This building is nearly 2,000 years old. How can something so ancient, of such scale, still be standing?
The answer might surprise you... (thread) 🧵
Rome's Pantheon (built by Emperor Hadrian between 119-128 AD) is 142 feet in diameter. Nobody has ever built a bigger unreinforced concrete dome to this day.
How on earth did they do it?
The Romans believed in wide open spaces, uninterrupted by columns and interior walls like the Greeks used. They wanted interiors to be as inspiring as the exteriors.
So, they innovated mighty hemispherical domes, setting the precedent for millennia to come.
What made it possible was their ancient formula for concrete.
Incredibly, it wasn't until some research by MIT in 2022 that we truly understood this: the Romans' recipe involved volcanic ash which allows concrete to "self-heal".
Roman concrete had calcium carbonate lumps called "lime clasts": previously thought to be the result of poor mixing. We now know that water seeping in through cracks in the concrete dissolves the calcium carbonate, forming a solution which then recrystallizes to plug the gaps.
The volcanic ash probably came from Mount Vesuvius, near Naples. The Romans once shipped 20,000 tons of it across the Mediterranean to construct the harbour at Caesarea Maritima in Israel:
After the Roman Empire fell, the recipe was lost. Only in the 15th century, when a manuscript resurfaced with notes on the recipe, was the race to "re-invent" concrete reignited.
Even today, the concrete we use still hasn't really caught up. It might be stronger, especially when reinforced by steel bars, but it's not as evergreen - those bars tend to corrode over time.
The Pantheon boasts several other architectural innovations, too. The coffered ceiling reduced the weight of the dome, and the mix of concrete was exceptionally light by design - decreasing in density as you move up the dome.
Its most striking feature is a 27-foot wide oculus (itself contributing significant weight reduction). It is completely open to the elements and functions as the building's only light source.
Many believe it was once a giant sundial. Every year at noon on 21 April, traditionally the birthday of Rome, the sun’s rays light up the entrance.
Imagine the Emperor entering the building on such occasions being bathed in glorious sunlight...
The Pantheon's longevity is nothing short of an architectural miracle. One which weathered invasions and earthquakes for centuries.
And it will likely stand for several more millennia.
But why are there so few Roman structures that survived this perfectly?
The Romans built to resist centuries of persistent onslaught from mother nature - but not looting.
Imperial Rome's great buildings were plundered for their materials for centuries. A single quarryman once took 2,522 cartloads of travertine from the Colosseum in 1452.
The real reason we get to enjoy the Pantheon in its present condition? In 609 AD it was converted into a church by the Pope, safeguarding it from looters.
And it’s still a church to this day, named the Basilica of St. Mary and the Martyrs.
Unsurprisingly, the Pantheon's wondrous dome inspired countless more over the ages. Most notably perhaps is Brunelleschi's design in Florence. That however was built from brick - the ancient concrete formula being long since forgotten.
The Pantheon even won the endorsement of Michelangelo, architect of the dome of St. Peter's Basilica.
Seeing it for the first time in the early 1500s, he called it "an angelic and not a human design".
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There is no rope in this image. This is carved from a single block of marble.
The artist dedicated 7 years of his life to sculpt it - but what on earth inspired him to do that?
A thread... 🧵
It's called "The Release from Deception", by Italian sculptor Francesco Queirolo in 1759.
Possibly the greatest test of patience in the history of art - and not a single wrong step made in the marble.
Queirolo worked alone on his magnum opus for 7 years, without an assistant or even a proper workshop. Even other master sculptors refused to touch the delicate net in case it broke into pieces in their hands.
Is it really designed to demoralize us as @TuckerCarlson says?
A thread... 🧵
Yesterday, Tucker went viral on architecture (watch the full clip):
"Buildings that are warm and human and that elevate the human spirit are pro-human. Brutalism for example, or the glass boxes that crowd every city in the US, those are not."
He is right, Brutalist architecture is anti-human. It's inextricably linked to sinister social engineering - an attempt to subdue the spirit of humans as individuals, and reduce them to property of the state.
Over 1,500 years ago, this church was hewn into a vertical cliff face 650 feet above ground - and it's still in use today.
A thread of churches in astonishing places... 🧵
1. Abuna Yemata Guh, Ethiopia (5th century)
Maybe the world's most inaccessible church - just getting there is a test of faith. It's still used by ~20 Christian clergymen to this day, and the artworks inside date to the 15th and 16th centuries.
2. Saint Michel d'Aiguilhe, France (969 AD)
It doesn't look real: set 280 feet high on a volcanic plug in dedication to the Archangel Michael. In the 12th century it was expanded and a bell tower added.
The medieval "dark ages" produced the most divine vessels of light ever seen.
Some more reasons they were anything but dark... (thread) 🧵
The Middle Ages are often considered a cultural dark age: of barbarism, ignorance, and violence. Its cultural achievements get far less attention than the Classical and Renaissance eras on either side.
Here's why the Middle Ages were in fact enchanted...
1. An enchanted worldview
Ever wonder why so many fantasy novels are set against a medieval backdrop? Medieval Europe had what’s called an “enchanted worldview.”
This painting is over 500 years old, but looks like it could have been made yesterday.
It might seem like an acid trip - it's actually the greatest warning about sin ever painted... (thread) 🧵
It was painted by Dutch artist Hieronymus Bosch in around 1510 - a triptych of oak panels that looks like this when closed (Earth on the third day of creation):
When opened, three panels are exposed:
• The Garden of Eden
• The Garden of Earthly Delights
• Hell
It was a wildly imaginative painting the likes of which had never before been seen in art..