How a Kabbalist Accidentally Became an Arsonist: A True Tale of the Rabbi who Burned Down the Jewish Ghetto of Frankfurt in 1711 🔥🧵
By 1704, when he was invited to become Chief Rabbi of Frankfurt, Rabbi Naphtali Katz had gained renown throughout Ashkenaz as a Ba'al Shem—a shamanic healer, amulet writer, and kabbalist.
His tenure in Frankfurt was brief. It ended on Jan. 14th, 1711, when a fire spread from his home & reduced the Judengasse—then the largest Jewish community in Germany—to ashes.
He was arrested by German authorities on claims of arson & witchcraft and was held for five months before being exiled from Frankfurt.
Soon after the fire, this poster was hung by Christians throughout the Judengasse. The left side depicts the Jews fleeing the flames.
The right side reads (in part):
"Alas! The happiest [and] most unhappy day
On which at Frankfurt am Main
The Jewish quarter having been set ablaze
With Rabbi Naphtali the Pole being the cause
Within the space of 24 hours burned to the foundations."
How exactly did Rabbi Naphtali cause this urban wildfire? Johann Jacob Schudt, in his "Jewish Oddities"(1714, Frankfurt) records several rumors. One popular account blamed his kabbalistic malpractice...
"The Rabbi, who was a great kabbalist, had himself set the fire to show his students how he could extinguish the fire...(but) in his haste to put it out he had summoned the Prince of Fire instead of the Prince of Water & that is why the fire grew." Oops!
This is a painting made by the German Jewish artist Johann Nothnagel entitled, "Rabbi Naphtali Cohen with two Schoolchildren" (1772). It portrays this scene of angelic conjuring & accidental arson.
The Magen David image before him was part of a popular kabbalistic recipe for extinguishing fires. The radiant and hovering disk = the angelic Prince of Fire. Smoke emerges from the top right & the student's faces flash concern.
Nothnagel made a copy of this painting a few years later with one significant change: The abstract disk is replaced with a more concrete angelic figure.
Notice how this version has been modeled after another scene of angelic conjuring: Rembradnt's "Faust" (1652).
In a sort of full-circle, Rembrandt was likely modeling his portrait on tropes of Kabbalah popular during his time.
Who is the Prince of Fire (Sa'ar Ha-Esh)? Midrashic sources identify him with the archangel Gabriel.
"Michael is the angel of snow and Gabriel of fire; this one does not extinguish that one, and that one does not harm this one." (Shir Ha-Shirim Rabbah 3:11)
Sefer Ha-Razim, a magic text from the time of the Midrash, identifies two other angelic fire-archons: "Yabniel is in charge of all things concerning the igniting & extinguishing of fire... Deleqiel is in charge of flames of fire, to kindle or quench them."
Rashi (1040-1105) already reports that summoning these angels was uniquely difficult.
Interestingly, a very similar story to Rabbi Naphtali's arson is told about another Ashkenazi Ba'al Shem—The Ba'al Shem Tov/Besht. This version is from "In Praise of the Besht" (Kopust, 1814).
A second version of this story is told by a later hassidic master.
This incident would have occurred not long after 1711 (the Besht is born in 1698 & these tales occur in his youth). And, reportedly, the Besht knew of Rabbi Naphtali & mocked his ascetic model of practical Kabbalah.
The upshot? Don't start a fire to prove you can put it out + When Kabbalah is no longer theoretical but also "practical," its relationship to the elements and society is more acute & mistakes have material & historical consequences.
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No Jewish symbol is more misunderstood than the Magen David, "The Star of David." A thread on the actual connection between the Magen David & Jewish magic:
Its magical origins are obscured by the English phrase, "The Star of David," which is a poor translation of Magen David. Magen = "shield." It is a symbol of a shield, not a star. Nowhere in Jewish literature do we find the phrase "kochav David." It is the "Shield of David."
Before the modern era, we most commonly find the Magen David in amulets. Since the role of an amulet is to provide protection, and a shield is a sign of protection, they are common in Jewish amulets.
Is this actually how Ezekiel’s angelic creatures were imagined?
Well, it depends who you ask—medieval Jews or medieval Christians.
An illuminated thread.
[CGI by Spectrum Cinema]
In 1331 Nicholas of Lyra claimed that Jews & Christians imagine Ezekiel’s angels differently: “In order to grasp the imaginative vision of Ezekiel, I have placed here figures according to the description of the Latins and also of the Hebrews” (“Postilla litteralis”).
His words and accompanying diagrams of Hebrew vs Latin angels are copied hundreds of times by other medieval scribes. In this 1403 copy the two are placed on one page, the Christian view on the left and Jewish on the right. [Bodleian, MS. Laud Misc. 156]
Did an ancient group of renegade Jews invent a secret alphabet to hide something?
A Story of Discovery & Scholarship
Thread
Seventy-five years ago, a treasure trove of scrolls from an ancient sect is discovered near the banks of the Dead Sea & revolutionizes what we know about Jews in Greco-Roman Palestine. The story of those scrolls is fairly well-known.
But five years later, in 1952, another cave is uncovered nearby, with cryptic scrolls whose contents and significance are still being deciphered. This is their story.