WHO FRAMED ROGER RABBIT was released 36 years ago today. A groundbreaking blend of live action and animation, and one of the most popular films of director Robert Zemeckis, the behind the scenes story isn’t bad, it’s just drawn that way…
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Who Censored Roger Rabbit? Was published in 1981. A fantasy mystery novel written by Gary K. Wolf, Disney snapped up the rights immediately, thinking it perfect for a film adaptation, and hired Jeffrey Price and Peter S. Seaman to write a script.
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In 1982, Robert Zemeckis put himself forward as director but, with no hits under his belt, Disney weren’t interested. They approached Terry Gilliam but he declined. Gilliam later said “it was too much work, pure laziness on my part”.
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The script gathered until Michael Eisner became Disney CEO. He showed the script to Steven Spielberg. Spielberg didn’t want to direct but said his company Amblin Entertainment would produce. He recommended Zemeckis as director who by now had made Back to the Future.
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Spielberg’s cache in 1980s Hollywood was so huge he struck deals with Disney and Warner Bros to license their most famous cartoon characters. The WB stipulation was that they had to share equal screen time which is why Mickey Mouse and Bugs Bunny share a scene.
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There were big names considered to play Eddie Valiant. Harrison Ford was too expensive. Joe Pantoliano screen tested. Tom Hanks was seriously considered, and Eddie Murphy turned the role down.
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Zemeckis decided Bill Murray was perfect for the part. When Disney tried to contact him though, he nor his agent didn’t pick up the phone for days. As such, Zemeckis moved on and went to his next choice – Bob Hoskins.
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Hoskins told a story that after shooting wrapped his son didn’t speak to him for 2 weeks. Hoskins wasn’t sure why but found out his son was furious that his dad didn’t introduce him to Bugs Bunny.
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Title character Roger Rabbit was a melting pot of characters. The design was intended to convey the calibre of Disney, the character design of Looney Tunes and the sense of humour of Tex Avery. His face resembles a Looney Tunes character and his torso a Disney one.
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In early development, Paul Ruebens (Pee Wee Herman) was the voice of Roger. When the film was picked back up, Charles Fleischer was first choice. Fleischer said “I’m a stand-up comedian so I related more to Roger than any human characters I’ve ever played.”
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During filming, Fleischer would dress in full rabbit costume off camera and act the scene out with Hoskins. Hoskins called Fleischer “completely nuts.”
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Disney allowed 81 of their characters to make an appearance and Warners gave up 19 of their characters for the film. They did it for the very low fee of $5,00 dollars per character, reportedly so as not to sour their relationships with Spielberg.
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Jessica Rabbit was voiced by an uncredited Kathleen Turner. Amy Irving, though, was responsible for Jessica’s singing voice. Irving was married to Spielberg at the time, and sang Why Don’t You Do Right.
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Jessica Rabbit was inspired by classic 1943 Tex Avery cartoon Red Hot Riding Hood, along with film stars of the era like Lauren Bacall, Rita Heyworth and Veronica Lake.
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When they were filming, Jessica hadn’t yet been designed by the animators, so Hoskins didn’t know what she would look like. Zemeckis said “Imagine your ideal sexual fantasy.” And Hoskins later said “what I imagined was less risque than what Jessica ended up looking like.”
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Known for her alluring figure, Jessica’s bosom was designed to be gravity defying. It was animated to bounce in reverse to make Jessica’s appearance more striking.
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In casting the villain of the piece Judge Doom, Tim Curry was considered but deemed too scary. Christopher Lee turned the role down. And, reportedly, John Cleese and Sting were also in the frame at one point!
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Having just worked with him in Back to the Future, Zemeckis turned to Christopher Lloyd. Lloyd said he channelled his Star Trek character, Commander Kruge, and made the decision not to blink when on screen.
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Raoul J Raoul, the director of the Something’s Cookin’ cartoon, is played by Hollywood producer Joel Silver. He was given the gig by Zemeckis as a prank on Michael Eisner. Eisner and Silver worked at Paramount in the early 80s and couldn’t stand each other.
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Betty Boop appears and is voiced by the original voice actress, Mae Questel, the last time she voiced Betty. She was 80 years old at the time.
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There are appearances from other original voice artists too. Wayne Allwine (Mickey Mouse), Tony Anselmo (Donald Duck), and Mel Blanc (Bugs Bunny, Daffy Duck) all appear.
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There was friction over how the Looney Tunes characters should look. WB wanted to use the 1988 versions, but Zemeckis wanted to use classics from the 40s. Zemeckis sent footage with the 80s designs, WB approved the footage, and Zemeckis used the 1940s versions anyway.
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The Donald and Daffy Duck is one of the most popular. Zemeckis didn’t storyboard it, Chuck Jones did. Jones directed many Looney Tunes cartoons in the 30s and 40s and Zemeckis felt having his input would lend authenticity to the scene.
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Disney wanted Looney Tunes and Disney animator Darrell Van Citters to be hired to supervise the animations. Zemeckis though, hired Richard Williams as he had worked during the ‘golden age’ of 40s and 50s cartoons that Zemeckis was inspired by.
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Williams had 3 rules:
- The camera had to move a lot so the toons don’t look like they’ve been pasted on a background.
- Shadows and lighting were to be used to a level never done before.
- The toons were to interact with real world objects as much as possible.
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The toon movement was pre-planned and puppets stood in for the toons so Hoskins had something to work with. These stand ins were filtered out of the image and the animation composited on top.
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The majority of Hoskins’ scenes were shot against a blue screen as he was performing with animations. He said “I had to learn to hallucinate to do it. After 6 months, 16hours a day, I lost control of it, and had weasels and rabbits popping out of the wall at me."
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326 animators worked in the film and Richard Williams said that easily over one million illustrations were hand drawn for the movie.
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The animators got their moment in the limelight, too. Richard Williams does the voice of Droopy. And before the end credits when the toon are singing “Smile, Darn Ya, Smile” - that was mostly the animation team singing the song.
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Filming the octopus waiter, they had 8 puppeteers on set all operating and moving the glasses in the way they needed to, and then the octopus was drawn in afterwards. He’s on screen for about 7 seconds, but to create him took weeks.
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An example of the attention to detail is the scene below. As the lamp swings, the shadow matches it. Painstaking animation work which most people wouldn’t even notice. So, in the industry, the term “Bumping the lamp” now means to go above and beyond what’s expected.
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Initially, there were meant to be seven weasels, as a nod the 7 dwarves but they settled on 5. The leader is called Smartass and the others are called Psycho, Greasy, Wheezy, and Stupid.
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The ingredients of ‘The Dip’ are turpentine, acetone and benzene which are paint thinners, commonly used to erase animation cells. And the whimpers of the shoe were voiced by Nancy Cartwright, who would become the voice of Bart Simpson.
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There were some big changes from the book. In the book:
- The toons were stars of comic strips not movies
- It was set present day
- Roger is the one bumped off in the book but creates his own doppleganger
- Jessica is a former porn star
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The script went through a lot of versions. At different times:
- Jessica was the villain
- Baby Herman was the villain
- Doom was revealed as the hunter who killed Bambi’s mother
- In one draft, Roger died
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In the film Doom has a plan to get rid of the Red Car trolleys. This is based on reality as In the US in the 1940s, corporations got together to buy out public transport companies to increase demand for cars.
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The title was originally ‘Who Framed Roger Rabbit?’ but Disney removed the question mark. They believed film’s with question marks in titles always bombed and it was a kiss of death.
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With a cast and crew of over 800 names, Who Framed Roger Rabbit had the longest ever closing credits on original release at just over 10 minutes. Largely down to the huge animation terms of course.
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That’s all, folks. To finish, some great behind the scenes pics from the movie…
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If you liked our making of story of WHO FRAMED ROGER RABBIT, please share the opening post 😀
THE BLUES BROTHERS was released 44 years ago today. One of the most popular musical comedies and best films to come from Saturday Night Live, the making of story is like a mission from God…
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The Blues Brothers started on TV when Dan Aykroyd and John Belushi played them in a 1976 SNL sketch, and formed a real Blues Brothers band. Aykroyd liked the idea of a film and, after some moderate success with the band, approached Universal Pictures about a movie.
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Universal were interested, and Aykroyd took it upon himself to write a screenplay called The Return of The Blues Brothers. There was a problem though – he’d never written one before and produced a script of 324 page. Which would have made a film of about 5 and a half hours!
BATMAN was released 35 years ago today. One of the earliest classic superhero movies, and among the most popular of director Tim Burton. The story of how it came to the big screen will have you dancing with the devil in the pale moonlight…
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Following the huge success of Superman in 1978, Warner Bros turned to their other huge property. Superman co-writer Tom Mankiewicz was hired to write the origin of Batman. Robin featured and the villains were the Joker and the Penguin.
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After his success with Superman, WB spoke to Richard Donner about directing. He wanted Mel Gibson as Batman.
MINORITY REPORT was released 22 years ago today. The first collaboration between Steven Spielberg and Tom Cruise, and one of the most popular Philip K. Dick adaptations, the making of story will have you predicting the future…
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In January 1956, Vol. 4, No. 6 of anthology magazine Fantastic Universe was published. One of the featured stories was by popular science fiction writer Philip K. Dick. A tale of a future society with the ability to predict crime, it was called The Minority Report.
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Having co-written a successful book-to-movie adaptation of Dick’s We Can Remember It For You Wholesale (or Total Recall), writer Gary Goldman bought the rights to The Minority Report in 1992, with the intention of adapting it as a direct follow up to Total Recall.
JAWS was released 49 years ago today. Regarded the first summer blockbuster and a landmark of Hollywood, the making of story is so crazy it begs the question of how it was ever made…
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Jaws started life as a novel by author Peter Benchley. Published in 1974 it had quickly became a best-seller. Universal bought the rights and gave it to David Brown and Richard D. Zanuck to produce.
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The first person Universal hired as director was Dick Richards - a world renowned photographer who’d directed The Culpepper Cattle Co. He was sacked when he kept calling the shark a whale in studio meetings about Jaws.
SUPERMAN II was released 43 years ago today. A successful sequel and one of the most popular Man of Steel films, the behind the scenes story is as big as its three Kryptonian villains…
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Father-and-son producers Alexander and Ilya Salkind had got Superman to the big screen in 1978 and it was a huge hit. They’d been thinking about a sequel before they even had the Superman rights and had director Richard Donner shoot both films simultaneously.
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During filming Donner clashed with the Salkinds and producer Pierre Spengler often. They thought Donner was over-spending. Donner said he they wouldn’t tell him what the budget was. Tension got so bad that Donner and Ilya Salkind stopped speaking to each other.
PREDATOR was released 37 years ago this week. Among the most popular science fiction/action movies of the 1980s, and one of Arnold Schwarzenegger’s biggest films, the behind the scenes tale ain’t got time to bleed…
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In the mid-1980s there was a joke in Hollywood that after beating Ivan Drago in Rocky IV Rocky Balboa would have to fight an alien next. In response, screenwriters Jim and John Thomas took wrote a screenplay about a killer alien coming to earth. They called it Hunter.
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The Thomas’ didn’t have an agent so sneaked into 20th Century Fox and slipped their script under the door of an exec. It ended up being picked up by Fox and turned over to Joel Silver produce.