🤝When great minds joined forces, a remarkable initiative unfolded.🤝🧵
In May 1937, Subhash Chandra Bose organized a meeting at his residence on Elgin Road, where distinguished youth of Calcutta were in attendance.
Among the organizers was Bose's close friend, advocate Nripen Mitra. During the meeting, Bose addressed the need for a proper multipurpose gallery in the city to host special events.
A few days later, Netaji finalized the acquisition of a 38 katha land between Central Avenue and Harison Road, as advised by the Kolkata Municipal Corporation. The corporation leased the land to Bose for the nominal amount of one rupee as a gesture of support.
Bose approached Rabindranath Tagore, requesting his creative guidance and assistance in various aspects of the project, from naming to planning.
In response, Tagore named the auditorium Mahajati Sadan and entrusted the responsibility of planning to veteran architect Surendranath Kar from Shanitekan. Kar meticulously designed and executed Mahajati Sadan, incorporating Tagore's vision and Bose's inputs.
On August 19, 1939, the foundation stone of Mahajati Sadan was laid in a grand ceremony attended by Rabindranath Tagore, Bose, Dr. Bidhan Ch. Roy, & many other notable figures from Kolkata. Tagore delivered a captivating speech during the event, setting the tone for the project.
However, in 1941, Bose left the country which led to the British government declaring him a convict, resulting in the suspension of the project registered under his name. The lease was confiscated, bringing the project to a standstill.
Nevertheless, Sarat Chandra Bose & Nripen Mitra made tremendous efforts to revive and reinstate the project. After a prolonged legal battle and numerous court cases, the verdict was finally declared in their favour. The English government's decision was made illegal and invalid.
Unfortunately, significant turmoil ensued, making it challenging to resume the project. The country achieved independence in 1947, and the project regained momentum in 1948.
That year, the Mahajati Sadan bill was passed in the state assembly, officially taking the project under the government of West Bengal's jurisdiction. Construction recommenced following the original plan and was ultimately completed in 1958.
On August 19, 1958, Mahajati Sadan was inaugurated by the then Chief Minister, Dr. Bidhan Chandra Roy, who had also been present at the foundation stone-laying ceremony. During the inauguration, Dr. Roy paid tribute to the two luminaries associated with the project.
The present address of Mahajati Sadan is 166, Chittaranjan Avenue, Kolkata 007. The entrance consists of bust figures of Bose and Tagore on either side. It has a heritage auditorium inside with over 1000 seats, multiple galleries,
and a 100-seater heritage conference room. There are many rare photographs from Kolkata's history displayed inside, along with valuable paintings and portraits of luminaries.
There is a separate and permanent exhibition based on the history of the freedom movement in India and the life of Netaji inside the Sadan. However, one of the most enriching assets of Sadan is its huge library full of valuable and extremely rare resources.
After B.C Roy's death, his entire personal book collection has become a part of this library, which has been named after him. Not only B.C Roy, but the personal collections of many eminent individuals of the city have been preserved here.
Initiated and envisioned by Netaji Subhash Bose, nurtured by Rabindranath Tagore, and finally given its final form by Bidhan Chandra Roy, Mahajati Sadan is the brainchild of three geniuses and is the rarest example of such dream collaboration.
It has witnessed some of the greatest events in the country and continues to carry on its legacy to this day. Extraordinary auditoriums with modern facilities will come up in the city, but the legacy and heritage of Mahajati Sadan will live on forever.
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Not a close friendship, neither a duel. But a complex connection, taking twists through cheering for mutuals to clashes, & differences, a respectful extraordinary tie as we look into the bond of Indian cinema icons, Satyajit Ray & Ritwik Ghatak.🧵
Face of Indian cinema globally and filmmaker’s filmmaker, pillar of parallel cinema. While Ray has spoken about storytelling, human emotions, diverse narration, Ghatak has made statements on subaltern society, offbeat norms, introduced new technicalities & evocative commentary.
Different languages of cinema, but the duo had a very interesting set of equations in reality. Ray recalls meeting Ghatak first time initially during early film society meets. Ghatak heard Ray had been making a film for years, gathering little funding with multiple halts
Kachagolla Kotha 🧵😋
Subtle, simple & elegant this close dry sibling of Roshogolla has been celebrated across ages, with a dedicated royal following from Rani Bhabani to Queen Victoria, hailed among the best of Bengal's sweet platter, from Rabindranath to Sanjeev Kapoor !
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Historically, finest Kachagolla is said to have originated & popularised from Natore, as legend say, later spread to Bongaon as its hub in Bengal with a partition connect.
The origin story of Natore’s Kachagolla too isn’t very different from Jobhora or Roshogolla, much coincidental wonder to say. The origin story is tied to a century-old sweet shop run by Madhusudhan Pal in Natore, when one day his workers were absent.
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Maharaja Nandakumar Roy, the philanthropic noble native Bengali king, was made the purposeful victim of a judicial conspiracy by the colonial administration to take down his rising influence, the first of its kind in Bengal, yet he did not give up, showing incredible valour.
It was mainly the tussle between Hastings and Nandakumar, and the equation of power, which marked Kolkata’s first ill-famed judicial assassination. Nandakumar originally hailed from Birbhum’s Bhadrapur. His father served as Amin to Murshid Quli Khan.
What connects 18 time Grand Slam champion, 7 time Olympian, tennis icon of India, Leander Paes, directly to the 19th century maverick Bengali playwright Michael Madhusudan Dutta, and to Jessore & Madras? Sounds impossible, let’s connect the dots
Michael Madhusudan Dutta’s ancestry hails from Jessore, Bangladesh, from village of Sagardahi. His father was a wealthy aristocrat, a well known advocate in Dewani Court, proficient in Persian, which earned him both possessions and popularity.
Influenced by colonial lifestyle & culture, Madhusudan embraced Christianity after coming to Kolkata, joining Hindu College, for which he was eventually debarred from his ancestry. In 1848, finding limited opportunities, Dutta moved to Madras for a living.
Not only the meat-loving monk, Swami Vivekananda’s foodie voyage goes far beyond. From running food clubs to experimenting with recipes and hyping Indian cuisine abroad, this is a take on the culinary enigma of Swamiji.
On Vivekananda’s death, a popular daily wrote, The meat-loving monk passes away! A close associate of his jokingly remarked that he had preached Vedanta & biryani equally abroad. Swami Vivekananda considered physical activity & proper diet as two core principles of survival,
hence, he never imposed any dietary restrictions, rather endorsed variety & food freedom himself was an explorer of cuisines. It's said after giving diksha to followers, Swamiji first remarked, “From today you are free to eat all the 36 types of rice dishes with meat and fish!”
When Bengal's iconic Kirtan caught Jesus's message 🧵🎄
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Indeed, there exists a separate musical segment in Bengal of verse kirtan dedicated to Christ in Bengali, known as Khrishto Kirtan or Jisshu Pala Kirtan.During winter, these singers, with their harmonium, kartal, flute, sing these kirtans in morning processions across roads.
From a distance, tunes may sound similar to prevalent popular Vaishnav kirtan, but on closer listening, it's seen the lyrics are dedicated to Jesus, tales from his life. Lyrics like “Ishonandan Jishu Bhobe holen abotaar.” But how indigenous Vaishnav kirtan get its Jesus version?