🪔Nitya Avatars of Devi - The Devis of Kal Chakra, Rulers of Samay (Time)
🪔Do you know that in Tantra Yoga we have each day ruled by a particular Avtar of the Aadi Shakti, known as Nityas?
🪔In Ancient Vedic scriptures Tantra is said to be the outcome of the conversation between AadiMaan (Bhagwan Shiv) and AadiShakti (Devi Parvati).
Tantra means to weave or to compose, so Tantra is basically a practice of weaving the Mind and Body into a higher self. Tantra revers AadiShakti as Saguna Swarup which manifested in the form of Prakriti to create the universe by merging with Purusha (The Supreme Brahman)
🪔Let's explore the mystical world of different forms of Devi Nityas:
#SanatanaDharma #Bharat #spirituality #Hinduism
1. Devi Gita - The conversation of the Universal Creation by the Devi
Devi Gita is one of the 64 Gitas mentioned in our Vedic scriptures. It is a part of the Devi Bhagwant Puran. The composer of the Devi Bhagvat Purana Maharishi Vyas explains to his student Rishi Janamjaiya about the Himalaya Parvata and its connection with Aadi Shakti Devi herself.Devi Gita is a conversation between Aadi Shakti and King of Himalayas named "Himavat" who is called to a personification of the Himalaya mountains itself and act as guardian of the Himalayan mountains. In Devi Gita, Aadi Shakti herself describes the process of creation manifested by her Saguna Swarup and her cosmic presence in each par to of the universe.
🪔Devi Gita says: Devi Gita, Aadi Shakti herself describes the process of creation manifested by her Saguna Swarup and her cosmic presence in each par to of the universe.
🪔Devi Gita says:
🪔अधना पराभकति त परोचयमाना निबोध म ।
मदगणशरवण नितय मम नापानकीरतनम ॥
कलयाणगणरतनानामाकराया मयि सथिरम ।
चतसो वरतन चव तलधारासम सदा ॥
Meaning:Now hear attentively about the para bhakti that i am now describing to you. He who hears always my glories and recites my name and whose mind dwells always, like the incessant flow of oil, in me who is the receptacle of all auspicious qualities and guns.
🪔हतसत ततर को वापि न कदाचिदधबदपि ।
सामीपयसाषटिसायजयसालोकयाना न चषणा ॥
मतसवातोऽधिक किचिननव जानाति करहिचित ।
सवयसवकताभावातततर मोकष न वाछति ॥
Meaning:But he has not the least trace of any desire to get the fruits of his karma; yea he does not want samipya, sarsti, sayujya, and salokya and other forms of liberations! He becomes filled with devotion for me alone worships me only; knows nothing higher than to serve me and he does not want final liberation even.
🪔Devi Gita establishes the paramount nature of the Devi as AadiShakti the primordial power behind the cosmic creation which manifested into everything present in the Universe. In next parts of the thread, we will see how this omniscient, Omnipotent form of Devi or Shakti controls Kal Chakra through its different Avatars known as Nitya Devis.
1. 2. Devi Kula
The Holy text of Shakt tradition, Niruttara Tantra says:
🪔 काली तारा रक्तकलि भुवन महिषमर्दिनि | त्रिपूत त्वरिता दुर्गा विद्या प्रत्यङ्गिरा तथा || कलिकुलं स्मख्यातं श्री कुलं च परम | सुन्दरी भैरवि बाला बगला कमलापि च || धुमवती च मातङ्गि विद्या स्वप्नवती प्रिये | मधुमती महाविद्या श्री कुलं परिभाषितम ||
Meaning:The ten Devis famous as being belonging to the Kali kula, the family or group of Devi Kali are: Kali, Tara, Raktakali, Bhuvaneswari, Mahishamardini, Triputa, Tvarita, Durga, Vidya Pratyangira.
Ten Devis who belong to the Shri kula are: Tripura sundari Bhairavi Bala Bagalamukhi, Kamala, Dhumavati, Matangi, Swapnavati, Madhumati Mahavidya
DeviKula follows the form of Aadi Shakti which started creation
KaliKula follows the tradition of the "Ugra" "Aghor" swarup of the Devi which brings in destruction to end the cycle of the creation.
Hinduism has five traditions
Shaiv - Bhagwan Shiv is paramount
Shakt - Devi Shakti is paramount
Vaishnav - Bhagwan Vishnu is paramount
Smaart - Follw Puranas and Smirits and consider different forms of the god as one
Vedic - Follow Vedas and believe in Param Brahman
4. MahaVidya and DasVidyas
Mahavidya is a combination of 10 Vidya swarups of the Devi Shakti.
As per Devi Bhagwant Purana, Once Raja Daksh father of Devi Parvati hosted a yajna he did not invite Bhagwan Shiv and Mata Parvati to insult Bhagwan Shiv. When Mata Parvati came to know about the Yajna ceremony, she asked permission from the Bhagwan Shiv to attend the Yajna. Bhagwan Shiv dissuaded her from attending the Yagna by saying that Mata Parvati has not been invited. But Mata Parvati persisted that She would still go as a daughter does not require invitation to attend a ceremony hosted by her father. But Bhagwan Shiva wanted to stick to his decision, so despite insistence from Mata Parvati he tried to avoid her and tried to whisk himself away in ten different directions. Each time Bhagwan Shiv escaped, Mata Parvati appeared in a different Avtar to stop him.
So Mata Parvati manifested her Devi swarup in 10 forms known as DashVidyas.
DashVidyas are:
Das Vidyas are the called ten forms of the Truth manifested by the Mahakali the Aadi Shakti herself.
Kali - The Supreme form of Brahman and Destroyer of the time
Tara - The protector and source of all the energies
Tripura Sundari - Devi form of the beauty of three loka
Bhuvaneshvari - Matri swarup with all 14 lokas of the universe
Bhairavi - Female for of Bhairav swarup of Shiva
Chhinnamastika - Devi shakti representing the Rajas and Tamas swarups named Jaya and Vijaya
Dhumavati - Mrityu form of Devi Shakti
Bagalamukhi - Devi Shakti swarup destroying the enemies
Matangi - Tantric form of Mata Sarawati
Kamalatmika - Tantric form of Mata Laxmi
5. Nitya Swarup of Devi Tripura Sundari
As per Vedic Astronomy, The Moon has 16 kalas, or phases.
Out of these 15 are visible to us and the 16th is beyond our visibility. The 16 kalas are:
1.Amrita
2.Manada
3.Poosha
4.Tusthi
5.Pusthi
6.Rati
7.Dhruti
8.Sasichini
9.Chadrika
10.Kanta
11.Jyostna,
12.Shree
13.Preeti
14.Angada
15.Poorna
16.Poornamruta
Each Kala of Moon is ruled by a Nitya Swarup of the Devi Tripura Sundari.
Out of these, the first one, Maha Tripura sundari is the Devi para shakti herself, and the kala ruled by her is not visible to the normal mortals. Hence, we see only the other 15 kalas or phases ruled by the other nityas. In the Shri chakra these 15 Nityas are present in the innermost circle, and the Devi is in the central Bindu. These 15 Nityas rule the famous 15 letters devi mantra known as panchadasakshari Mantra.
16 Nitya Swarupa of the Devi Tripura Sundari are:
1.Maha Tripura Sundari
2.Kameswari,
3.Bhagamalini
4.Nityaklinna
5.Bherunda
6.Vanhivasini
7.Maha Vajreswari,
8.Shivadooti (Roudri)
9.Twarita
10.Kulasundari
11.Nitya,
12.Neelapataka
13.Vijaya
14.Sarvamangala
15.Jwalamalini and
16.Chidroopa or Chitra
These 15 Nityas in the form of the 15 Tithis (phases of the Moon) have two aspects each Prakashamsa, which rules the day portion of the Tithi, and Vimarshamsa, which rules the night part of the Tithi.
At night they collect the divine nectar and during the day they release it. On poornima or full moon day all the 15 Nityas are in the moon and the moon is shining brightly. On the 1st thithi after the poornima, i.e. , Pratipada, one nitya leaves the moon and goes to the sun and the moon is reduced slightly in size. On the next dwiteeya tithi another nitya leaves the moon and goes to the sun and the moon is further reduced in size. This way they leave one by one till the moon becomes totally dark on the 15th day, which is called Amavasya or the new moon day. This is known as Krishna paksha or the waning phase.
After Amavasya they return one by one on each tithi and the moon starts shining again till its full on the poornima whenthe last nitya returns to it. This is called Shukla paksha. Kameswari to Chitra are the nityas ruling the krishna paksha tithis from pratipada to Amavasya. In shukla paksha the order of the Nityas is reversed, i.e., Chitra to Kameswari. The Nitya of the Asthami or 8th Tithi, Twarita, is common and constant to both the pakshas. Hence, she adorns the crown of Devi.
One Krishna paksha and one Shukla paksha form a 30-day lunar month. 12 such months form a 360-day lunar year. Multiplied by 2 (the day and night aspects of the Nityas/Tithis) we have 720 aspects of the Nitya Devis in a year. This way, they rule the day, the night, the days, months, seasons and the years. Furthermore, each aspect of a Nitya rules 100 Naadis in our body. This way they rule the 72000 Naadis in our body, with ever changing moods and physical results in human lives.
The Nityas or eternities of Lalita represent the fifteen lunar days or Tithis of the waxing moon. Each has her own yantra, mantra, tantra and prayogas or ritual applications. The full circle of the Nityas also represents the 21,600 breaths a human being takes in a full day and night. As such, the nityas are the Kalachakra, or wheel of time. The 15 nityas are modifications of lalita with her three guns and her five elements of aether, air, fire, water and earth. As the moon remains itself, though appearing differently according to phase, so too does lalita. Each Nitya has her own vidya (that is mantra), yantra and group of energies (Shaktis).
The 15 lunar tithis, are to be regarded as identical with the fifteen nityas (kameshvari to citra). The sixteenth kala called sadakhya should be viewed as one with lalita or the supreme deity herself. In other words, one has to feel that what appears in kalacakra is nothing but an expression of what exists eternally as nityas in the supreme sri cakra itself. The tithi-cakra or the wheel of time is constantly revolving and the sri cakra is within it and not without. It should also be remembered that from the standpoint of an esoteric yogin the tithis are in the last analysis to be identified with the 21600 Shvasas (breaths) supposed to be the average number of breaths per day of a normal human being.
Hence lalita or tripurasundari is the 16th day or full moon, with her 15 digits. Each of the nityas has a certain number of arms, the totality of arms (= rays) of the whole circle being 108. Because any unit of time is taken as a parallel of any other valid unit, so each of the fifteen Nityas has 1,440 breaths. This identity between space, time, Tripurasundari and the individual is elaborated at great length in the Tantraraja Tantra Text. The Nityas are the vowels of the Sanskrit alphabet and are identical with both time and space. For example, if the number of tattvas or consonants (36) are multiplied by the 16 Nityas the number of letters is 576.
The multiples of this number provide the number of years in the different yugas. So the circle of the Matrikas and the Nityas is identical with the sidereal zodiac as well as mantra. The ancient scriptures nitya shodasarnava tantram, srividya vilasam, vamakeswara tantram, tantraraja tantra and mantra ratnakaram have specified that the 15 nityas must be worshiped in the srichakra central triangle, anticlockwise, and the 16th nitya, maha tripura sundari must be worshiped in the bindu. The worship of the nitya devis connected with the phases of the moon is an important aspect of tantriak worship.
6. Kameshvari Nitya - Ichha Devi
The first Nitya in the cycle is Kameshvari, a name which means Devi of Kama (desire). Her vidya mantra according to the Tantrarajatantra, is:
ऐं हरिम श्री आम ऐं सा का ला हरिम नित्यक्लिन्ने मदद्रावे सौह अं कामेश्वरी नित्य श्री पादुकान पूज्यमी तर्पयामि नमः।i
The tantra gives her dhyana image as red like 10 million dawn suns, having a diadem of rubies, wearing throat ornaments, necklaces, waist chains and rings. She is red, has six arms and three eyes, and bears a crescent moon, smiling softly. She holds a bow of sugar cane, flowering arrows, noose, goad, and a nectar-filled begemmed cup, showing the mudra of bestowing boons.
The five arrows of desire (kama) in the five petals are longing, maddening, kindling, enchanting and wasting. These five kamas are five forms of kamadeva, lalita as Krishna, who are Kamaraja (Hrim), Manmatha (Klim), Kandarpa (Aim), Makara (Blum) and Manobhava (Strim) with the colours yellow, white, red, purple and blue. Each of the Kamadevas has two eyes and two arms, the hands holding sugar cane bow and flowering arrows, the very form of the five elements.
7. Bhagamalini Nitya
Second Nitya is Bhagamalini Nitya. Her name refers to the flowering yoni, is the second of the cycle of the waxing moon and has a remarkable and very long vidya mantra:
She has six arms, three eyes, sits on a lotus and holds in her left hands a night water lily, a noose and a sugar cane bow and in her right a lotus, a goad and flowering arrows. Around her is a host of shaktis all of whom look like her, according to the Tantrarajatantra.
Pic Credit: ()
8. Nityaklinna Nitya
Her name means wet Nitya, or always wet. The third nitya's mantra is:
She is surrounded by 19 shaktis, according to the Tantraraja, who are kshobhini, mohini, lila, nitya, niranjana, klinna, kledini, madanatura, madadrava, dravini, vidhana, madavila, mangala, manmatharta, manashvini, moha, amoda, manomayi, maya, manda and manovati. The Nityaklinna herself, the same tantra says, is restless with desire, smeared with red sandal paste, wears red clothes, smiles, has a half moon on her head, and holds noose, goad, cup and makes the mudra dispelling fear.
Pic Credit: (…)
9. Bherunda Nitya
Bherunda, the fourth nitya, has three eyes and eight arms, with her body the colour of molten gold, wearing beautiful ornaments on her hands, feet, arms and around her waist. She smiles sweetly with her hands holding noose, goad, shield, sword, mace, thunderbolt (vajra), bow and arrow.
The vidya mantra is:
ओम हरिम श्री मि ओम चरोम भ्रमं करों झमरौं छ्राउं जरौँ स्वाहा मि भेरुंदा नित्या श्री पादुकाँ पूज्यमी तर्पयामि नमः
Using her mantra destroys poison.
10. Vahnivasini Nitya
Vahnivasini is the fifth Nitya (eternity) in the cycle, her name meaning the dweller in fire.
Her Vidya mantra is:
ॐ हरिं वह्निवासिन्यै नमः।I
The shaktis in the eight trikonas are Jvalini, Visphulingini, Mangala, sumanohara, Kanaka, Ankita, Vishva and Vividha. In the 12 petals are the 12 signs of the Hindu (sidereal) zodiac.
She is described in the tantraraja as having four arms, three eyes, garmented in red, red in colour, wearing red jewels and strewn with red flowers, wearing a crown of rubies. She sits on a throne on a golden boat which floats on an ocean of blood, and holds noose, goad, sugar cane bow and flowering arrows. She is surrounded by a host of Shaktis similar to her and sways while she smiles mercifully.
12. Duti Vidya
7th Nitya is also called Shiva Duti Nitya as she made Bhagwan Shiv her massenger (Duti). She has eight arms and three eyes
Next Nitya is Tvarita (Swift). She is also called Totala Devi.
Her Vidya Mantra is:
ॐ ह्रीं हुं खे च चे क्षः स्त्रिं हुं क्षे ह्रीं फट् ।I
She is called Tvarita (swift) as she grants fruit to the sadhaka quickly. She is of auspicious form, in the first flush of youth, and dark in colour. She has 3 eyes and 4 hands and her beautiful lotus- like face smiles gently. She is clad in new leaves. She is adorned with 8 fierce and great serpents of 4 kinds, and with waist chains and anklets. On her head is a crystal crown with a crest of peacock feathers. Her arms are adorned with bangles made of beautiful peacock feathers. She has an umbrella and a banner made of peacock feathers. She wears strings of (red) gunja berries around her throat, and her breasts are smeared with red sandal and kumkum. She holds noose, goad, dispels fear, and grants boons.
In front of this goddess is a black servant carrying a mace, who is worshipped for the attainment of the desired fruit. On either side of her are her two shaktis Jaya (conquering) and Vijaya (victorious) who are like her and who carry and swing gold canes.
The 8 serpents are: Ananta & Kulika, fiery in colour, each with 1000 hoods, her ear ornaments. Vasuki & shankhapala, yellow in colour, each with 700 hoods, her upper arm bangles. Takshaka & Maha Padma, blue in colour, each with 500 hoods, her girdle. Padma & kartataka, white, each with 300 hoods, her toe ornaments. Her shaktis are humkari, khechari, chandi, chedini, kahepani, strikari, dumkari, kahemakari these are similar to the lokapalas, and the shaktis in the eight petals of the yantra.
She has twelve arms and six faces, says the tantraraja text. In her right hands she holds coral mala (rosary), lotus, a gem-studded pitcher, drinking cip, lemon and displays the exposition mudra. Her left hands hold book, red lotus, golden pen, garland of gems, conch shell with the last showing the boon mudra, according to the same tantra. Around her are hosts of kinnaras, yakshas, devas and gandharvas.
15. Nitya Nitya
Her Vidya Mantra is:
न बिभेति मे न बिभेति नित्य नित्यं श्री पादुकां पूजयामि तर्पयामि नमः ।I
She is like the dawn sun, ruling the saktis of the bodily dhatus (dakini, shakini, rakini etc Yogini names), dressed in red clothes and wearing rubies. She has three eyes and 12 arms and holds in her hands noose, white lotus, sugar cane bow, shield, trident, and favour mudra, goad, book, flowering arrows, sword, skull, mudra dispelling fear.
She is nila (sapphire) in hue with five faces and ten arms, wearing red clothes and beautiful gems. Her left hands show noose, banner, shield, horn bow, and the mudra granting gifts. Her right hands show goad, dart, sword, arrows and the mudra banishing fear. She sits on a lotus surrounded by hordes of saktis like her. She rules the yakshinis and the 64 chetakas and has an uncanny collection of siddhis or magical powers to grant to her sadhaka or sadhika, including a sword unbeatable in battle (khadga siddhi), treasure, the power to see through walls (anjana), the ability to travel miles in an instant (paduka siddhi) and many more.
17. Vijaya Nitya
Her Vidya Mantra is:
ऐं ह्रीं श्रीं भा मा रा या औं ऐं विजय नित्यं श्री पादुकां पूजयामि तर्पयामि नमः।I
She has one head and 10 arms and wears a garland of human skulls but the dhyana or meditation image in the Tantraraja differs from this. There she has five heads and 10 arms which hold conch, noose, shield, bow, white lily, discus, goad, arrows and lemon.
She blesses every one of her Worshippers with auspicious results. She has two arms and one head, sits on her lotus yantra and has eyes which represent the sun and the moon, while she smiles sweetly. In her right hand she holds a citron and with the left shows the boon-giving mudra. All her 76 attendants surround her, they are solar, lunar and fiery.
She rules over the kalas (parts or digits) of the sun (12), the moon (16) and fire (10). This numbers 38 and her attendants are doubled because each is with her consort.
19. JvalaMalini Nitya
Her vidya mantra is:
ॐ नमो भगवती ज्वालामालिनी देवदेवी सर्वभूतसंहारकारिके जातवेदसी ज्वलन्ति ज्वल ज्वाला प्रज्वल प्रज्वाला ह्रीं ह्रीं हुं राम राम राम राम राम राम राम ज्वलमालिनी हुं फट् स्वाहा।I
Her name means garlanded with flames.
As the nitya of flame, she is surrounded by shaktis, each of whom resembles her and she herself has a body of flaming fire, with six faces and 12 arms. Each of her faces, each with three eyes, smile sweetly.
Her 12 hands hold noose, goad, arrow, mace, tortoise, spear, flame and she shows two mudras granting boons and dispelling fear.
The ds gives a different yantra to the tantraraja, with one of the mandalas having forty rather than 32 petals.
The shaktis and her description also show variants. She is described as sitting on a lion-seat and holds different weapons which include the damaru drum and a jar of wine.
20. Chitra Nitya
Her Vidya Mantra is:
ऐं ह्रीं श्रीं चकौं अम् चित्र नित्या श्री पादुकं पूजयामि तर्पयामि नमः।I
Her name means variegated and she wears a silk garment of different colours, has four arms, one head and holds noose, goad, and shows the gestures granting boons and dispelling fears.
21. Be very proud of your Sanatan Lineage.
Sanatan is the light and Dharma is the path.
Please share it further to spread the light of the Sanatan.
Blessings of Shri Krishna to you
Radhe Radhe
@MollyAshleySays
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🪔Did you hear of Art of Living as life changing concept in modern Spiritual discourses, but our Vedic Ancestors had already formulated their own Art of Living?
As we have seen in previous threads, Vedic age was full of mystical yet scientifically proven concepts and rules for everyday life which would create u unity between Cosmic energy and human body, human mind and human consciousness.
🪔Let's delve into the wisdom of Nitya karma, The Vedic Art of Living:
#SanatanaDharma #Hinduism #Bharat #Veda
1.What is Nitya Karma?
Nitya means daily, eternal, the rhythm of nature.
Karma means action or ritual.
🪔 Nitya Karma teaches us how to perform our daily routines in a way that brings us closer to the param Atma, The Brahmana himself, the divine Purusha who merges with Aadi Shakti to start the cycle of the cosmic creation, in every action of life.
There are 3 debts that every human is born with:
1. Deva Rin - divine; debt to the Gods
2. Rishi Rin - Seers, ancient sages of India; debt to Rishis
3. Pitr Rin - ancestors; debt to the ancestors Nitya karma teaches us how to repay these debts.
Nitya Karma teaches us that how we get rid of all of these three rinas or debts through our daily actions in everyday life.
🪔Yajur Veda 26.2 says:
यथेमां वाचं कल्याणीमावदानि जनेयः। ब्रह्म राजन्यायां शूद्राय, चार्याय च स्वाय चारणायच।।
Meaning:
Just as I am speaking these blessed words to people (without distinction), in the same way you also spread these words among all men and women – the Brahmanas, Kshatriyas, Vaisyas, Shudras and all others, whether they be our own people or foreigners.
This tells us about the importance of the Nitya Karma.
As per Mimansa Shastra of Vedic Darshan Shastra following Karma are performed to get rid of these debts mentioned above.
Nitya karma - Daily Actions
Naimittika karma - Karma performed for specific result.
Nishidha karma - Karma performed to get forbidden results.
Prayaschitta karma - Karma performed as a penance for the sins committed.
Kamya karma - Performing rituals for specific result.
Upasna - Praying to a deity or Deva for a specific result.
The foremost purpose of all these types of Karma is to cleanse the mind and purify the soul.
In Naishkarmay Sidhi it is said that:
नित्य कर्मानुष्टनत धर्मोत्पत्तिः, धर्मोत्पत्तेः पाप हनिः, ततह चित्त शुद्धिः,
ततः संसारयतात्म्य अवबोधः, ततः वैराग्यं, ततः मुमुक्षत्वम्, ततः
तदुपायप्र्येशनं, ९.
ततः सर्व कर्म-तत्-साधना सम्न्यासः, ततः योगाभ्यासः, ततः
चित्तस्यप्रत्यक्-प्रवणता, २.
ततः तत्त्व समस्यादि वाक्यार्थ परिज्ञानाम्, ततः अविद्यो-च्छेदाः, ततश्च
स्वात्मणि एव अवस्थानम्"।
Meaning:
By performing daily actions is the attainment of Dharma, the killing of sin by the attainment of Dharma, and then the purification of the mind
Then realization of the worldly Self, then detachment, then liberation, Then all action and its attainment is renunciation, then the practice of yoga, then then
That’s the solution, the direct-propensity of the mind,
Then the knowledge of the meaning of the sentence, such as the essence, the problem, then the cuts of ignorance, and then being in oneself.
2. Nitya Karma - Vedic way of Life
🪔Karavalokana - Looking at the palms of your hands
When one wakes up in the morning, one shall look at his palms reciting the below mantra.
🪔कराग्रे वसते लक्ष्मीः करमध्ये सरस्वती |
करमुले तु गोविन्दः प्रभाते करदर्शनम् ||
Meaning:
Our palms are divided in 3 parts.
Lakshmi (wealth) resides in the front of the
fingers, Saraswati (knowledge) in the middle of the palms and Govinda (karma & moksha) in the front of the wrist. First thing in the morning one should look at the palms of their hands to receive the blessings of these deities.
🪔Bhumi Vandana
Before getting out of bed and placing your feet on the ground recite the following mantra:
🪔समुद्रवासनाए देवी पार्वतस्ताना मण्डिते II
विष्णुपत्नी नमस्तुभ्यं पदपार्श्वं क्षम्स्वमे II
Meaning:
The Earth Goddess is clothed by the oceans and the majestic mountains are her breasts.
We bow with reverence to the wife of Vishnu, Mother Earth, and ask forgiveness for touching her with our feet.
🪔Abhivadnam to Matri, Pitra, Guru, Jyestha
🪔Rishi Ushana in Ushana samhita 1.30 says:
गुरुंदृष्ट्वा समुत्तिष्ठॆदभिवाद्य कृताञ्जलि: |
न तैरुपविशॆत् सार्द्धं विवदॆन्नार्थ कारणात् ||
Meaning:
On seeing an elder person, one should stand up with folded hands and salute him with abhivadanam. He should not sit at par with him or argue with him on any account.
🪔Manu smriti 2.120 says:
ऊर्ध्वम् प्राणा ह्युत्क्रामन्ति यून: स्थविर आयाति ।
प्रत्युत्थानम् अभिवादाभ्याम् पुनस् तान् प्रतिपध्यतॆ ॥
Meaning:
The pran vayu of a young man rise upwards to leave his body when an elder approaches, so only when he physically gets up to meet him, he recovers them.
🪔Manu smriti 2.121 says:
अभिवादन शीलस्य नित्यं वृद्धोप सेविनः ।
चत्वारि तस्य वर्धन्ते आयुर्विद्या यशोबलम् ॥
Meaning:
Four things are achieved by the person who always pays obeisance to elders and serves them. Longevity of life, knowledge, fame, and increase of strength.
🪔Rishi Ushana in Ushana Samhita 1.45 says:
अभिवाद्याश्च पूर्व्वन्तु शिरसावधशर्म्म च ।
ब्राह्मणक्षत्रियाद्यैश्च श्रीकामै: सादरं सदा ॥
Meaning:
The braahmans, the kshatriyas and the others desirous of glory should respectfully bow their heads to their elders and do abhivadanam.
🪔Do you know that Gurukul education system of
ancient Vedic period is responsible for existence of
the Veda and Vedic scriptures in their original form
in today's times?
🪔Lets explore this wonderful tradition of the
Vedic education system to understand the
cultural heritage it treasured and represented from
ancient Vedic times till now:
1. Four Ashrams of the Vedic Life
Under the Ashram system, the human lifespan was divided into four periods. The goal of each period was the fulfilment and development of the individual. The classical system, in the Ashrama Upanishad, the Vaikhanasa Dharmasutra, and the later Dharmashastra, presents these as sequential stages of human life and suggests ages for entry to each stage. But in the original system introduced in the early Dharmasutras, the Ashramas were four alternative available ways of life, neither shown as sequential nor with age recommendations
Brahmacharya (Student Life) - Age: Till 25 yearsBrahmacharya represented the bachelor student stage of life. This stage focuses on education and included the practice of celibacy.
Grihastha (Household Life) Age: From 25 years to 48 years. This stage referred to the individual’s married life, with the duties of maintaining a household, raising a family, educating one’s children, and leading a family-centred and dharmic social life.
Vanaprastha (Retired Life) Age: From 48 years to 72 years. In this stage, a person hand over household duties to the next generation took an advisory role, and slowly withdrew from the world.
Sannyasa (Renounced Life) Age: 72+ (or anytime)This stage was marked by the renunciation of material desires and dislikes described by a state of disinterest and detachment from material life, usually without any significant property or home (Ascetic), and focussed on Moksha, peace, and simple spiritual life. Anyone could enter this stage after completing the Brahmacharya stage of life.
Ashrama and Purushartha
The Ashramas system is one aspect of the complicated Dharma concept in Hinduism. It is combined with the concept of Purushartha, or four proper aims of life in Hindu philosophy, namely,
Dharma (piety, morality, duties)
Artha (wealth, health, means of life),
Kama (love, relationships, emotions)
Moksha (liberation, freedom, self-realization).
Each of the four Ashramas of life is a form of individual and social environment, each stage with moral guidelines, duties, and responsibilities, for the individual and for the society. Each Ashrama stage places different levels of importance on the four proper goals of life, with different stages viewed as steps to the attainment of the ideal in Hindu philosophy, namely Moksha.
For details, please refer to my thread on Vedic Rishikas:
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2. Samskara - The Vedic rules of the passage of the Life
Samskara is also known as Sanskar in traditional vocabulary. Samskaras in Hinduism are sacraments that begin with one's birth, celebrate certain early steps in a baby's growth and his or her welcome into the world in the presence of friends and family, then various stages of life such as first learning day, graduation from school, wedding and honeymoon, pregnancy, raising a family, as well as those related to final rites associated with cremation.
The word samskara is rare in the oldest layer of Vedic literature, but its roots Sam and kr occur often enough. the word appears in rig veda hymns 6.28.4 and 8.33.9, as well as other vedic texts, where the context suggests it simply means "purify, prepare". It appears in Jaimini Purva Mimamsa-sutra (500-200 BCE) many times, where it again means "prepare, perfect, polish" something, either through action, speech or mind. In sections 3.8.3, 9.3.25 and 10.2.49 of the Jaimini Purva Mimamsa-sutra, the word samskara is used to describe actions of "washing the teeth, shaving the head, cutting nails, sprinkling water" as part of a ceremony. Samskara is defined by ancient Indian scholar Shabara as, "that which prepares a certain thing or person fit for a certain purpose". Another ancient text viramitrodaya defines samskara, notes kane, as "a peculiar excellence due to performance of certain actions which resides in the soul or the body of the actor". Gautama Dharma sutra enumerates a large list of "forty outer karma samskaras" and "eight inner karma samskara (good qualities)", all of whom have the purpose of empowering a human being to discover, recognize and reach union with the brahma-atman (his or her soul, self, highest being).
40 Samaskara's of Gautam Dharma Sutra: Garbhadhana (conception),
Pumsavana (rite celebrating the fetus), Simantonnayana (parting of pregnant woman's hair in 8th month),
Jatakarman (rite celebrating the birth)
Namakarana (naming the child),
Annaprashana (baby's first feeding of solid food), Choulam (baby's first haircut, tonsure),
Upanayana (entry into school rite)
The four vows associated with vedic study: Graduation ritual at the conclusion of school; Marriage sva-dharma rite (Vivaah)
Five sacrifices to Devas, ancestors, humans, spirits, and all knowledge
Seven remembrances and donations (sacrifices) using cooked food, in the form of ancestral offerings.
Seven remembrances and donations (sacrifices) in the presence of fire (yajna), to mark harvests, seasons and deities
Seven kinds of soma sacrifices: Agnistoma, Atyagnistoma, Ukthya, Shodasin, Vajapeya, Atiratra and Aptoryama.
Shodhash Samaskar of Kalpa Shastras:
There are diverse number of samskaras in Hinduism, varying by texts between 12 and 18 in the grhyasutras (Kalpa Shastras which deal with Karma Kand part of Vedas while Upanishads deal with the knowledge part of the Vedas).
Of these, 16 are referred to as "shodasha samskaras" Garbhadan the first coming together of the husband & wife for bringing about conception.
Pumsvan ceremony performed when the first signs of conception are seen, and is to be performed when someone desires a male child.
Seemantonayan a ceremony of parting of the hairs of the expectant mother to keep her spirits high & positive. Special music is arranged for her.
Jatakarma after the birth of the child, the child is given a secret name, he is given taste of honey & ghee, mother starts the first breast-feeding after chanting of a mantra.
Nama-karana in this ceremony the child is given a formal name. Performed on the 11th day.
Nishkramana in this the formal darshan of sun & moon is done for the child.
Annaprashana this ceremony is performed, when the child is given solid food (anna) for the first time. Choodakarana Chooda means the 'lock or tuft of hair' kept after the remaining part is shaved off.
Karna-vedha done in 7th or 8th month. Piercing of the ears.
Upanayan & vedarambha the thread ceremony. The child is thereafter authorized to perform all rituals. Studies of vedas begins with the guru.
Keshanta hairs are cut, guru dakshina is given Samavartan returning to the house
Vivaha marriage ceremony (Considered most Important)
Vanprastha as old age approaches, the person retires for a life of tapas & studies.
Sanyas before leaving the body a hindu sheds all sense of responsibility & relationships to awake & revel in the timeless truth.
Antyeshthi the last rites done after the death.
🪔Did you know that in Gurukul system of Vedic culture students memorized entire Vedas and associated Scriptures by listening to their Gurus (Teachers)?
🪔Vedic education system was based on the concept of Shruti (To listen) and Smriti (To Memorize).
🪔Vedas and associated Vedic scriptures were written in Sanskrit language. It has been found in various research studies that Sanskrit language learning and speaking has a profound impact on the human brain.
🪔Let's explore the mystical. magical methods of Vedic Shruti and Smriti to understand the science behind the Vedic methods of memorization:
Human Brain is the most mysterious part of the human body, and it has been till date a mystery to the science when it comes to explanation of the Human Intuition, Dreams, Memory and Cognition.
Most potent ability brain manifest through human body is the ability to speak, learn and memorize.
Before we explore the impact of Sanskrit language on the Human brain, let us explore the parts of brain which help with speech and memory.
Human Brain is divided into four parts anatomically.
Frontal Lobe
Personality, behaviour, emotions
judgment, planning, problem solving
speech - speaking and writing (Broca's area)
body movement
intelligence, concentration, self-awareness
Parietal Lobe
Interprets language, words
sense of touch, pain, temperature
interprets signals from vision, hearing, motor, sensory and memory
spatial and visual perception
Temporal Lobe
Understanding language (Wernicke's area)
memory
hearing
sequencing and organization
Occipital Lobe
Interprets vision (colour, light, movement)
At the base is Cerebellum (Also called little brain, voluntary muscle movements and to maintain posture, balance and equilibrium)
Mass of the brain is made-up of grey matter and white matter. It consumes maximum amount of oxygen in human body.
Brain areas are divided into two parts known as - Right and Left Cerebrum. Both parts in total contain approx 86 Billion Neurons.
Gray matter makes up the the outer most layer of the brain while white matter makes up the inner layer. Gray matter is where the main processing of the information in brain happens, while white matter acts as the connector to maintain the flow of electromagnetic signals to the neurons of the grey matter for the information flow and processing.
Though Human Brain anatomy very vast and too complex to be explained here, so we jump to the parts of the brain which control Memory and speech in the next part of the thread.
For a brief on the functioning of the brain you can refer to the below link:
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2. Speech, Language, and Memory - Three Wonders of the Human Brain
Four parts which play main role in the development of the Human Speech and Language are:
Broca's Area
It was first identified by the French neurologist Pierre Paul Broca. It works as the main processing centre of the brain for the speech production and expression.
Wernicke's Area
It was identified by German Anatomist Carl Wernicke in 1867. This part of the Brain helps us to understand the meaning and reasoning of the speech.
Angular Gyrus
It connects Wernicke's area with visual Cortex to draw meaning from the things we see, and we pay attention to.
It is also called Geschwind's Housing Area after its discoverer Norman Geschwind who discovered it in 1970.
Insular Cortex
This part of the Brain controls our Consciousness, Self-Awareness, Social Emotions and All our Spiritual experiences we attain through our life.
It was discovered by Johann Christian Reil in 1809, so it is also called Reil's Island.
🪔Though these four parts of the brain manifest 100s of other functions in Human body but we will stick to the functions related to Speech, Language, memory and Consciousness as per the topic of the thread.
🪔Veda has been Sanatan (Eternal) and a symbol of
the Adi (The From less) and Anadi (The Time less)
of the cosmic knowledge.
🪔Out of four Vedas, Sam Veda has been the oldest.
and most profound source of the music used by
our Vedic ancestors in the prayers and yajnas
used for paying homage to the gods.
Let us explore the meaning of the Sam Ved and how it started the magical, blissful culture of the music in Bharat (India):
Sam Veda is one of the four Vedas which form the very basis of the Sanatan Dharma and Sanatan culture in the land of Bharat.
Word Veda originated from the root word "Vid" which means "To know".
Sam Veda has its name based on two words:
Sam comes from the word "Saman" which means "Song" and Veda means in contextual teams as "Knowledge". So, Sam Veda means Songs of the Knowledge.
Sam Veda has been called "Book of Songs", "Yoga of Songs" or "Veda of Chants" in our Vedic scriptures.
Each Veda has been divided into four parts:
Samhita liturgy and ritual
Brahmanas Instruction and context on ritual
Aranyakas Philosophical commentary on ritual
Upanishads Philosophy and spirituality
According to Rishi Patanjali, the Samaveda Samhita had 1000 Shakhas. However, only three recensions have survived. They are:
Kauthuma
Jaiminiya
Ranayaniya
Out of these three Kauthuma Shakha is most prominent.
It is made of two parts:
Archika (Verses)
Gana (Melodies)
Each Gana part corresponds to a verse in Archika.
Archika has two parts:
Purvarchika
Uttarrchika
Purvarchika contains four parts:
Agneya 114 verses for Agni
Aindra 352 verses for Indra
Pavamana 119 verses for Soma
Aranya 55 verses for Indra, Agni, Soma
Uttarchika contains 1225 verses for rituals related to the prayers to be Offered to the deities mentioned in Purvarchika.
Gana part of the Purvarchika has been divided into two parts:
Prakriti Gana
Uha Gana
There are two types of Gana melodies in Sam Veda:
Gramageya - Which can be sung publically
Aranyageya - Which are supposed to sung in the solitude of the forest.
In addition to this Chandogya Upanishad containing the
details for sacred "Om" mantra which is basis of the Vedic Vak (Shabda) and kena Upanishad which contains discussions about Brahaman (The Supreme Purusha in Veda and knowledge associated with it) are also contained in Sam Veda.
Sam Veda is linked to the music through Yajna rituals.
The yajnas, were at the very heart of the Vedic way of living. During the yajnas, it was customary to invoke and invite devas by singing hymns dear to them or dedicated to them; and to recite the mantras while submitting to them offerings (Havish) through Agni, the carrier (Havya vahana). The group of priests who sang (Samaga or Chandoga) the mantras, initially, compiled a text for their use by putting together selected mantras from Rigveda, that could be sung during the performance of a yajna or a soma yaga. That collection of lyrical mantras came to be known as Sama Veda Samhita; and was regarded as one of the three Vedas.
Out of the 1,549 mantras in Sama Veda Samhita, as many as 1,474 mantras are taken from rig veda (mainly from the eighth and the ninth mandalas). Most of the mantras are in gayatri chhandas (metre), while some are in pragatha. It is said that the term sama is composed of "sa", which stands for rik (Sound which originated RigVeda) and ama, meaning various notes.
As the Brahmandakya Upnishada 1.3.22 says:
एष उ एव साम; वाग्वै सा, आमैष, सा चामश्चेति तत्साम्नः सामत्वम् । यद्वेव समः प्लुषिणा, समो मशकेन, समो नागेन, सम एभिस्त्रिभिर्लोकैः, समोऽनेन सर्वेण, तस्माद्वेव साम; अश्नुते साम्नः सायुज्यं सलोकताम् य एवमेतत्साम वेद ॥ २२ ॥
Meaning:
This alone is also saman. Speech is indeed sa, and this is ama. Because it is sa (speech) and ama (vital force), therefore saman is so called. Or because it is equal to a white ant, equal to a mosquito, equal to an elephant, equal to these three worlds, equal to this universe, therefore this is also saman. He who knows this saman (vital force) to be such attains union with it, or lives in the same world as it.
2. Sam Ved Gana - Songs of the Gods
As we saw in previous part, during Yajna Vedic Seers would pick up relevant mantras from the Rig Veda and then these mantras would be converted to saman by turning, twisting, elongating its syllables and by inserting various modulations, rests, and other modifications. The musical effect or the floating form of the Sama gana is enhanced by the combination of Svaras and meaningless sounds called stobha (which resemble shouts of joy) such as hoyi, hoi, hova, hai, haw, oi, ai, ha, ho, uha, tayo.
This is the text for singing called Saman, expanding each mantra with notations and instructing how mantras are to be sung. Sama Gana was an integral part of a yajna. Sama represents the earliest known proof of relationship between rituals and music.
There were many styles of singing Sama. Patanjali in his Mahabhashya remarks that there were a thousand shakhas or ways of singing "Sama Sahasra Vartma Sam Veda". Some scriptures speak of thirteen samaga charyas ways of singing sama. But names of about only eleven are mentioned: Ranayaniya, Chatyamugra, Kaleya, Kalvala, Mahakaleya, Langalayana, Mahakalvala, Sardula, Langala, Kouthuma, Jaiminiya.
As we saw in the previous parts of the thread, Rik (Vac from Rig Veda) mentioned in Pratham Prapathaka (Chapter) are used as Gramageya Gana (To be sung in public or home rituals) while Riks mentioned in shat parpathaka of the Purarchika are used for Aranyagey Gana (To be sung in solitude of the forest) by Rishis living in Aranaya (Forest).
Riks included in Uttrarchika are of two types:
Uha Gana - 936
Uhya Gana - 209
Both are Atm Gana means signing within one's ownself. Since Riks of the Purvarchika are modified or combined with various sounds to make them compatible for singing, they are also called Vikriti Gana. While Uha and Uhya Gana were composed for indicating the sequence of Riks to be sung in Sama Gana.
So we have four types of Gana in Sam Veda: Gramageya Gana
Aranyageya Gana
Uha Gana
Uhya Gana
We all know about most famous Child of Mata Devki, Shri Krishna. But Shri Krishna has 7 more siblings who were elder than him. All these Children were killed by King of Mathura named Kansa who was brother of Devki.
The names of 7 siblings of Shri Krishna were:
6 Shat Garbha born as his brothers:
Smara,
Udgītha,
Pariṣvanga,
Patanga,
Kṣhudrabhṛt
Ghaṛṇi
7th sibling was Devi Yogmaya an incarnation of Maa Aadi Shakti herself.
Bhagvat Purana Skanda10, Chapter 85 and Harivansh Purana, Vishnu Parv mentions about these siblings of Shri Krishna in great details.
Lets explore about Shat Garbha and their relation with Devi YogMaya and ShriKrishna in next part of the thread.
3. Birth of Shat Garbha
As mentioned in Harivansh Purana (Which is considered a supplementary text to the Mahabharat and give details of the various family trees of the times of the Mahabharat and its main Characters), Shat Garbha were six Rishi Sons of the Maharishi Mareechi from the Swayambhu Manvatra of the Vedic Chronology, and it is first Manvantara of this Kalpa.
For Vedic time scale please refer to my threads on this topic:
Thread 1: ()
Thread 2:
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1 Kalpa is the measure of age of the universe, or one cosmic cycle and it is roughly equal to 4.32 billion Years. Each Kalpa is divided into 7 Manvantaras. Presently we are in 7rth Manvantara of the present Kalpa (Timescale for the cycle of the creation).
Maharishi Mareechi was one of the ten Manasputras of the Bhagwan Brahma.
All Shat Garbha brothers were great scholars.
Once they mocked Bhagwan Brahma on the pretext of their knowledge and skills. Bhagwan Brahma got infuriated and cursed them that in next birth they will be born as sons of a Rakshasa named Kalanemi. Even in this birth all six reborn Shat Garbha remained cursed despite their best of efforts. The curse of Bhagwan Brahma made them take another birth as the sons of the Rakshasa King Hiranya Kashyapa. In this birth they performed a very hard penance of the Bhagwan Brahma to seek the boon of immortality so that no one could including Devas, Asuras and Gandharvas could kill them. Meanwhile Rakshasa King Hiranya Kashyapa, father of Shat Garbhas upon hearing that his sons are did pray to Bhagwan Brahma for a boon, cursed his sons that they will be re-born as sons of humans and an Rakhasa only will kill. Upon hearing this curse, Shat Garbhas went to Patal Loka and slept in garbh nidra for thousands of the year to avoid taking birth as humans.
Sanatan Dharma - The Aadi and Anaadi of the Vedic knowledge
Did you know that word "Sanatan" has its roots in our Vedas?
Right now, there are so many leftist intellectuals and Politicians who are questioning the antiquity, meaning and existence of the Sanatan Dharma and word "Sanatan".
Sanskrit Shabdkosh AmarKosh written by AmarSimha, one of nine Navaratnas of the Maharaj Chandragupt Vikrmaditya says:
शाश्वतस्तु ध्रुवः नित्यसादा सनातनः
Meaning:
One which is Shashwat (Eternal), One which is Dhruva (Constant), One which is Nitya (Fixed), One which is Sada (Timeless) is called "Sanatan".
In our vedic scriptures word "Sanatan" and "Sanatan Dharma" have been mentioned hundreds of times. In Mahabharat word Sanatan has been used more than 500 times, In Ramayana word Sanatan has been used more than 10 times. In Puranas word Sanatan Dharma has been used more than 100 times. But still culturally illiterate intellectuals mock Sanatan and its 1000's-year-old heritage to demean Hindutva.
Let's explore the antiquity of our divine heritage and culture, we all so proudly call "Sanatan":
As we saw in the introduction, Sanatan is Shashwat, Dhruva, Niti and Sada. So, Sanatan represents "Aadi" and "Anandi" that is Sanatan represents something which is Formless (Aadi) and Endless (Anaadi).
Dharma comes from the root word "Dhri" which means "To hold together". This means "Sanatan Dharma" is the one which holds together the knowledge of the "Aadi" and "Anadi" which is the essence of the Vedas.
Sanatan is always manifested as Nitya Karm or daily practice based on the principles of the "Sanatan" so divinely explained in our Vedic Scriptures through the concepts of "Dharma", "Purushartha" and Samskara"
Practice of Sanatan - relates to the Dharma and one's designated Karma based on the phase of one's life and position in the human society
Principle of the Sanatan - Laws of Dharma and knowledge of the Veda
As mentioned in Mahabharat 12.289.9
न तावविदितं किम् चिं मं तु जिज्ञासते भवान् |
पृष्टेन चापि वक्तव्यं एष धर्मः सनातनः II
Meaning:
Nothing is known to you, yet you ask me.
However, one that is questioned, shall be answered.
That is Sanatan Dharma.
2. Vedas and Sanatan Dharma - The fountain of the cosmic knowledge
Meaning:
To him who shines afar, Vaisnavara, shall bards give precious things that he may go on certain paths: for Agni the immortal serves the deities, and therefore never breaks their everlasting laws.
Meaning:
Two guardians of truth, you ascend your chariot, the Satya Dharma in the supreme ether; Who Mitra and Varuna you protect, for him the honey like rain pours from heaven.
Rig Veda 3.8.1 says:
अयं मार्गः शाश्वतः अस्ति। एतेन मार्गेण सर्वे देवाः मनुष्याः च जाताः प्रगताः च। जन्माधारा मातरं मा विनाशयन्तु मानुषाः ।
Meaning:
This path is eternal. By this path all gods and men were born and progressed. Let not men destroy the mother who is the basis of birth.
Atharvaveda 10.8.23 says:
सनातनमेनमहुरुताद्या स्यात पुनण्रव् II
Meaning:
Sanatan is called which is renewed even today.
Meaning:
One should speak the truth, speak what is pleasing to him, and not speak what is unpleasant to him.
One should speak pleasant things and not lie This is the eternal religious principle or Sanatan Dharma.