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Dec 17, 2023 24 tweets 9 min read Read on X
A helpful guide to what all those "bits" of buildings are actually called: Image
The parts of an arch: Image
The elements of a doorway: Image
Types of roofs:

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Elements of interior design:
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Soffit: the flat underside of any overhanging structure, most often the edge of a roof.

Corbels: structures to help support the weight of any overhanging element, structurally important but often decorated. Image
Cornice: that "horizontal bit", projecting out and usually decorated, at the top of a building.

Dentils: those tiny, teeth-like details beneath the cornice.
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Finial: a sort of finishing decorative element at the very top of any other structure, such as a dome, tower, or spire.
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Cupola: a small structure which usually lets in light, often dome-shaped but not always, on top of a larger roof or dome.
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Arcade: any row of arches.

Blind Arcade: a purely decorative arcade which is up against a wall. Image
Pediment: the triangular or semi-circular part above a door or window, originating in classical architecture. Image
And, speaking of classical architecture, here are the different parts of a column.

(Though these terms do apply to all columns, classical or otherwise). Image
And here are the five "Classical Orders".

An Order include both the column and everything it supports. Each have different proportions, rules, and decorative features. Image
The entablature rests on top of the column. It's made up of the architrave, frieze, and cornice. Image
A colonnade is any row of columns, whether as part of another building or standalone.

And a balustrade is a row of balusters, usually as part of a railing or parapet, as here. Image
Portico: a porch leading to the entrace of a building supported by a colonnade, often with a pediment too. Image
These are some elements of Gothic architecture.

Clerestory: the upper level of windows in a church.

Pinnacles: miniature spires on top of buttresses.

Flying buttress: a buttress separated from the wall it supports by an arch. Image
Mullions are the vertical dividing elements in windows.

Tracery is the decorative, carved stonework in the upper parts of the window.

The individual windows separated by the mullions and tracery are called lights. Image
In Islamic architecture there is a wonderful feature called muqarnas.

A complex array of geometrically carved vaulting, almost like honeycomb, on the underside of arches, domes, and semi-domes. Image
The iwan is a vaulted hall walled in on three sides; the unwalled side forms a large entranceway which opens onto a central courtyard. Image
Some elements of Byzantine Architecture.

Pendentives: the convex triangles between perpendicular round arches; they create a circle on which a dome or drum can be constructed.

Drum: the cylindrical structure that supports a dome.

Semidomes... it's in the name.

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Some types of windows.

Mashrabiya: an upper-storey window which juts out and is enclosed with ornate lattices.

Venetian: one large central window flanked by two smaller ones.

Rose Window: the large, circular windows of High Gothic architecture.

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And back to where we started: a gable is the triangular wall at the end of a pitched roof. Image
Simply knowing what something is called helps to describe, understand, and even *see* it more clearly.

And, indeed, architecture is a language all of its own: the language of our streets, history, and civilisation.

When you speak that language the world comes to life.

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More from @culturaltutor

Mar 3
Friedensreich Regentag Dunkelbunt Hundertwasser is the best modern architect you've never heard of.

His philosophy was simple. As he said:

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We spend more than 90% of our time inside, so why do we design so many of our interiors like this?

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It's generic, boring, and genuinely bad for our physical and psychological health... Image
Not all interiors look like this, but too many do, and more all the time.

Grey carpets, white walls, harsh lighting, neutral colours for details, everything plastic, shiny, and rectangular.

This has become the standard for new buildings (and refurbishments) around the world. Image
A common response is that some people like it, or at least don't mind it.

Maybe, but that's the problem.

The sum of all tastes is no taste at all, and if our aim is simply to make things that people "don't mind" then we end up with blandness. Image
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Aug 21, 2025
The world's most famous neoclassical buildings are kind of boring and generic when you actually look at them.

It's even hard to tell them apart: which one below is Versailles, or Buckingham Palace?

So here's why neoclassical architecture (although it's nice) is overrated: Image
Buckingham Palace, despite being one of the world's most famous and visited buildings, is essentially quite boring and uninspiring from the outside.

There's a certain stateliness to it, but (like most big neoclassical buildings) it's really just a box wrapped in pilasters. Image
The same is true of Versailles.

Again, it's evidently pretty (largely thanks to the colour of its stone) but there's something weirdly plain about it, almost standardised.

Plus the emphasis on its horizontal lines makes it feel very low-lying, undramatic, and flat. Image
Read 26 tweets
Aug 17, 2025
These aren't castles, palaces, or cathedrals.

They're all water towers, literally just bits of infrastructure relating to water management.

Is it worth the additional cost and resources to make things look like this... or is it a waste? Image
These old water towers are an architectural subgenre of their own.

There are hundreds, mostly Neo-Gothic, and all add something wonderful to the skylines of their cities.

Like the one below in Bydgoszcz, Poland, from 1900.

But, most importantly, they're just infrastructure. Image
We don't think of infrastructure as something that can improve how a town looks and feels.

Infrastructure is necessary to make life convenient; but also, we believe, definitionally boring.

These water towers prove that doesn't have to, and shouldn't be, the case. Image
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Aug 8, 2025
If one thing sums up the 21st century it's got to be all these default profile pictures.

You've seen them literally thousands of times, but they're completely generic and interchangeable.

Future historians will use them to symbolise our current era, and here's why... Image
To understand what any society truly believed, and how they felt about humankind, you need to look at what they created rather than what they said.

Just as actions instead of words reveal who a person really is, art always tells you what a society was actually like.
And this is particularly true of how they depicted human beings — how we portray ourselves.

That the Pharaohs were of supreme power, and were worshipped as gods far above ordinary people, is made obvious by the sheer size and abundance of the statues made in their name: Image
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Aug 6, 2025
This is St. Anne's Church in Vilnius, Lithuania.

It's over 500 years old and the perfect example of a strange architectural style known as "Brick Gothic".

But, more importantly, it's a lesson in how imagination can transform the way our world looks... Image
Vilnius has one of the world's best-preserved Medieval old towns.

It's a UNESCO World Heritage Site, filled with winding streets and architectural gems from across the ages.

A testament to the wealth, grandeur, and sophistication of the Polish-Lithuanian Commonwealth. Image
Among its many treasures is the Church of St Anne, built from 1495 to 1500 under the Duke of Lithuania and (later) King of Poland, Alexander I Jagiellon.

It's not particularly big — a single nave without aisles — but St Anne's makes up for size with its fantastical brickwork. Image
Read 18 tweets

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