Got the chance to check out Tatsuki Fujimoto’s latest interview about Ghibli!
In it, he talks about his views not just on Ghibli and Hayao Miyazaki, but also on the state of anime/manga, including some personal plans for the future
Here are some interesting notes
-First Ghibli movie he watched in theaters & most rewatched today is Spirited Away
-Fav Ghibli character is Ashitaka from Princess Mononoke
-He differentiates manga from other formats, e.g. Ashitaka’s famous arrow scenes wouldn’t work as well, they’d only take small panels
-Fuji thinks ppl like Miyazaki who travel for research will be no more in the future 😢
-It’s also why he believes Shinkai continues to make films based in JP, it’s what he’s best at
-Wants to shade and detail more in CSM but it’s actually hard to do that for a weekly series
-While he enjoys films in a way where he can pick out Miyazaki’s style, he also likes watching w/o thinking too critically
-This is easier for Ghibli films than say, American Sniper where social issues of the era are important
“Everything you should know is already in the film”
-Admires Miyazaki’s ability to “balance business and artistry” in his works
-Miya’s paneling composition is top-tier like for his manga Nausicaa of the Valley of the Wind
-Agrees with Oda’s (One Piece) statement of how Miya’s Ghibli storyboards are similar to that of mangaka
-He was able to work on Lookback (2021) leisurely bc of CSM’s success & pay his assistants for that longer period too
-Newcomer mangakas can’t do this, financially impossible
-Fujimoto wants to be like Asa Akasaka (Kaguya-sama, Oshi no Ko) and only write stories in the future
-To him, while there is fun in writing just stories there’s not as much fun in only drawing for sake of art
-Believes Miyazaki can make stories with themes that can resolve issues in a more organic/realistic manner
-Along the lines of “entrusting your ideals” or “making a wish”
-“I won’t forget what happened here once upon a time.” Experiences like the way you walk, riding a bike, etc
-Miyazaki’s films have that lvl of awareness from Fuji’s POV, along with a strong sense of authorship
-Basically Fujimoto really LOVES Spirited Away
Link to full interview with Fujimoto and Kenta Terumura (interviewer) here:
@Khael_Lynn *Just Listen to the Song, not Goodbye Eri (sorry for the confusion!)
Since peeps are so interested in these bits, here are brief translations on Fujimoto’s thoughts about writing only stories; Nausicaa compared to his own current manga; and how Miyazaki’s personal abroad experience makes his generation a bygone era
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Today I'd like to discuss why Tokyo Colony No. 2 is the most entertaining of entertainments. A battle which, contrary to other CG arcs, is not an exploration of the focus character but a pure application of his way of life
Tokyo 2 is a reflection of Kinji Hakari's philosophy,
his passion given practical form: a life-or-death battle turned into straight-up gambling. And Hajime Kashimo, who is about calculated moves, was the perfect opponent to throw shade to guaranteed odds
Gege Akutami crafts one of the greatest battles that invigorates the "fever"
into the readers & turns each of us into a spectator of the Tokyo 2 "fight club." If you read it weekly, you'd know all TOO WELL what I'm talking about
Just recall the intensely heated but passionate fan discussion revolving around Hakari vs. Kashimo
Sukuna proves once more why his Domain Expansion is “DIVINE.” Not only does it defy Jujutsu logic, but an unclosed barrier eliminates weaknesses of closed barriers
I’ll use my own translations for this chapter to explain bc precise wording matters to a writer like Gege #JJK225
First, a refresher from Ch. 119:
"Malevolent Shrine differs from other Domains in that it does not separate space from its barrier.
Materializing an Innate Domain without closing its barrier is equivalent to painting art not on a canvas, but on air.
A truly divine technique.”
DE is, for most sorcerers, a barrier technique that closes off a volume in real space & creates a new "space" to materialize its Domain
The barrier is essentially this new space & has a new volume. The CT is also imbued into the barrier; it’s what gives rise to the sure-hit
Honestly Ch. 220 is an absolute landmark of a chapter. The dressed corpse we see Kenjaku approaching is not only the same one of the very 1st chapter cover, it's more precisely a "Sokushinbutsu": a Buddhist mummy whose sacrificial act is intended to grant them access to "Heaven"
while tying their physical entity on Earth for spiritual power (e.g. protect humans) until they re-enter the cycle of rebirth
The Sokushinbutsu is most likely Sukuna, whose urban legend inspiration talks of a mummified corpse coupled with the fact their faces look the exact same
Note that “Nihon Shoki” also places Sukuna in the Hida Province where Kenjaku finds it
Conflicting legends (as a result of territorial conquest) have the locals worship him as a benevolent guardian rather than a Calamity who is said to have introduced Buddhism to the region
Since today’s Yuji Itadori’s birthday (3/20) ☺️ here are a few fun facts about him:
• His first name 悠二 comes from Gege’s old classmate, while his surname 虎杖comes from a flower used in medicinal remedy. 虎 also means “tiger”
This flower also makes an appearance in Ch. 145
• He’s actually popular among girls! Even tho he himself doesn’t know about it, it’s mainly with girls who don’t talk about their own feelings
• Yuji is both the best cook AND singer out of the 1st year Tokyo students. How’s that for being attractive?
• Yuji’s usage of Taidō (躰道), the Manji Kick, during his Shibuya fight with Mahito was so impressive it even got a shout-out from Tetsuji Nakano, a famous Taidō martial artist who’s won many inter/national titles
It’s insane to me how Maki Zenin has been the most diversified martial artist in JJK, evident from her various arms mastery to wide breadth of fighting styles
A list of her known displayed martial arts thus far 🧵
Chinese Kenpō (中国拳法)
Basically Kung Fu, this is Maki’s foundational CQC base. Arm disabling followed by palm strikes, as well as snake fists, are some of its general applications twitter.com/i/web/status/1…
General Chinese Martial Arts (中国武術)
Playful Cloud, a 3-arm staff, is a type of weapon that originally hones from its utilization in Chinese martial arts