Michelangelo never wanted to paint the Sistine Chapel—but when he defied Pope Julius II, he set off a battle of wills that would push him to the edge of madness. 🧵
Michelangelo was a sculptor at the peak of his career.
When Pope Julius II commanded him to paint the Sistine Chapel ceiling, he refused—he wasn’t a painter.
Imagine being forced to create a masterpiece you never wanted to make.
What would you have done?
Michelangelo fled Rome, hoping the Pope would forget.
Julius II, known as the “Warrior Pope,” didn’t just fight battles on the battlefield—he fought them in art, politics, and power.
He sent threats. If Michelangelo refused, his career was over.
The artist remained in Florence until the Florentine government pressed him to return to the pope.
Romantic painters didn’t just confront mortality—they transformed it into something sublime.
How did they stare into the abyss of death and find, not despair, but poetry?
… continue reading 🧵⬇️
The Romantics rejected the rigid rationalism of the Enlightenment, embracing emotion, mystery, and the supernatural.
Rather than showing lifeless bodies in grotesque realism, they infused them with poetry, framing death as an escape from suffering or a gateway to the divine.
Francisco Goya’s The Third of May 1808 (1814) captures the terror of impending death.
Goya makes death feel intimate. It is not faceless—it is the face of a man moments before the inevitable.