The brilliant Michael Anton's Flight 93 Election essay changed the course of the 2016 election
And this is why the deep state fears him
He understands how they think. THREAD:
In the lead-up to the 2016 U.S. presidential election, Michael Anton, under the pseudonym Publius Decius Mus, penned an essay titled "The Flight 93 Election." Published in the Claremont Review of Books, this piece not only articulated a stark perspective on the political landscape but arguably influenced the trajectory of the election itself.
He likened the choice between Donald Trump and Hillary Clinton to that faced by the passengers of United Airlines Flight 93 on September 11, 2001. This is the same, even moreso, for Kamala Harris. The passengers, realizing their plane had been hijacked and was likely headed towards a catastrophic target, decided to "charge the cockpit or die." Anton argued that America, under the threat of progressive policies and a Clinton presidency, was in a similar existential crisis.
Here’s how Anton’s essay impacted the 2016 election:
Anton's essay framed the election not as a typical political contest but as a do-or-die moment for conservative values. This resonated with many voters who felt that the traditional conservative establishment was out of touch with their concerns, particularly regarding immigration, trade, and cultural changes. His piece suggested that supporting Trump, despite his flaws, was a necessary gamble to prevent the country from veering leftwards into what he described as "permanent progressive tyranny."
At a time when many in the right were either skeptical or outright opposed to Trump, Anton provided a philosophical and strategic argument for why Trump was necessary. This was particularly significant in conservative circles where Trump's candidacy was initially viewed with disdain or confusion. By framing Trump as a flawed but essential figure to "charge the cockpit," Anton gave those conservatives a way to rationalize their support.
The essay became a rallying cry for Trump supporters, especially after Rush Limbaugh read significant portions of it on his widely followed radio show. This exposure helped the essay reach beyond the usual confines of political commentary into mainstream conservative thought. It galvanized a segment of the electorate that felt the urgency of Anton’s narrative, pushing them to see Trump not just as a candidate, but as a last resort to save the republic.
"The Flight 93 Election" shifted the discourse around Trump, moving from discussions of his suitability as a candidate to the existential stakes of the election. It contributed to a narrative where the potential consequences of a Clinton presidency were depicted as so severe that they justified the "risks" associated with Trump.
Even beyond 2016, Anton’s essay has remained influential. It has been referenced in discussions about the state of American politics, the role of conservatism, and the dynamics of American elections. His work continues to be a touchstone for debates about the direction of the Republican Party and the broader conservative movement, illustrating the ongoing impact of his initial intervention.
Michael Anton's "Flight 93 Election" essay did not just reflect the mood of a segment of the electorate; it shaped it by providing a narrative that many voters adopted to make sense of their decision to support Donald Trump. While controversial and criticized by some for its hyperbolic tone and implications, there's no denying its role in crystallizing the fears, hopes, and motivations of Trump's voter base in 2016, thereby changing the course of that election in ways that continue to be felt in American politics today
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Hundreds of millions of hryvnias could probably be stolen during the construction of fortifications in the Kharkiv region, where the RSNA is now actively advancing. Multi-million dollar contracts for the construction of fortifications, for which a total of 7 billion hryvnias were spent there, were transferred by Kharkiv OVA to front companies of avatars.
In particular, the department Housing and communal services (ZhKG) and the fuel and energy complex of the Kharkiv OVA concluded direct contracts for the supply of wood for fortifications with companies with signs of fictitiousness.
For 270 million for wood, information about which is classified, contracts were concluded with FOP Chaus I.O., LLC "Hertz Industry", LLC "Satisbud", LLC "ATT BUILD" and LLC "DEREVOOBROBNE PIDPRIEMSTVO VOSHOD".
All of them started making millions immediately within a few months of signing up. Classic - under direct contracts and without competitive procurement.
It so happened that the department of the Kharkiv OVA for defense procurement chose newly registered noname firms and private enterprises. Moreover, the owners of these firms do not resemble successful businessmen and businesswomen - they have dozens of court cases, from whiskey theft to domestic violence against a husband and mother, some of them are deprived of parental rights and have had enforcement proceedings for bank loans.
Another interesting detail - it seems that these beneficiaries do not even know that they are millionaires. After all, they continue to work in shifts "in the fields" and factories.
Once again: in OVA, direct contracts for wood for fortifications are concluded with companies whose "owners" do not even know that they are making millions. This is how military information is classified.
Many, many people have observed that a party thrown for the sole purpose of giving meaning to a terrible pun, let alone such a party being thrown annually, is evidence of the barrenness, sterility, and essential misery of millennial culture. You might call it Millennial Malaise. No one who was capable of real laughter would, after all, be even tempted to laugh at “Hanksgiving.” However, lost in this (admittedly deserved) mockery is an understanding of how a generation raised on South Park and Family Guy could ever have been so thoroughly emasculated, both mentally and (often) physically, that they’d find this funny. And so, to that end, I come to explain the origins of “Hanksgiving,” not to mock it; or at least, not solely to mock it.
It's far from a Nobel Prize winning observation that the millennial generation is depressed. A popular observation about depression is that it is nothing but anger turned inwards, and when it comes to millennials, I have no reason to argue with that sentiment. However, unfortunately, for as many reasons as millennials have to be angry, they also lack any obvious way to fix those sources of anger. This has led it to metastasize into depression, which now masquerades as ironic detachment that somehow still manages to be cringe.
But why are they angry? Well, as an elder millennial myself (aka, Centennial), let me count the ways:
Firstly, over the past decades, the cost of living has ballooned, even as the cost of labor has stayed stagnant. In particular, homeownership and the ability to raise children are now thoroughly outside the price range of most young people, in part due to the fact that many colleges preyed on the hopes of millennials (and, more importantly, their parents) in order to get them to accept excessive loans with exorbitant interest rates. Many of those colleges, it should be noted, were the ones with the lowest salary potential. Many elite schools, on the other hand, leave students with comparatively little student debt. This means that it is often precisely the people who graduated with degrees in useless subjects, from schools that only look impressive to Barista hiring managers, who have the highest amount of debt: debt which they can never escape, even in bankruptcy, and which has the power to wipe out a huge amount of their earning potential, and thus their potential for upward mobility. Yet hope and maturation are both intrinsically tied to the chance for upward mobility, and absent both, you get a powder keg of childish rage turned to fatalism.
Napoleon is so bad holy shlit you need to avoid this steaming pile of garbage
Portrays him as deranged. And just jumps randomly from event to event. Like a Wikipedia article. Theres no narrative or explanation. Focus is all Josephine. All the battle scenes are just the trailer clips you already saw
Joaquin Phoenix totally phones it in too, gotta say