This is Huawei's R&D Headquarters, where 25,000 people work, and it might just be the most interesting office building(s) in the world...
Officially called the "Huawei Ox Horn Campus", this vast complex — essentially a small city — was built between 2015 and 2022 to the cost of $1.5 billion in Dongguan, Guangdong Province, southern China.
It covers 1.4 million square metres and accommodates 25,000+ employees.
The Campus is divided into twelve sections inspired by cities or regions in Europe, plus 1-1 replicas of famous buildings.
They are: Paris, Oxford, Bruges, Burgundy, Fribourg, Luxembourg, Windermere, Granada, Verona, Český Krumlov, Heidelberg, and Bologna (pictured below).
Here we see the famous Radcliffe Camera at Oxford University, built in the 18th century, and its replica at Ox Horn Campus:
And here is the star of the show — a reinterpretation of Heidelberg Castle in Germany, which stands at the heart of the Campus.
The lake below and the meadows and forests around it are the "Windermere" section, named after England's largest lake.
The Old Bridge in Heidelberg, with its distinctive gateway at one end, has also been rebuilt by Huawei:
There is also a reinterpretation of Versailles in France.
Remember: these buildings are brand new, and in many cases filled with high-tech equipment and research facilities.
It may look like a museum or palace, but this is a state of the art workplace.
Inside is a replica of the Reading Room at France's National Library, complete with a colossal stained glass ceiling.
You can see how Huawei's versions are less lavish, slightly less detailed than the originals.
Still, it's hard to argue they did a bad job.
And in the Bruges section there is even a replica of Bruges' famous Belfry.
You also get a sense of how Ox Horn Campus has streets, alleys, and squares, just like any real city.
Rather than going up elevators you walk through narrow lanes — a novel approach to office design?
Large parts of Verona in northern Italy have been rebuilt by Huawei.
Including the great Castelvecchio on the banks of the Adige, built during the reign of the Scaliger Dynasty in Verona.
Notice, to the left of Huawei's version, the towers of Czechia's Český Krumlov.
And the Torre dei Lamberti, the tallest building in Verona, constructed between the 12th and 15th centuries:
Even the building adjacent to the Torre dei Lamberti, the Palazzo della Ragione, has been built by Huawei, along with the so-called "Staircase of Reason" in its courtyard.
Plus the distinctive red and white stripes of brick and tufa used in Medieval Veronese architecture.
Not to forget Verona's main square, the Piazza Erbe, with the Baroque Palazzo Maffei at its head:
In the section inspired by Burgundy there is a replica of Fontenay Abbey, a miracle of Romanesque architecture, along with the walls and towers of the town of Semur-en-Auxois:
There is also a version of Budapest's Freedom Bridge:
And in the section inspired by Fribourg, Switzerland, there is a version of the Berntor Clocktower in Murton.
The whole campus is on a much more human scale than most modern office buildings; is there something to be learned here?
The examples go on and on — there are more than one hundred buildings at Ox Horn.
And, it seems, they were chosen tastefully: these may be famous buildings, but they are hardly "iconic" structures like the Eiffel Tower.
A genuinely broad and interesting choice of architectures.
The whole campus is linked by an electric tram system nearly 8km in length — each of the twelve "towns" has at least one tram station.
The idea was to make it a car-free town.
The trams themselves were modelled on the carriages of Switzerland's legendary Jungfrau Railway:
Each section also has cafes, restaurants, shops, gyms, and other amenities — including rather grand dining halls like this one in the Bologna section.
This probably isn't what you associate with the world's largest manufacturer of telecommunications equipment.
All in all, then, Ox Horn Campus is quite the project.
It has been criticised within China for borrowing foreign styles rather than being based on traditional Chinese architecture — meanwhile critics abroad have called it kitsch, vulgar, and even "fake".
"Fake" is surely a snobbish criticism; what's wrong with recreating beloved architecture from the past?
And, besides, not everybody can travel around the world — why shouldn't architecture do the travelling instead?
Like Prague's Charles Bridge:
And, in a world where the vast majority of offices are identical skyscrapers, and most of them extremely boring, Huawei's traditionally-inspired campus is actually a rather bold and imaginative decision.
Is this really "fake"? Or is it more appealing than most office spaces?
And, most interesting of all, it flies in the face of the argument that older architectural styles are no longer practical, affordable, or possible.
Huawei built Ox Horn using modern construction methods without compromising the styles they sought to evoke — even lamp posts.
Huawei borrowed European architecture for Ox Horn Campus — could Europe borrow something in return?
This project shows what is possible with just a little bit of imagination and desire.
Would people be happier if they worked in places like this?
So... is it fake or is it charming? Is it old-fashioned or is it forwards-thinking?
At the very least, Ox Horn Campus shows that not all offices have to look the same, that glass boxes are not our only option.
Would you want to work in an office like this, or not?
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This unusual house in Turin was built 123 years ago.
It's the perfect example of a kind of architecture unique to Italy, known as the "Liberty Style".
How to make ordinary buildings more interesting? The Liberty Style has an answer...
During the 1890s there was an artistic and architectural revolution in Europe: Art Nouveau.
It means "New Art" in French, and that's exactly what it was — a whole new approach to design, whether of buildings, furniture, clothes, sculpture, or crockery.
There were many genres of Art Nouveau, but what they had in common was a commitment to traditional craftsmanship, the embrace of new materials like iron, and a turn toward flowing designs inspired by nature.
Like the Hôtel Tassel in Brussels, designed by Victor Horta, from 1893:
It's by Grant Wood (most famous for American Gothic) and it's called The Midnight Ride of Paul Revere.
Why does it look like that? Because Grant Wood had one of the most unusual styles in art history...
Grant Wood was born in 1891 in rural Iowa; ten years later the family moved to Cedar Rapids.
He worked at a metal shop, studied at arts and crafts schools in Minneapolis and Chicago, and then became a public school art teacher back in Cedar Rapids.
Humble beginnings.
In the 1920s, while working as a teacher, Wood made several trips to Europe, including a year studying at the Académie Julian in Paris.
There, like so many artists of his generation, he adopted a generic and basically unremarkable Impressionist style:
This is Mount Nemrut in Turkey, one of the strangest ancient ruins in the world.
It's a colossal, 2,000 year old burial mound on top of a mountain, surrounded by huge stone heads.
Who built it? A king who wanted to become a god...
First, where is Mount Nemrut?
It's in the Taurus Mountains, a range in south-eastern Turkey. And, rising to more than 2,000 metres, it's one of the tallest mountains in the region.
It was part of the ancient Kingdom of Commagene, a small state that fought both with and against the Roman Republic, and eventually became part of the Roman Empire.
The tomb-temple at Mount Nemrut was built in 62 BC, when Commagene was an independent kingdom.
In Medieval Europe landscape painting wasn't a genre of its own, and it hardly featured in art at all.
Notice how the background of this 11th century mural indicates the landscape merely by the generic sketch of a castle and an isolated, highly stylised tree:
This changed in the 14th century with Giotto, a revolutionary painter from Florence.
He introduced proper landscapes into his paintings: rocks, trees, flowers, and skies.
But Giotto's version of nature remains highly stylised; this is not a "realistic" landscape.
This is the American Radiator Building, a 101 year old black and gold skyscraper that's half Gothic, half Art Deco.
It's famous, but not as famous as it should be — so here's a brief history of one of the world's coolest skyscrapers...
In 1923 the American Radiator Company wanted to build a new office in New York.
This was the Golden Age of Skyscrapers: the Woolworth Building was ten years old, and the Empire State and Chrysler were less than a decade away.
So it was going to be a skyscraper... but what sort?
Enter Raymond Hood, an architect who had just won the competition to design Chicago's Tribune Tower.
Even though it hadn't yet been completed, his Neo-Gothic design was so well-received that the American Radiator Company wanted him to design their new skyscraper.