Following the mainly overseas reception of Mushoku Tensei's latest episode some have gone out of their way to ridicule author to the point that certain sites have mischaracterized tweets and took away all nuance and context. All of which resulted in author being forced to clarify
Every week author does what is called live tweeting which basically implies posting thoughts on episode as it airs in real time. Giving some sort of insight to world and characters. There was nothing unusual about it at the time and noone had any objections.
That was until people picked it up and started spreading author's words in narrative that basically framed this as his response to heated controversy overseas when in fact his tweet was made before episode even came out in English, nullifying that.
The tweet in question explains RUDEUS stance on slavery in Mushoku basically saying that he doesn't have an aversion towards slaves and doesn't want to impose his own justice on world with different culture. He can't say with absolute certainity that every case is the same.
This is not a tweet targeted in response to backlash but a sudden thought during watch and such should be treated like a commentary of slaves within world as that isn't the case. The stance on this system within Mushoku is properly described within books across multiple volumes.
There is a lot to take into consideration but my point isn't to give you a summary. The point being this is a systematic mechanism heavily engrained in world by people in power and any attempt at trying to tear it apart would be made with instant retalliation and your head gone.
Some have tried to use this tweet, article and misunderstood depiction within episode to attack author and fans and basically claim that anything Rudeus does and says author agrees with. Which is simply wrong on fundamental level and I really shouldn't be saying that.
It made it so Rifujin was forced to clarify himself in a tweet now in response. Author claims that he doesn't endorse slavery and he did write Rudeus to have an aversion towards it but also brought point of it being a world where it is normalized.
This isn't a normal reaction that people should have. This work is fiction and it shouldn't be written in political correctness. There will be things you will like and even dislike and you shouldn't try to impose your justice on author like that. That's taking away creativity.
You're free to disagree with subjects depicted in work. You're free to disagree with decisions made by characters. I have no issue with people hating Rudeus, I find it perfectly understandable, he isn't someone that everyone will find appealing or root for and I get it.
But to go as far as to harass authors over decisions and trying to make everyone who even dares to like the work a villain is outright ridiculous. There is no justice served in this way as you're simply trying to forcefully moderate someone's fictional and harmless story.
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Boarded and directed by Shinpei Wada that is filled with symbolism and metaphors. The impact that Rudeus made on others and the path that people enable him to tread on. Freedom birds are a central motive and piece.
We open with a simple scene of a curtain with a light at the end of it. It can be seen as figuratively and literally in a way that it shines upon Rudeus world and in order to reach it he has to take a step. This curtain motif was present previously in attempts that hurted him.
Opened birdcage with 3 colored leathers laying next to it indicating that there were once birds trapped in it and Rudeus freed them. It is a reference to main girls which where able to change thanks to his influence. We also see a spilled drink. Just like on that night with Eris.
Regrets. Mistakes. Failures. Even after getting up we stumble across obstacles that life puts on our way. It is not easy to overcome but gradually we tend to learn. We grow. We change. We fight. In an never ending battle called life
It is clear by now that Sara was a walking Eris reminder that constantly kept bugging Rudeus with her presence and his lack of ability to read the room. Over the course of this episode we see multiple doubts that he himself feels but also some that are suggested to him by others.
The very scene in bed and justification is specifically designed to mirror that from season 1 with some, I'm almost confident similar frames and Sara claiming to have done it out of obligation. The scene had a very tough to convey the considering nature of problem.
Introduction of a story taken from extra chapter necessary for future development. The worrying signs are partially true as even with change of staff, the show retains segmented aspects that made people love Mushoku so much.
I personally believe that this could have been used as an OVA instead of a season opener due to its contents that slighlty require remembering what happened in season 1 to avoid confusion. Most episode was spent on Asura's politics and showing us what Sylphie was going through.
The delivery was rather straight forward with not to many aspects that require explanation, however the amount of new or updated information can feel a bit overwhelming, especially if politics is not someone's cup of tea. We got to meet new faces that actually made cameo in S1.
Hell's Paradise is a peculiar production. Argueably Mappa's biggest underwhelming show from recent memory. There is no reason to deny enjoyment from people but simply ignoring criticism wouldn't lead to any conensus. Let's try having an open mind and discuss the topic.
Question: Has Mappa sacrificed Jigoku for Jujutsu?
Answer: Mappa has "sacrificed" Shingeki for Jigoku. The reason being that they share the same Animation Producer, Wataru Kawagoe, therefore if there was any prod which had any possible affect it would be this.
Animation Producer is a role whose task is to contact animators, gather team and handle all logistics behind this process. Of course people have limited time and you can only have enough animators so when you make too many shows, the lack of resources starts being an issue.
The curse cannot be lifted as long as the father exists. Unable to live a normal life Aqua is chained to this goal. Even when faced with light that could potentially save him. Using the same machinations of industry to carve his path to revenge.
One of the core themes of this episode is the distinction between various entities which are A, and Aqua (Akane kind off) with each of them having a lying persona. It begs a question where is the truth and how one is supposed to grasp it. That frustrated Aqua tremendously.
He couldn't comprehend how someone so distant could have supposedely "figured out" Ai so well and yet he failed. But what is worth noting is that whatever Akane concluded are based on her assumptions and they could have some lies in them too. Oshi no Ko loves to toy around.
Oshi no Ko is shaping up to having a blasting premiere. The new trailer just hypes up even more while obviously omitting the core of show. The idol portions are no doubt going to be amazing. That short scene of Aqua and Ruby cheering was so adorable. I can't wait for it.
Throughout the trailers and in other promotial material there is a distinctive emphasis put on the eyes which is both narratively and aesthetically important. I adore this so much, it shines like a star would which is a crucial aspect of the work.
There is not much to be said about series without going into details, there is a reason why it is this heavily anticipated other than having a very good source material, being handled by great team at Doga Kobo. That is without a doubt a key component why it looks this good.