MONEY IN STAR TREK. We all know Trek depicts a post scarcity utopian future without capitalism…
Or does it??
Well, in TOS anyway I would argue there are many examples implying it’s an essentially capitalist society with winners and losers…
1/
Take Federation space station K-7. Clearly there is some form of monetary exchange in the bar, and Cyrano Jones is said to be making a “marginal living engaging in the buying and selling of rare merchandise.” This implies he was just making ends meet working independently…
2/
The miners on Rigel XII are described as “rich”, and can “buy a whole planet.” And in “Requiem for Methuselah”, Flint is described as “a wealthy financier and recluse” who purchased a planet. A financier is someone who raises capital for investment, typically…
3/
In “I, Mudd”, Harry Mudd goes on the run for selling the rights to a Vulcan fuel synthesizer to the Denebians without paying royalties. He also mentions selling fake patents…
4/
In “The Ultimate Computer” McCoy, referring to the M5 system, says “the government bought it and then Daystrom had to make it work,” implying such innovations were not done simply for their intrinsic usefulness but also perhaps because they enriched their inventors…
5/
Kirk mentions in “Errand of Mercy” how the Federation has “invested a great deal of money” in his training, and Lt. DeSalle famously references “credits” in “Catspaw.” And Captain Pike talks about “going into business” on Regulus or Orion in “The Menagerie”…
6/
Roddenberry was basically envisioning a Kennedy-esque, liberal democratic future, with social equality and probably economic guardrails, but with opportunities for individuals to fail or succeed on their merits and luck. But in TOS he wisely kept the situation Earth obscure…
7/
Roddenberry began implying a more socialist/utopian milieu in the 70’s and in TNG, as he leaned into the idea of “a hopeful future” being the reason for Star Trek’s success. It became his brand, but it’s also a valid interpretation of the show’s appeal…
8/
This thread is already too long, and we can certainly argue that there’s a difference between a capitalist society and one that just uses money. But I think there are enough hints in TOS that the Federation economy wasn’t radically different from Earth of the 1960’s.
/end
POSTSCRIPT. I would love to hear different takes in response to this, and I’m not necessarily implying I personally think one kind of future is better than another! I just like to point out that original Star Trek is often somewhat different from what followed. 🖖🏻
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GOOD GENES. Although Gene Roddenberry is still the name most associated with Star Trek, my sense is that Gene L. Coon has been gradually gaining recognition and, belatedly, the respect he deserves…
1/
While I have a particular fondness for early first season TOS, when Roddenberry was most involved, I think it’s generally the case that the period when Gene Coon was producer (mid season 1 to mid season 2, roughly) was the best stretch of the original series…
2/
Coon’s many contributions are notable: bringing humor to the show; emphasizing the Kirk, Spock, and McCoy relationship; world-building by leaning into the Prime Directive (he did NOT invent it), the Federation, and the Klingons; and writing a number of classic episodes…
EARLY SPOCK. How might TOS have developed had Spock remained the ambiguous, at times impish, character he is portrayed as early on? This clip shows that initially those traits we consider most Vulcan about him (his intelligence and discipline) were rather an emergent quality… 1/
… that arose from his trying to cope with his bifurcated being. In this conception, his repression is less his Vulcan side keeping down his human side, but his fundamental personality keeping *both* sides in check. /2
I can see an interpretation of Spock as a character who permits both his human half and his Vulcan half to find expression, as long as it suits his interests and he keeps control over both. He is perhaps less attractive in this imagining, and less angst-ridden, but… /3