How did a 23-year-old produce sculptures like this?
Not only that ā he saved Christian art in the process.
Here's how he did it... (thread) š§µ
Such skill at that age seems unthinkable. In fact, Gian Lorenzo Bernini was pretty well a master by 15. How?
Well, his father was a sculptor for one thing, and nurtured him early on. At age 11, he was already sculpting marble...
But the young prodigy became driven by something greater: a flourishing Catholic faith.
By 15, he was making devotional art of martyrs, and attempting ambitious feats ā like carving flames from solid stone:
Bernini felt he was doing more than just sculpting. He thought art connected people with God, and sought to create sculptures so realistic and emotive that they could awaken people spiritually.
His devotion took him on the most prolific run of life-size masterpiece creation since Michelangelo. Backed by wealthy patrons, he did all this before turning 26:
Born 3 decades after Michelangelo died, Bernini quickly built a reputation in Rome as the "Michelangelo of his age". It wasn't long before he was producing art for the Pope himself...
By 30 he could carve anything: impossibly supple skin, horses, complex drapery ā he even mastered bronze. Some think these achievements surpassed Michelangelo on technical ability...
But he was a profoundly different artist to Michelangelo. He injected new motion into stone ā just look how different his interpretation of David was.
He was pioneering a new form of sculpture: Baroque.
He wasn't carving ideal human forms like the Renaissance artists, who turned men into god-like heroes. He was capturing real, mortal humanity ā through expressive contortions never seen before.
Renaissance art was about deeper intellectual inquiry. Baroque art was about creating a visual experience so striking that it overwhelms you.
Bernini came at a critical juncture for the Church, because the Protestant Reformation was turning people away from religious art.
Catholicism desperately needed artists to turn them back...
So, popes put him to work creating art so emotive it could draw them in. The Ecstasy of St. Teresa showed people the ecstatic joy at the moment of a religious transformation:
With these dramatic new art forms, the Catholic Church rebuilt Rome's reputation as the holy city. Bernini's sculptures were central to this lavish vision, both in humble squares and the greatest churches.
He also played a part in Rome's architectural restoration. In later life he turned to architecture, designing the colonnade of St. Peter's Square.
Some say Bernini wasn't a revolutionary (like Michelangelo) because he didn't make radical diversions from what came before. He instead iterated on the Mannerist sculptors that preceded him.
But instead of taking sculpture in new direction, Bernini took it to entirely new heights.
Through sheer pious devotion, he did things with marble that even Michelangelo couldn't...
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This is what American cities looked like a century ago.
Everything you see here was demolished.
Why? This is what happened... (thread) š§µ
At the turn of the 20th century, American cities transformed swathes of their centers into huge architectural displays ā all for great exhibitions called the World's Fairs...
St. Louis, for example, turned acres of its parks into lagoons and waterways, navigated by visitors on Venetian gondolas and electric boats. Nearly 1,500 buildings went up in achingly beautiful neoclassicism.
Less than 20 years ago, it sold for just $1,000... š§µ
The Salvator Mundi, supposedly a lost da Vinci, shocked the world in 2017 when it fetched $400m at auction (plus $50m fees) ā the highest ever.
But what could possibly make a painting worth that much? And is it even a real Leonardo?
In 2005 it was bought by a dealer at a New Orleans auction, in this condition, for $1,175. He carried it off in a trash bag to be analyzed, before eventually it was authenticated (controversially) as a Leonardo original.
America built some of the world's greatest architecture... and then demolished it.
A thread of wonders that were lost (and why)... š§µ
1. Cincinnati Library: replaced by a parking garage
The most beautiful library ever built in the US, with towering cast-iron book alcoves. An institution since 1874, it was demolished in 1955 and the library moved to a new site with more space. Today, a parking garage stands in its place.
2. The Chicago Federal Building (1905 - 1965)
Demolished to make way for larger premises that more government departments could fit into: the modernist Kluczynski Federal Building.
This is not from Medieval Europe. This was built in New Jersey ā in the 1950s.
So here's a thread of the most spectacular (and unique) churches in America... š§µ
1. Cathedral Basilica of the Sacred Heart, Newark, NJ (1954)
On a par with Europe's Gothic wonders: equal in footprint to Westminster Abbey and taller than the Notre-Dame de Paris. And inside is convincingly medieval...
2. Cathedral Basilica of Saint Louis, MO (1914)
It's hard to believe you're still in America when looking up at the vast Byzantine dome. It's also one of the world's largest mosaic collections: 41m+ tiles in total.
Whenever they tell you it can't be done in the modern age, show them Dresden.
Everything you see in the bottom image was rebuilt in the last 20 years... (thread) š§µ
The German city of Dresden was a jewelry box of Baroque beauty ā once known as the Florence of the Elbe. This is how it looked at the turn of the 20th century:
Many don't know the extent of the devastation that happened here. When Churchill turned his bombers on civilian targets in 1945 to demoralize Germany, Dresden was obliterated.
25,000 people died in one night ā and possibly far more.