🤝When great minds joined forces, a remarkable initiative unfolded.🤝🧵
In May 1937, Subhash Chandra Bose organized a meeting at his residence on Elgin Road, where distinguished youth of Calcutta were in attendance.
Among the organizers was Bose's close friend, advocate Nripen Mitra. During the meeting, Bose addressed the need for a proper multipurpose gallery in the city to host special events.
A few days later, Netaji finalized the acquisition of a 38 katha land between Central Avenue and Harison Road, as advised by the Kolkata Municipal Corporation. The corporation leased the land to Bose for the nominal amount of one rupee as a gesture of support.
Bose approached Rabindranath Tagore, requesting his creative guidance and assistance in various aspects of the project, from naming to planning.
In response, Tagore named the auditorium Mahajati Sadan and entrusted the responsibility of planning to veteran architect Surendranath Kar from Shanitekan. Kar meticulously designed and executed Mahajati Sadan, incorporating Tagore's vision and Bose's inputs.
On August 19, 1939, the foundation stone of Mahajati Sadan was laid in a grand ceremony attended by Rabindranath Tagore, Bose, Dr. Bidhan Ch. Roy, & many other notable figures from Kolkata. Tagore delivered a captivating speech during the event, setting the tone for the project.
However, in 1941, Bose left the country which led to the British government declaring him a convict, resulting in the suspension of the project registered under his name. The lease was confiscated, bringing the project to a standstill.
Nevertheless, Sarat Chandra Bose & Nripen Mitra made tremendous efforts to revive and reinstate the project. After a prolonged legal battle and numerous court cases, the verdict was finally declared in their favour. The English government's decision was made illegal and invalid.
Unfortunately, significant turmoil ensued, making it challenging to resume the project. The country achieved independence in 1947, and the project regained momentum in 1948.
That year, the Mahajati Sadan bill was passed in the state assembly, officially taking the project under the government of West Bengal's jurisdiction. Construction recommenced following the original plan and was ultimately completed in 1958.
On August 19, 1958, Mahajati Sadan was inaugurated by the then Chief Minister, Dr. Bidhan Chandra Roy, who had also been present at the foundation stone-laying ceremony. During the inauguration, Dr. Roy paid tribute to the two luminaries associated with the project.
The present address of Mahajati Sadan is 166, Chittaranjan Avenue, Kolkata 007. The entrance consists of bust figures of Bose and Tagore on either side. It has a heritage auditorium inside with over 1000 seats, multiple galleries,
and a 100-seater heritage conference room. There are many rare photographs from Kolkata's history displayed inside, along with valuable paintings and portraits of luminaries.
There is a separate and permanent exhibition based on the history of the freedom movement in India and the life of Netaji inside the Sadan. However, one of the most enriching assets of Sadan is its huge library full of valuable and extremely rare resources.
After B.C Roy's death, his entire personal book collection has become a part of this library, which has been named after him. Not only B.C Roy, but the personal collections of many eminent individuals of the city have been preserved here.
Initiated and envisioned by Netaji Subhash Bose, nurtured by Rabindranath Tagore, and finally given its final form by Bidhan Chandra Roy, Mahajati Sadan is the brainchild of three geniuses and is the rarest example of such dream collaboration.
It has witnessed some of the greatest events in the country and continues to carry on its legacy to this day. Extraordinary auditoriums with modern facilities will come up in the city, but the legacy and heritage of Mahajati Sadan will live on forever.
END
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🌼 To the Origin of an Idiom, Rathyatra, & More 🛕🌼🧵
Since it's Rathyatra today, let’s talk about a very popular Bengali saying: "রথ দেখা কলা বেচা' (Rath Dekha Kola Becha), which literally translates to seeing the Rath and selling the bananas. Talking about the origin.
It means gaining double benefits from a single opportunity. Now, delving deeper into this phrase, it actually has a connection to an important ritual associated with Rathyatra celebrations.
For instance, in the Rathyatra of Mahesh and Guptipara in Bengal celebrated for over 600 and 400 years respectively and second only to Puri there is a unique tradition where ripe bananas are thrown towards the Rath by housewives and locals as it passes through the streets.
The other Raash 🧵🌼: The Raash season is on, and isn't it surprising that Nabadwip, being one of the core centers for the propagation of Vaishnavite traditions, is famous for its own Shakta Raash instead of Radha-Krishna’s Raash celebrated elsewhere. 1/10
Shakta Raash is associated with the worship of gigantic goddess idols and many unorthodox forms of the goddess, whose worship you won’t commonly see elsewhere. You will find intriguing names like Bhadrakali, Ugrachanda, Ganga, various unorthodox forms of Kali, etc., 2/10
all grand and symmetrical. Nabadwip Raash idols have their own distinctive artistry and backstory not much following the scriptures which makes it special. Tracing back how a purely Vaishnavite festival became linked to hardcore Tantrik and Shakta 3/10
🌸Decoding Mahishasurmardini 🧵
One program, 90+ years of magic —what binds us to the magic of Mahisashurmardini? Over time, glory of the broadcast has transcended into ritual, becoming almost synonymous with festival. Here, we delve into some snippets centering on the nostalgia.
Mahishasurmardini longest running broadcast of AIR, as we hear it today, mainly stands on the shoulders of three key great personalities in the history of Indian radio: Pankaj Mullick, Banikumar, and Birendrakrishna Bhadra. Pankaj Mullick was the first among this trio to join
and start working at Indian Broadcasting Company as early as September 1927. Baidyanath Bhattacharya, aka Banikumar, came next. A mixed broadcast of literature readings and live singing was the most popular broadcast, Betar Bichitra, back then.
If you were a resident of early 19-20th century Kolkata, you would have sighted a majestic European castle in the city while roaming. Yes, Calcutta did have a grand majestic castle owned by a Bengali.
In the Pathuriaghata area once existed the Tagore Castle in its full glory. The majestic castle was remodeled from the old house bought in 1820 by Kaliprasanna Tagore, who was an associate of Dwarkanath Tagore. His brother, Prasanna K Tagore, inherited the house at Pathuriaghata.
Later, Prasanna's nephew Yutindramohun Tagore inherited the property and remodeled the house into a majestic castle in 1892. The planning of Tagore Castle was inspired by the popular Windsor Castle of England. The popular Mackintosh Burn company engineered the Castle of Calcutta.
Bishnu Charan Ghosh popularized Indian Yoga in the Western world much before it came into fashion, as early as the 1930s. Alongside his son-in-law Buddha Bose, Ghosh traveled to the USA, Europe, Japan, campaigning to promote Indian yogic practices and exercises. 1/5
Ghosh's expertise lay in the Hatha Yoga sect, and he was well aware that even these skills could be used to attract crowds and attention through the display of stunts, asanas, and more. Post India's Independence, Ghosh returned to India. Bose mentored Manohar Aich, 2/5
who later gained international fame for his fitness. Bishnu Charan authored multiple tutorial books, which have received worldwide recognition. He was invited for lecture tours at renowned universities globally. 3/5
Do you know how Dolyatra got its name? ✨
One of the legends attached to Dol's origin traces back to Puri. Lord Jagannath of Puri has two representative idols (proxy metal deities) in two forms: Madanmohan in the Krishna form and Dol Govinda in the Narayan form. 1/6
Dol Govinda is worshipped along with his two consorts, Shree Devi (Lakshmi) and Bhu Devi. The idols are placed just below the wooden main Jagannath in the sanctum throughout the year. But during this specific purnima tithi, 2/6
the Dol Govinda idol is taken out from the main temple in a special traditional swing palanquin, and sevaks carry the procession of Dol Govinda touring around the temple premises, nearby houses, even from door to door. During Dol festival, the Dol Govinda is offered the dol 3/6