Happy Birthday, Michelangelo, born March 6th, 1475.
He was a truly sublime artist.
And he was a gifted *poet*, too, writing sonnets that were emotional and raw.
His poems are surprising.
They carry a weight and a sadness.
A brief sampling of his verse: 🧵👇
Sonnet VIII to Luigi del Riccio
after the death of Cecchino Bracci
"Scarce had I seen for the first time his eyes
Which to your living eyes were life and light,
When closed at last in death's injurious night
He opened them on God in Paradise. 1/
"I know it and I weep, too late made wise:
Yet was the fault not mine; for death's fell spite
Robbed my desire of that supreme delight,
Which in your better memory never dies. 2/
"Therefore, Luigi, if the task be mine
To make unique Cecchino smile in stone
For ever, now that earth hath made him dim,
If the beloved within the lover shine,
Since art without him cannot work alone,
You must I carve to tell the world of him."
3/
Sonnet XVII to Vittoria Colonna
"How can that be, lady, which all men learn
By long experience? Shapes that seem alive,
Wrought in hard mountain marble, will survive
Their maker, whom the years to dust return! 1/
"Thus to effect cause yields. Art hath her turn,
And triumphs over Nature. I, who strive
With Sculpture, know this well; her wonders live
In spite of time and death, those tyrants stern. 2/
"So I can give long life to both of us,
In either way, by colour or by stone,
Making the semblance of they face and mine.
Centuries hence when both are buried, thus
Thy beauty and my sadness shall be shown,
And men shall say, 'For her 'twas wise to pine.'" 3/
from Sonnet LXIII, after the death of Vittoria Colonna
"Love lent me wings; my path was like a stair;
A lamp unto my feet, that sun was given;
And death was safety and great joy to find 1/
"But dying now, I shall not climb to heaven;
Nor can mere memory cheer my heart's despair:
What help remains when hope is left behind?" 2/
from Sonnet LXV to Georgio Vasari, On the Brink of Death
"Now hath my life across a stormy sea
Like a frail bark reached that wide port where all
Are bidden, ere the final reckoning fall
Of good and evil for eternity. 1/
"...Painting nor sculpture now can lull to rest
My soul that turns to His great love on high,
Whose arms to clasp us on the cross were spread." 2/
The above verses were translated from the Italian by John Addington Symonds and published in 1878.
Did any of these verses speak to you? Let me know.
And if you enjoyed this thread, please do me a favor and share the first post, linked below:
Happy 126th Birthday to C.S. Lewis, born on this day, November 29, 1898.
In 1962, he was asked what books most influenced him.
He responded with a list of 10 books.
They're Great Books. I recommend you read them -- or, at least, read this thread about them:
10. George MacDonald's Phantastes
A fantasy novel about a young man searching for his female ideal in a dream-world.
Lewis once said: "I have never concealed the fact that I regard [MacDonald] as my master... I have never written a book in which I did not quote from him."
9. Virgil's The Aeneid
An epic poem that is foundational to Western literature, it tells of Aeneas's heroic journey from the fall of Troy to the shores of Italy.
Lewis once wrote:
"A man, an adult, is precisely what [Aeneas] is... With Virgil, European poetry grows up."
Long before Tolkien’s fantasy worlds enchanted us, other stories enchanted him.
Ever wonder which books sparked his imagination?
Here's a thread of 15 works — some high-brow, some low, all fascinating — that shaped Tolkien's world:
1. Beowulf
Beowulf was Tolkien's academic specialty, and he consciously drew upon it in LOTR.
Ents, orcs & elves are all taken from Beowulf.
Gollum is partly based on the monster Grendel.
And the dragon Smaug (in The Hobbit) mirrors Beowulf's dragon.
But that's not all.
Like Beowulf, LOTR also portrays a pagan, pre-Christ world but is by a deeply Christian author.
Tolkien sought to match how Beowulf nodded implicitly towards Christian eschatology through "large symbolism" about good, evil & redemptive grace but eschewed heavy-handed allegory.