists enjoy going to places like Rome, Paris, or Prague?

There are many reasons, of course, but beyond specific activities it can be quite hard to pin why exactly it is so enjoyable just being in these cities.

Until you pay attention to what people are doing...
One thing tourists seem to enjoy almost more than anything else is simply sitting at a cafe in a charming old square of the sort they don't have in their own city.

They're not working, they're not at home, there's nice architecture, and there are no cars.

Simple as that. Image
And what are they actually doing?

Talking, laughing, drinking, soaking up the atmosphere, perhaps even meeting new people.

There is nothing ostensibly "productive" or "useful" about this; rather, we are doing what humans have always done and need to do: nothing in particular. Image
This also breeds a sense of place and identity.

Immaterial qualities like charm and character, which so many cities sorely lack, can be created by simply giving people a pleasant public space to drink coffee and, well, just sit around.

Such squares are the real heart of a town. Image
To find a cobbled alleyway, a winding side-street, a little square with a fountain and a few trees, to sit and enjoy a coffee or some breakfast, chatting harmlessly or zoning out entirely.

There are few simpler nor more delightful joys than this; tourists don't lie. Image
It's astonishing how much of a difference the place we get a coffee can make us feel.

And this is important, because not all Third Spaces are equal — some are better than others. Image
Too many towns and cities lack a proper public square, or even the minor squares that give so many famous cities their distinctive charm and character.

Such urban design — of highways, car parks, and towers, without gathering spots — is essentially hostile to human nature. Image
But the benefits of public squares — of good Third Places — go far beyond happiness.

In some sense they are a central pillar of civilisation. For people to mix, get along, meet, talk, and build a shared sense of trust and identity is crucial for any civil society to flourish. Image
Public squares are freely available to everybody, on land owned neither by an individual nor a company but by the people — or, at least, by the government on their behalf.

This feeds into the idea that society is a shared endeavour, both its freedoms and its responsibilities. Image
It's no coincidence that in the birthplace of democracy — Ancient Greece — the agora, or public square, was also the centre of civic life.

In the same way that the forum was an indispensible part of any Roman city. Image
And what do the people do when they are either very happy or extremely unhappy?

They gather in large numbers, as they always have down the centuries, in a large public space.

Many now-peaceful town squares have known protest, revolt, rebellion, and celebration. Congress Square, Ljubljana
So, why don't all cities have good Third Places?

It is at least partly because of changing ideas and priorities regarding urban design and architecture.

Cars have allowed us to build cities in a different way, such that they are far more spread out and atomised now. Image
And it is also true that they aren't necessarily easy to create — or, rather, that they are easy to destroy.

If a government or council removes benches and trees, forbids outside seating, and other such ostensibly minor things, a public square can be drained of its vitality. Image
And, from another point of view, certain economic or political systems are inclined to direct people away from Third Places.

Better to be working or consuming than doing nothing of real economic value — or, even worse, getting together and coming up with new political ideas. The Victors of the Bastille in Front of the Hôtel de Ville by Paul Delaroche (1835)
To some extent Third Places have been supplanted by the internet.

Whereas once upon a time people socialised in market squares, the Greek agora, the Roman forum, coffee houses, tea houses, taverns, and cafes, we now spend our time in digital Third Spaces.
And these have, of course, had immense benefits.

We no longer just make friends or talk to people who live in the same town — we socialise and form communities globally.

This is, surely, a very good thing, and one of the most significant consequences of the internet.
Yet there remains a major and irreconcilable difference between physical and online spaces.

And the replacement of Third Places by the internet has not been always been a result of preference but the inability of small businesses to compete with multinational corporations. Image
Perhaps we need Third Spaces, and good ones, more than ever before.

This is at least one solution to the old problem of how we build beautiful cities — and a fairly simple one at that.

People aren't hard to please; give them a nice square and they'll be much happier... Image
So the next time you visit a city and wonder why it "just feels so nice"...

Take a look around and you'll probably notice it has plenty of good Third Places, usually in the form of vibrant public squares with nice architecture and charming streets lined with cafes and shops.
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More from @culturaltutor

Aug 31
We spend more than 90% of our time inside, so why do we design so many of our interiors like this?

Grey carpets, white walls, harsh lighting.

It's generic, boring, and genuinely bad for our physical and psychological health... Image
Not all interiors look like this, but too many do, and more all the time.

Grey carpets, white walls, harsh lighting, neutral colours for details, everything plastic, shiny, and rectangular.

This has become the standard for new buildings (and refurbishments) around the world. Image
A common response is that some people like it, or at least don't mind it.

Maybe, but that's the problem.

The sum of all tastes is no taste at all, and if our aim is simply to make things that people "don't mind" then we end up with blandness. Image
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Aug 21
The world's most famous neoclassical buildings are kind of boring and generic when you actually look at them.

It's even hard to tell them apart: which one below is Versailles, or Buckingham Palace?

So here's why neoclassical architecture (although it's nice) is overrated: Image
Buckingham Palace, despite being one of the world's most famous and visited buildings, is essentially quite boring and uninspiring from the outside.

There's a certain stateliness to it, but (like most big neoclassical buildings) it's really just a box wrapped in pilasters. Image
The same is true of Versailles.

Again, it's evidently pretty (largely thanks to the colour of its stone) but there's something weirdly plain about it, almost standardised.

Plus the emphasis on its horizontal lines makes it feel very low-lying, undramatic, and flat. Image
Read 26 tweets
Aug 17
These aren't castles, palaces, or cathedrals.

They're all water towers, literally just bits of infrastructure relating to water management.

Is it worth the additional cost and resources to make things look like this... or is it a waste? Image
These old water towers are an architectural subgenre of their own.

There are hundreds, mostly Neo-Gothic, and all add something wonderful to the skylines of their cities.

Like the one below in Bydgoszcz, Poland, from 1900.

But, most importantly, they're just infrastructure. Image
We don't think of infrastructure as something that can improve how a town looks and feels.

Infrastructure is necessary to make life convenient; but also, we believe, definitionally boring.

These water towers prove that doesn't have to, and shouldn't be, the case. Image
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Aug 8
If one thing sums up the 21st century it's got to be all these default profile pictures.

You've seen them literally thousands of times, but they're completely generic and interchangeable.

Future historians will use them to symbolise our current era, and here's why... Image
To understand what any society truly believed, and how they felt about humankind, you need to look at what they created rather than what they said.

Just as actions instead of words reveal who a person really is, art always tells you what a society was actually like.
And this is particularly true of how they depicted human beings — how we portray ourselves.

That the Pharaohs were of supreme power, and were worshipped as gods far above ordinary people, is made obvious by the sheer size and abundance of the statues made in their name: Image
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Aug 6
This is St. Anne's Church in Vilnius, Lithuania.

It's over 500 years old and the perfect example of a strange architectural style known as "Brick Gothic".

But, more importantly, it's a lesson in how imagination can transform the way our world looks... Image
Vilnius has one of the world's best-preserved Medieval old towns.

It's a UNESCO World Heritage Site, filled with winding streets and architectural gems from across the ages.

A testament to the wealth, grandeur, and sophistication of the Polish-Lithuanian Commonwealth. Image
Among its many treasures is the Church of St Anne, built from 1495 to 1500 under the Duke of Lithuania and (later) King of Poland, Alexander I Jagiellon.

It's not particularly big — a single nave without aisles — but St Anne's makes up for size with its fantastical brickwork. Image
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Jul 31
Tell your friends! Your enemies! Your lovers!

The Spanish edition of my new book, El Tutor Cultural, is now available for pre-order.

It'll be released on 22 October — and you can get it at the link in my bio.

To celebrate, here are the 10 best things I've written about Spain: from why Barcelona looks the way it does to one of the world's most underrated modern architects, from the truth about Pablo Picasso to the origins of the Spanish football badge...Image
What makes Barcelona such a beautiful city? It wasn't an accident — this is the story of how the modern, beloved Barcelona was consciously created:

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And, speaking of Barcelona, here's why the renovation of the Camp Nou is — although necessary — a shame:

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Read 11 tweets

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