The New Eminem Video is a Bud Light Commercialđź§µ
The Regime is Attempting to Get Us Back
It begins with "disturbing" bedstand, which in prior years wouldve held a bottle of whiskey, gun, coke, valium, etc.
Now, with Eminem 16 years sober, it's Liquid Death and boner pills 1/11
Liquid Death perfect symbol for Eminem's sad decline from real to phony, as Liquid Death itself was invented by a Warped Tour promoter who noticed musicians would pour water into beer cans to look cooler drinking them on stage
The video is a skin suit for this: 2/11
The rest is a commercial for Bud Light. This is obvious as Eminem sports a shirt and doesn't criticize the brand.
Why?
Because Bud Light is touchpoint in massive propaganda campaign to recapture the favor of "average American males," for its parent company and the Regime. 3/11
This campaign coalesced around the Super Bowl, when a bullpen of "right leaning" white male stars—Dana White, Kid Rock, Shane Gillis, Peyton Manning, also Post Malone (not RW)—began shilling the brand across all channels
Sure enough, in video Shane Gillis drinks Bud Light 4/11
Eminem has clearly become part of the AB InBev's campaign, which also involves the NFL. At NFL Draft in Detroit, Eminem appeared on a giant Bud Light stage to pump up the crowd. He also appeared in/"produced" the recent NFL Barry Sanders documentary on Amazon Prime. 5/11
Back to the video. A declawed version of old Eminem.
It starts with "Paul" skit, sounds just like the old him, but it's devoid of any real anger or teeth. At one point, he talks about being cancelled, but instead of using the word "tr*nny" he uses "crossdresser." 6/11
He also "attacks" mega producer Jimmy Iovine, surely one of the puppetmasters behind this massive Bud Light propaganda campaign, but then Iovine appears in the video. If he were in any way threated by Eminem, surely he would not be here. 7/11
Then, in true Big Budget commercial fashion, the video ends with a celebrity cameo that's supposed to make us soyface our *sses off.
It's Pete Davidson! The Regime's favorite rentboy. It's amazing that the two of them are finally together...I guess? It makes no sense 8/11
What's happening here should be obvious, yet for 90% of Americans it isn't.
In his treatises, Edward Bernays explains that successful propaganda initiatives occur when different entities mutual economic interests' combine to promote a message that grows said interests. 9/11
In this instance, you have a global corporation terrified of nationalism, AB Inbev, ready to spend literally billions to rehabilitate itself, as well as other brands (the NFL) and a Regime all hemorrhaging the favor of their core audience: average dudes.
The are coalescing around a few chosen "moments in culture," like Bud Light, the Draft, and Eminem, in order to forward their shared interest: recapturing average dudes. 10/11
But it's anything but sincere. Note messaging:
NO to old Eminem: anger, drugs, "hate," real political critique, anything blue collar
YES to pharma boner pills, m*sturbation, lowest bidder beer, the NFL. Pete Davidson.
Deeply cynical. And you should not fall for it. 11/11
If you're interested in this specific propaganda campaign, I've written much more about it in a longread you'll have to Google titled "Cthulhu Gazes Right."
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In 2008, Obama used popular “street artist” and weapons grade cuck Shepard Fairey’s trademark designs to break the political ad mold, a big part of the reason, imho, he was so appealing. Funny how obviously referential to communism it was even then. 1/4
Today, a less well known advertising designer named David Rudnick originated this sort of design you see everywhere. Hypermodern. Chromatic/metallic. And very deep fried. The Biden camp tried it out, and it didn’t work. 2/4
The work was done by low end, very mediocre creative agency called Mosaic, small, unknown, provincial. VERY odd they’d work for Biden campaign.
“Where good humans go to craft brands…” 🤢
And of course, I don’t even need to tell you it’s “black and woman owned”.
A precious new vein of IP: fish-out-of-water stories of Westerners living not in the third world where they become white saviors (there’s plenty of those), but in places, like contemporary Japan, where they face the opposite. 1/19
These stories are particularly interesting now, with Asia ascendant, and because they’re so rare. I can think of only two on-the-ground gonzo reports about the Tokyo underworld today. Tokyo Vice, the memoir behind the HBO show, and People Who Eat Darkness by Richard Lloyd Perry, imho the most underrated literary true crime book of all time, about the murder of a British hostess club girl in Roppongi. In Tokyo Vice, Rachel Keller also plays an Roppongi hostess club girl, an exploitative Geisha-like role we don't have in the West. 2/19
We crave this stuff, in large part because we're so sick of hearing about our place atop our own (alleged) glass floor. But since Japan and China have, unlike the West, strong immune systems against foreign meddlers, it’s unusual for these reports to make it out. 3/19
My hometown strikes again. First, Evanston became the first city in the world to offer reparations—25k one time payment to black residents.
Now, it's bringing back segregation.
1/7
I'm from the BLM-lawn-sign capital of the world. Evanston a perfect storm of AWFLness—hometown of Frances Willard, founder of Women's Temperance Movement, and heavily involved in every non-liberal liberal movement in history. 2/7
Perfect ratio of minorities and rich lefty white people to create endless cycle of ever increasing apologies and actions aimed at a problem they only make worse and worse.
So thus they come full circle back to segregation. 3/7
We are currently witnessing key moment in culture war history as a homeless encampment underneath one of LA’s most trafficked freeways, the 10, caught fire and destroyed the freeway “indefinitely.” 1/4
You can tell it’s a big deal cause they’ve trotted out “mayor” Karen Bass, all but absent at all other times, and Newsom himself to tell us that the images were seeing “may not correspond with reality” while obese trans sign language translator fills most of the screen 2/4
To put this in perspective, this would be like the 6 train shutting down service in lower manhattan indefinitely, except worse because no way around it (for eg using busses). totally crippling for LA—most restaurants for eg get their food from downtown distributors. 3/4
In roughly 2013, something unprecedented happened in American Culture; the most productive artistic culture since the Renaissance.
Culture's natural waveform began shifting rightward, just as it had in the 80s and 50s, a natural correction to dominant progressivism. 1/7
But the cultural gatekeepers, now mostly women, refused to allow this natural shift. They barred critiques and banned art/ideas that served this new demand. They knocked culture off its trajectory, freezing out natural successors, splitting culture in two: natural & unnatural 2/7
In order to satisfy the demand for SOMETHING new, they selected art and artists that upped the progressive stakes to insane/comical heights—e.g. soundcloud rappers with face tattoos, or Lizzo. 3/7
The left took over because it built a money pipeline between its (real) elite, middle, and low. The cost was massive: it had to sacrifice economic leftism and replace it with rainbow globalism (extreme financial inequality).
Some call this pipeline “patronage”
1/10
The right struggles with connecting its genuine elites to its other classes.
On the one hand, we have fake elites, the Conservatives who happily lose every battle; they’re controlled opposition. You can’t plug into them because they’re not really there. 2/10
On the other you have WWC/The Religious Right/Trump, with Trump being the first leader since Reagan to connect the dots.
The problem is this alliance is both poorly funded and ineffective at building patronage networks—especially those that use nonprofits to attack the left. 3/