Kissinger in 1992 speaking of his fears of growing nationalism in the Russian republic, and the need to speak with the newly free republics as equals, not subordinates of Russia.
“I met no leader of the Russian republic who accepted the break up of the Soviet Union as anything but a temporary phenomenon.
I met nobody who said, for 300 years we Russians have been exhausting ourselves in imperialistic adventures and thank god that now for the first time since Peter the Great we can devote ourselves to our own resources.
…
We should make clear to the Russian people that we respect them, within their borders. They have 20,000 nuclear weapons. They don’t have to worry about foreign invasions anymore. They don’t need the buffers of territory.”
A question is asked to Kissinger about how likely the 3 new nuclear republics are to turn over their nuclear weapons to Russia, since that gives those in Russia with an imperialistic mind a significant tool.
Kissinger:
> “My impression is that the new republics are a little puzzled by our passion to get these weapons under Russian control, because they are not threatening the United States…”
He finally states that he thinks the republics will eventually deliver their weapons to Russia. Partly because of American pressure.
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Some of the cited info comes from Russian state media & may be seeded with war propaganda. 2014 was filled with lies aired by Russia to justify their actions.
E.g., in July 2014, Channel One Russia promoted the anti-Ukrainian lie of UA soldiers crucifying a 3-y.o. boy - a lie started by Aleksander Dugin, which was later refuted and retracted by the network.
You’ll notice Channel One Russia is present both in Donetsk and Moscow.
3/ On Dec 9, 2014, the Ukrainian & Russian forces announced a ceasefire as negotiations were ongoing in Minsk. This was supposedly agreed to by Poroshenko around Dec 6.
Russian state-controlled Channel 1 Russia, RIA Novosti & RT announced Glinka’s trip for the day after the ceasefire (Dec 10).
This was a highly publicized trip to Donbas announced ahead of time, likely organized by the Russian state, and wasn’t the first time since the war started that Glinka went to Donetsk to bring children to Moscow.
Glinka travelled with an armada of media personnel, within which Trofimova seems embedded.
2/ Both were filmed in occupied Ukraine in 2023 - from the Russian perspective.
One filmed by Trofimova, the other by Yakovleva (Trofimova’s former boss at RTD for 6 years who is listed in many of her film credits as the head of RTD). They just missed each other in occupied Ukraine by about 3 months, but possibly overlapped in Moscow.
One film was screened in the West. The other was screened across Russia.
Both seem to have similar goals - getting their respective audiences to sympathize with Russian troops in occupied Ukraine - for different reasons.
Trofimova's message is that we should "stop the war" (Western-targeted messaging), and her film helps accomplish this by humanizing the Russian soldiers & making her audience feel guilty, thus undermining support for Ukraine.
Where as Yakovleva's film concludes a different solution to attain peace, i.e., that "we need to unite & achieve victory" (Russian-targeted messaging). Her film helps accomplish this by emotionally connecting people in Moscow and far away regions to those fighting in occupied Ukraine. This propaganda strategy is meant to help increase willingness to mobilize, volunteer rates, as well as make non-participatory Russians feel guilty for not doing their part / sacrificing.
Both narrative strategies benefit Russia in their respective target markets.
3/ Both films start with a trip from Moscow into occupied Ukrainian territory.
Except where Trofimova stays embedded with one battalion in a controlled area where she was able to (or allowed to) film, Yakovleva visits multiple areas of occupied Ukraine (Lysychans'k, Donetsk, Mariupol, Tokmak).
The Russian Federation’s “ministry of culture” seems to have some ties to TIFF.
2021: “In recent years, Russian cinematography has overwhelmed the international film scene with its raw energy and great potential. From art-house films to mainstream blockbusters, beautifully shot contemporary feature films and series provide spectacular glimpses into the essence of Russian culture. In this session you will learn that Russian content is extremely promising and relevant. RCW by Roskino will showcase the trailers of 20 projects offered by production, distribution, and sales companies representing Russia at the TIFF Industry Conference.”
1/ War Propaganda, "Art" Festivals & Documentaries
Today, I'd like to draw a parallel between RT's film festival, TIFF & the Venice Biennale.
Also, I have upped the # of RT-affiliated* films Trofimova has worked on from 11 -> 13, as I found +2 from 2020.
2/ Russia is currently hosting a war-propaganda documentary festival called:
"RT.Doc: Time of Our Heroes"
Among the festival's past speakers is Vladimir Solovyov and Margarita Simonyan (Editor-in-chief of RT)rtfestival.ru archive.is/81rEM
3/ These two individuals are sanctioned by Canada. They are in a list named "Elites and close associates of the Regime" described as "financiers and supporters of Russian leadership who were sanctioned for their complicity in Russia’s unjustifiable invasion of Ukraine."