There is no rope in this image. This is carved from a single block of marble.
The artist dedicated 7 years of his life to sculpt it - but what on earth inspired him to do that?
A thread... 🧵
It's called "The Release from Deception", by Italian sculptor Francesco Queirolo in 1759.
Possibly the greatest test of patience in the history of art - and not a single wrong step made in the marble.
Queirolo worked alone on his magnum opus for 7 years, without an assistant or even a proper workshop. Even other master sculptors refused to touch the delicate net in case it broke into pieces in their hands.
It depicts a fisherman being released from netting by an angel, allegorical to the man being liberated from his sins.
It is actually a self-portrait - Queirolo saw himself being freed symbolically by his own intellect (as symbolized by the flame on the angel's head).
The angel frees the man from the worldly desires that have trapped him, eluded to by the globe that she points to. Once freed, the angel guides him to the Bible resting at his feet.
Like much great art of the day, it carried a religious message - this time about sin.
A Bible passage is even carved into it: "I will break thy chain, the chain of the darkness and long night of which thou art a slave, so that thou might not be condemned with this world."
But it wasn't only faith that inspired it. In the 18th century (especially the Rococo era), artists one-upped each other to stretch the medium of marble to its extreme:
Translucent veils, perfect anatomical details, intricate folds of clothing.
A few years earlier, contemporaries of Queirolo unveiled these to utterly stunned audiences: Sanmartino's "Veiled Christ" and Corradini's "Veiled Truth".
Both of which live in the same small chapel in Naples with Queirolo's work.
Despite this competition, Queirolo blew observers away. The netting was so intricate that an 18th-century historian famously described it as "the last and most trying test to which sculpture in marble can aspire."
His masterpiece is kept at the Sansevero Chapel in Naples for which it was commissioned, along with several other miracles of marble. Easily one of the most underrated sights in all of Italy...
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Detail of the other impossible sculpture in the chapel: the “Veiled Christ”. One of the most beautiful depictions of Christ ever rendered from a block of stone - people couldn't believe it was really stone.
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This building is nearly 2,000 years old. How can something so ancient, of such scale, still be standing?
The answer might surprise you... (thread) 🧵
Rome's Pantheon (built by Emperor Hadrian between 119-128 AD) is 142 feet in diameter. Nobody has ever built a bigger unreinforced concrete dome to this day.
How on earth did they do it?
The Romans believed in wide open spaces, uninterrupted by columns and interior walls like the Greeks used. They wanted interiors to be as inspiring as the exteriors.
So, they innovated mighty hemispherical domes, setting the precedent for millennia to come.
Is it really designed to demoralize us as @TuckerCarlson says?
A thread... 🧵
Yesterday, Tucker went viral on architecture (watch the full clip):
"Buildings that are warm and human and that elevate the human spirit are pro-human. Brutalism for example, or the glass boxes that crowd every city in the US, those are not."
He is right, Brutalist architecture is anti-human. It's inextricably linked to sinister social engineering - an attempt to subdue the spirit of humans as individuals, and reduce them to property of the state.
Over 1,500 years ago, this church was hewn into a vertical cliff face 650 feet above ground - and it's still in use today.
A thread of churches in astonishing places... 🧵
1. Abuna Yemata Guh, Ethiopia (5th century)
Maybe the world's most inaccessible church - just getting there is a test of faith. It's still used by ~20 Christian clergymen to this day, and the artworks inside date to the 15th and 16th centuries.
2. Saint Michel d'Aiguilhe, France (969 AD)
It doesn't look real: set 280 feet high on a volcanic plug in dedication to the Archangel Michael. In the 12th century it was expanded and a bell tower added.
The medieval "dark ages" produced the most divine vessels of light ever seen.
Some more reasons they were anything but dark... (thread) 🧵
The Middle Ages are often considered a cultural dark age: of barbarism, ignorance, and violence. Its cultural achievements get far less attention than the Classical and Renaissance eras on either side.
Here's why the Middle Ages were in fact enchanted...
1. An enchanted worldview
Ever wonder why so many fantasy novels are set against a medieval backdrop? Medieval Europe had what’s called an “enchanted worldview.”
This painting is over 500 years old, but looks like it could have been made yesterday.
It might seem like an acid trip - it's actually the greatest warning about sin ever painted... (thread) 🧵
It was painted by Dutch artist Hieronymus Bosch in around 1510 - a triptych of oak panels that looks like this when closed (Earth on the third day of creation):
When opened, three panels are exposed:
• The Garden of Eden
• The Garden of Earthly Delights
• Hell
It was a wildly imaginative painting the likes of which had never before been seen in art..