Today in pulp I take a look at back at the humble office copier!
It's a godsend to the busy office worker working on their debut novel...
The Victorian office of the future had a mimeograph machine. You turned the handle and it sharpened your pencils so you could hand copy better.
At least I think that's how it worked...
The Belle Époque French copied their documents with the Cyclostyle machine. Here a typical administrator explains its function to his enthused colleagues.
By 1902 the 'Photo Copier' had arrived. Switch on the massively powerful arc lamp and in 2 minutes you'll have a burnt office and a copy of your document!
But for many years the humble mimeograph was king of the office copiers. It could literally make money* for any office.
(*forgeries)
In the early 1950s the 'Thermo Fax' arrived, copying anything in four seconds and in seven colours. The fumes sent you doolally, but SEVEN colours!!
Then in 1959 the photocopier as we know it was born: the Xerox 914! It was the Hal 9000 of copiers: intelligent, elegant, psychopathic.
The 1959 Xerox 914 copier was way ahead of its time. It only took 21 co-workers to clear a paper jam, slightly less than today's copiers.
And by 1963 every modern office had a copier. Sadly they looked like the toast machine you get in hotels, so they mostly copied bread.
Portable photocopying was a work in progress in the 1940s...
...but by 1961 the photocopier could fit into an attaché case. Wouldn't you just love one of these for your office?
Nowadays the photocopier is just an add-on to the office printer, which of course has its own unique problems...
But let's raise three cheers* to the office copier. Like the modern office it gives the impression of doing lots of work, rather than just circulating bits of paper around for a living.
(*In triplicate)
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Today in pulp: how do you write a novel in two weeks?
Pulp writing that has to work within specific constraints, which in turn shape the nature of the story. And speed is the biggest constraint of all: you have to write quickly!
But there are ways to make it work for you...
Today a prolific author may write a book every year, but in the 1950s and '60s pulp writer sometimes had as little as two weeks to complete a 50,000 word story and have it ready for print.
That’s 25 novels a year: but at least they got Christmas off!
Writing that quickly is hard, but surprisingly liberating. Pulp writers had to go with their first ideas and had to make them work. There wasn’t time to ‘kill your darlings’ - instead you had to toughen them up and send them into battle!
Today in pulp I'm taking a look back at the Regency Romance series from Signet Books!
Signet's Regency Romance series started in the late 1970s and ran until 2006. Like its rivals Harlequin and Mills & Boone, Signet Regency Romance published a number of titles each month, often to the same formula...
Most (but not all) Signet Regency Romance covers were by Allan Kass, and I can heartily recommend Rhonda Whiting's wonderful blog about this artist, featuring hundreds of scans of his work allankass.blogspot.co.uk
What are the pulp archetypes? Pulp novels are usually written quickly and rely on a formula, but do they use different archetypal characters to other fiction?
Let's take a look at a few...
The Outlaw is a classic pulp archetype: from Dick Turpin onwards lawbreakers have been a staple of the genre. Crime never pays, but it's exciting and trangressive!
Some pulp outlaws however are principled...
As Bob Dylan sang "to live outside the law you must be honest." Michel Gourdon's 1915 hero Dr Christopher Syn is a good example. A clergyman turned pirate and smuggler, he starts as a revenger but becomes the moral magistrate of the smuggling gangs of Romney Marsh.
Given the current heatwave, I feel obliged to ask my favourite question: is it time to bring back the leisure suit?
Let's find out...
Now we all know what a man's lounge suit is, but if we're honest it can be a bit... stuffy. Formal. Businesslike. Not what you'd wear 'in da club' as the young folks say.
So for many years tailors have been experimenting with less formal, but still upmarket gents attire. The sort of garb you could wear for both a high level business meeting AND for listening to the Moody Blues in an espresso bar. Something versatile.