It’s no surprise the 33rd Olympic Games in Paris closed with a ceremony dedicated to the rebirth of Lucifer, the ‘light-bringer’ of enlightenment.
The show started with ‘The Golden Voyager,' descending from the sky, like Lucifer’s fall from heaven, leg bent and positioned like the Hanged Mans, who, in the occult, represents the ultimate surrender.
The 'Golden Voyager’ is a tie back to the Voyager Golden Records—two identical phonograph records which NASA launched aboard the 1977 Voyager spacecrafts.
The records contain sounds and images selected to portray the diversity of life and culture on Earth intended for extraterrestrial life—aliens—(or demons) to find them.
‘The Golden Voyager’ is quickly discovered by dancers dressed in gray with big eyes resembling gray aliens, representing the world’s resurrection.
Next Lucifer rises from the gray ashes, represented in the show by a glowing orange-black grand piano suspended in midair rising up from the ground.
A piano player rises with it dressed in black feathers, a costume representing the mythical phoenix, an immortal bird that cyclically regenerates or is otherwise born again.
Then, by no coincidence, a French band named Phoenix performs.
The spectacle ends with Tom Cruise jumping from the stage in Paris to a clip of him skydiving into Hollywood, handing over the games to L.A., the 2028 host city, the “city of angels”—more fallen angels for Lucifer to enlighten?
None of this Luciferian rebirth symbolism in the Olympic ceremonies should be a shock to anyone. The ancient Olympians were pagans searching for enlightenment—and it seems they are still chasing the light of this illusion today.
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