Today is Maha Nabami – the final day of the annual Durga Puja worship – before the Goddess returns to her abode in Mt. Kailash on Dashami. Today, we take a look at some of the memorable moments of Durga puja on the silver screen (1/16)
It is best to start with Satyajit Ray. Ray’s first bow – "Pather Panchali"- has Durga Puja weaved into the plot intricately (2/16)
After all, who can forget the immortal sight of Apu & Durga running towards the moving train, flanked on all sides by kash flowers that herald the arrival of the festive season (3/16)
Ray’s 2nd and last Feluda film – "Joy Baba Felunath" - also uses Durga Puja as a plot element as Ray’s sleuth arrives in Benares for Puja vacation and ends up investigating an idol theft at an aristocratic Bengali household in the city (4/16)
And this particular frame of Feluda asking the idol maker if his work will be completed by Sasthi (day 1 of the Puja), is a most beloved meme for Bengalis everywhere and heralds the coming of the Goddess in its own way (5/16)
Released in 1960, "Devi" was possibly Ray’s most personal film. It had Sharmila Tagore playing young bride Doyamoyee, believed to be an incarnation of the Goddess by her father-in-law (6/16)
This sets off a generational clash between the traditionalist patriarch and his modernist son (7/16)
Soumitra Chatterjee’s Umaprasad, Doyamoyee’s husband, was in many ways an on-screen representation of Ray – the educated, scientific-minded Bengali - and was also possibly a nod to the Brahmo religious beliefs of the Ray family (8/16)
Sujoy Ghosh’s "Kahaani," starring Vidya Balan, is considered one of the best thrillers in Indian cinema. In the climax of this movie, the Bengali ritual of sindoor-khela by women wearing sarees in red & white is used in a most creative way by the director (9/16)
Amitabh Bachchan’s Bengali film, "Anusandhan," released in Hindi as "Barsaat ki ek Raat," was set in Darjeeling and gave us a memorable Durga puja spectacle: that of Big B getting the better of his bête noire Amjad Khan’s Kaliram in a dhaak beating contest (10/16)
The great Kishore Kumar provided the perfect musical backdrop with his energy-filled rendition of "Kaliram ka phat gaya dhol (Hindi) / Phete gelo Kaliram-er dhol (Bengali)" (11/16)
Rituparno Ghosh’s "Utsab" is set against the backdrop of Durga puja in an old Bengali family which brings together members of the family now spread all over, and explores many facets of human emotions. The film was widely appreciated and received a Golden Lotus award (12/16)
Kaushik Ganguly’s "Bisharjan," starring Abir Chatterjee, Jaya Ehsan and the director himself, juxtaposed the human emotions of bidding goodbye to a loved one with that of saying farewell to Ma Durga on Dashami. The film won the National Award for Best Bengali film (13/16)
The iconic dance number "Dola Re" in Sanjay Leela Bhansali’s magnum opus "Devdas," featuring Madhuri Dixit and Aishwarya Rai, was part of on-screen Durga Puja festivities (14/16)
Durga Puja also popped up in Pradeep Sarkar’s "Parineeta," Vikramaditya Motwane’s "Lootera," and more recently in "Brahmastra" and "Rocky aur Rani ki Prem Kahani" (15/16)
As you celebrate the last day of the festival, do tell us dear readers, your favorite Durga Puja moment in our films (16/16)
The high-octane trailer of #Border2 dropped recently and one character – played by Ahaan Shetty caught our eye. Shetty plays an officer of Indian Navy in the 1971 War and our thoughts went back to a real-life Indian Navy officer who left behind an eternal legacy through his actions in this war. 1/18
The INS Khukri was a Type 14 frigate of the Indian Navy in 1971. The Type 14 was a minimal anti-submarine craft, a cheaper alternative to the more expensive Type 12. They were introduced to the British Royal Navy in the early 1950s. By 1971, they were considered somewhat obsolete. 2/18
India had acquired three Type 14s, which it had named INS Khukri, Kirpan and Kuthar – all part of Western Fleet’s 14th Squadron. On the other hand, in the aftermath of the 1965 war with India, the Pakistan Navy acquired three Daphne class submarines – which it named PNS Hangor, Shushuk, and Mangro. 3/18
Sunjay Dutt enters the fray in #Dhurandhar and a familiar tune immediately starts playing – a song that has won hearts for nearly 40 years now: Hawa Hawa. Today we tell you about the fascinating yet tragic story of its OG creator. 1/20
In 1987, young Pakistani singer Hassan Jahangir became a household name with his chartbusting song – Hawa Hawa. The song became such a rage that Jahangir earned the nickname – ‘Michael Jackson of Pakistan’. 2/20
The eponymously named album sold 15 million cassettes in India – making Jahangir and Hawa Hawa a household name on both sides of the border. 3/20
There is a primary school in a quiet village in Bengal with a building named after a Venezuelan revolutionary who helped liberate much of South America. The answer lies in the long, meandering story of India–Venezuela relations. Thread. 1/22
This week, as the world awakes to one of the most startling geopolitical developments in decades — the capture of Venezuelan President Nicolás Maduro by U.S. forces in a dramatic military operation, it’s worth pausing on an unexpected tributary of history. 2/22
In a week when Venezuela has once again crashed into the global news cycle; amid dramatic claims and Washington’s familiar long shadow, it may be worth stepping away from the noise and asking a quieter question: what does Venezuela mean to India, really? 3/22
Dhurandhar has brought Lyari Town in Karachi back into the conversation. The film only touches it briefly, but there’s a side of Lyari that rarely gets mentioned beside gang violence, and it’s real and alive.
A thread on why Lyari is also called Mini Brazil. 1/20
For decades, Lyari has been known mostly for gang wars, violence, and drug problems. That history is real. Alongside all of that, something else has quietly survived there. And, that is football. 2/20
Those who watched the film may have noticed a few brief scenes where children are playing football. Of course, the film’s premise only allows it to touch on that in passing. But that small detail opens the door to a much deeper and fascinating history. 3/20
@leomessisite is in India on a three-day tour, visiting Kolkata, Hyderabad, Mumbai, and New Delhi. It’s the perfect moment to revisit how a Pakistani man born in Bhopal helped Argentina win their first World Cup. If you happen to meet Messi, you tell him this story. Thread. 1/18
To unearth the personal accounts for this immensely interesting story, we spoke to Ijaz Chaudhry, an eminent sports journalist with roots in both Pakistan and the UK who has written, reported and spoken in several prestigious sports newspapers and on TV/Radio channels. (2/18)
1978. Argentina was politically turbulent. Democracy was in tatters, the country was in the grip of a dictatorship. That year, Argentina hosted both the hockey and football World Cups. The hockey event was held in March, and the football extravaganza followed in June. (3/18)
The newly-reignited debate over Vande Mataram fanned by opportunistic political actors has again dragged a century-old cultural conversation into a culture war. But long before today’s noise, Rabindranath Tagore had already thought deeply about the song.
Thread. 1/20
Vande Mataram began as a poem in Bankim Chandra Chatterjee’s novel Anandamath (1882). Its early life was literary and regional, an invocation to a mother-figure rooted in Bengal, but it quickly became a political war-cry in the anti-colonial movement. 2/20
There should be no debate about the historic impact of Vande Mataram. It played an undeniably gigantic role in the freedom movement. It was an inspiration heard in protest marches, and used as a rallying cry by revolutionaries, students, and volunteers across the country. 3/20