There's more to the world of art than Leonardo da Vinci and Pablo Picasso.
So here are 11 brilliant, beautiful, & bizarre painters you've (probably) never heard of:
1. Hans Baluschek (1870-1935)
Baluschek was fascinated by industrialisation: the rise of factories, chimney stacks, machinery, and trains, along with the lives of the people in these rapidly growing, smog-filled metroplises.
As in City of Workers, from 1920:
Baluschek's paintings feel like a world of their own — a sort of endless dream (or nightmare?) of a vast, industrial city, always at night, always filled with stories and hidden moments, seen from a thousand different perspectives.
Cinematic and compelling.
2. Tsukioka Yoshitoshi (1839-1892)
The last great master of traditional Japanese ukiyo-e prints before modernisation swept them away.
Yoshitoshi was a prolific designer of ukiyo-e who pushed the genre further than anybody had done in its three centuries of history.
Whereas the likes of Hokusai and Hiroshige are famous for their harmony and relative simplicity, Yoshitoshi embraced chaos and disorder.
His series range from comical to ghastly to gruesome to epic, and embrace everything from samurai legends to daily life.
3. Marie Spartali Stillman (1844-1927)
One of the great Pre-Raphaelite artists — this was a British movement which tried to return art to its Medieval roots of colour and detail, before the Renaissance had stripped that away.
Stillman's paintings are almost like tapestries.
She was a master of colour and texture, somehow giving her paintings a sort of shimmering quality.
And notice, in her painting of the great Italian poet Petrarch meeting his muse, Laura, her careful attention both to their clothes and to the details of Gothic architecture.
4. Thomas Chambers (1808-1869)
A rather unusual painter whose stylised scenes of ships were genuinely decades ahead of their time.
He was born in the old English port town of Whitby but moved to and became a citizen of the US.
Chambers was a modernist before modernism existed.
Chambers was not recognised for nearly a century after his life, partly because his paintings were mostly unsigned and partly because of how unusual he was.
His style is similar to Grant Wood, of American Gothic fame, with those smooth surfaces and cartoon-like forms.
5. Shen Zhou (1427-1509)
Shen Zhou was one of the later artists in the long and time-honoured tradition of landscape painting at the Chinese courts.
This was about capturing the essence of a landscape rather than its mere outward appearance.
Poetry as painting.
Many of his paintings are delightfully minimalist, giving us either details — fruit, leaves, branches, birds — or entire landscapes with the fewest possible brushstrokes.
Serene, peaceful, soothing.
6. Jacob Isaaczoon van Swaneburg (1571-1638)
He was, perhaps, a man after his time — his art harked back to the wild imaginings of Hieronymus Bosch and Pieter Brueghel the Elder.
But, if you like those painters, you'll love Isaaczoon van Swaneburg.
He embraced that same madness which teeters on the brink between genuinely horrifying and almost comically surreal.
7. Charles Meryon (1821-1868)
A fascinating man with a complex life that ended in tragedy.
Meryon always wanted to be a painter but because he suffered from severe colourblindness he could not do it.
So he turned to etching and became a master of that form instead.
Meryon produced dozens of gorgeously atmospheric, brooding, Gothic vignettes of Paris.
He had a keen eye for architecture and for the details of urban life, from clusters of weeds growing on buildings to the dingy corners and unscrupulous characters of the city.
8. Giovanni di Paolo (1403-1482)
Di Paolo was part of the "Sienese School" — this was a group of artists who held on to the old, Medieval ways of painting rather than following the new methods of the Renaissance.
Old-fashioned by design — and delightfully archaic.
If you like this sort of highly stylised, Early Renaissance art then you'll love Giovanni di Paolo.
He also made a series of illustrations for Dante's Divine Comedy which are worth looking at if only to see how Medieval people visualised that famous journey.
9. Sofonisba Anguissola (1532-1625)
One of the first female painters of the Italian Renaissance, mentioned in Giorgio Vasari's famous Lives of the Artists and apparently admired by Michelangelo.
She had a distinctive, almost pearlescent style, and a fabulous sense of humour.
For her self-portrait Anguissola painted her teacher, Bernadino Campi, while he was painting a portrait of her, thus capturing both of them of them at once.
No doubt some subtle jokes or meta-commentary going on here.
10. Samuel Prout (1783-1852)
One of the greatest watercolourists who ever lived, a self-taught artist from Plymouth in southern England who travelled around capturing ordinary street scenes whether in Britain or in Europe.
Like Meryon he was a master of architectural details.
But that's not all; Prout was also fond of ships and of the sea, and he painted these with that same ability to conjure a sense of grand scale and minute detail at once.
On the whole his art is incredibly peaceful.
11. Jacek Malczewski (1854-1929)
Jan Matejko is surely Poland's greatest painter — but Jan Malczewski, a master of Symbolism, isn't far behind.
His style is hard to explain and, true to the Symbolist creed, his meanings are even harder to decipher.
And so Malczewski's paintings are worth investigation — attempting to unravel their meaning, even when he is painting a scene from the Bible or Mythology, is always a journey for the viewer.
Besides, his use of colours and unusual angles create visual riddles of their own.
So these were just 11 of thousands of wonderful artists from around the world and across the centuries.
Leonardo and Picasso may be the most famous — but you don't have to like them.
The world of art rewards exploration, and the internet has made that simpler than ever...
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A brief guide to the Nine Circles of Hell according to Dante's Inferno...
From the things that land people in each circle (including astrology and political corruption) to how they're punished — and who else is already there:
It begins in a dark forest at midnight on Maundy Thursday, the day before Good Friday, in the year 1300.
Exactly halfway through Dante's life.
He is pursued by three beasts — a lion, leopard, and wolf — before the ghost of the ancient Roman poet Virgil saves him.
Virgil has been sent to help Dante travel through Hell on a journey of personal salvation.
They leave the forest and reach the doorway to the underworld, above which are written the words:
Why does The Lord of the Rings still look so good?
Many reasons, but here's one: Minas Tirith wasn't CGI. They built a miniature version of the city and filmed that. It looks realistic — because it was real.
And this wasn't even the biggest model they made...
Peter Jackson, director of The Lord of the Rings, loves "miniatures".
What's a miniature? You build a model of what is impossible, or difficult, to build for real.
They can be digitally enhanced, but miniatures give a texture and sense of realism that CGI can't replicate alone.
This is one of the oldest techniques in film-making, of course, going back well over a century.
A famous example is the 1927 film Metropolis.
Using foam, wood, polysterene, and just about everything else, artists and designers use miniatures to bring fictional worlds to life.
It was made by Giuseppe Arcimboldo, one of the strangest (and funniest) artists who ever lived...
Giuseppe Arcimboldo was born in Milan in the year 1526, and he spent his life working in the court of the Holy Roman Emperors.
His unusual career — during which he painted things like Four Seasons in One Face, below — came just after the High Renaissance:
During the High Renaissance painters like Leonardo, Raphael, and Michelangelo had seemingly perfected art — in their shadow, what more could be achieved?
Their work had been graceful and harmonious, defined by mellow colours and highly idealised human figures:
When talking about Gothic Architecture — the architecture of Medieval Europe between the 12th and 16th centuries — people tend to focus on the outward appearance of buildings.
We say Gothic Architecture is about things like pointed arches, flying buttresses, and gargoyles.
But there is more to Gothic Architecture than that.
Because people didn't just decide to create "Gothic" cathedrals — these buildings, and every part of them, were the logical conclusion of a whole worldview.
Such was the argument made by a writer called John Ruskin in 1853.
Here are some ways it has been remembered since, in art and architecture — beginning with this simple but moving memorial in Hungary...
It's almost impossible to understand the scale of the First World War, which lasted from 1914 to 1918, until you've seen the cemeteries that had to be created after it ended.
At the Douaumont Ossuary in France, for example, 146,000 soldiers are buried.
And so the former battlefields of France and Belgium are now home to an endless procession of memorials dedicated to the First World War, each attempting in their own way to commemorate, teach, and endure.
From the soaring spires of the Canadian National Vimy Memorial: