1967's Cricket on the Hearth is the 2nd Rankin/Bass Christmas special. It aired as an episode of the Danny Thomas Show.Thomas was a devout catholic and his deep Christian faith is apparent through this special.He also founded St Jude Children's Hospital.
His daughter Marlo co-starred in this special and later appeared in her own Rankin/Bass TV Special, That Girl in Wonderland. She was starring in her own sitcom at the time Cricket aired, That Girl. This may be the only time they appeared together as father & daughter.
The source material is suggested by one of Charles Dickens Christmas novels of which there's 5.He also wrote dozens of Christmas short stories.These are often reprinted as Christmas Books and Christmas Stories. The story is a soap opera with a touch of fantasy.
This is a deleted demo song from the special dubbed over the scene where it went compared with the final song. I don't know why it was changed but this gives you an example of how sometimes songs are rejected/replaced for musicals. They deal with the same story points.
This song is the centerpiece of the special. It was released as a single but never caught on. This was mainstream network TV in 1967. No one complained and no one was offended. Jesus was always the reason for the season in many of these fantasy Christmas specials.
This is the song on side B of the single with an image of the original cast album LP(although this song wasn't on the cast album.)This shows what a major production it was at the time because it had a cast album. No other Rankin/Bass special but Rudolph ever had a cast album.
Danny Thomas' devout catholic faith is all over this Christmas special. Take a look of the imagery in this sequence. Can you see a network Christmas special with content like this today?
Cricket on the Heart aired for a few years before it vanished from the growing glut of Christmas specials. It was later rediscovered & released to VHS in 1998 & is readily available on DVD but most people don't realize what it is. It's not great but shouldn't be forgotten.
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This is thread #25 of the Walt Disney's Uncle Remus newspaper comic strip. This thread collects the second half of the strips from July-Dec 1957. Anyone claiming the film was a failure & that these characters are obscure is lying to you. The only other Walt Disney characters with a regular newspaper comic strip like this were Mickey Mouse & Donald Duck. These were just as beloved Walt Disney characters & warmly embraced by many black Americans who saw them as Walt Disney celebrating their cultural heritage. In the days before VHS & streaming this is how most Americans were familiar with these characters thus proving their immense popularity.
After James Baskett died Walt had scrapped his plans of doing a series of Uncle Remus films. Out of respect, Walt retired the character from the strip except the for introduction. The strips also became self contained morals rather than a serial across several weeks. The continuation of this weekly comic strip proved how beloved these characters had become. The strip would run nearly 30 years but we're not supposed to know it ever existed. None of this is ever cited in smears against the film or its characters.
Song of the South was still a beloved Walt Disney film having had its first reissue the previous year. The year these comic strips were printed saw the release of such Walt Disney films as Old Yeller, Johnny Tremain, and the True Life Adventure fantasy film Perri. Walt's TV series Zorro also debuted on ABC enjoying a two year run.
It's worth noting that the only one of his films that Walt featured in both of his Christmas special pilots AND the pilot to his regular series was Song of the South. Even though he'd retired the character from the comics after James Baskett passed away, all three times he included segments featuring his friend James Baskett as the beloved Uncle Remus. Song of the South was always one of Walt's favorite and most personal films. The original stories were so fundamental to Walt that he also quoted Uncle Remus as frequently if not more so than America's founders and the Bible. It's a film that he celebrated and was proud of until the day he died. These purged comic strips are part of that legacy.
This thread is about Walt Disney's friend & kindred spirit, forgotten fantasy filmmaker George Pal & his most lavish film The Wonderful World of the Brother's Grimm.
Every Christian & conservative should also read this thread because so many in those camps (even many of those with large platforms) see no value in storytelling. The history in this thread is about that & why it's important to American culture. It's a story that involves Martian War Machines, living instruments, a magical circus, a time machine, and more!
Both Walt and his pal George had similar values, worldviews, and were on similar creative trajectories. Both started in animated short subjects & moved into live action fantasy films. When Walt started making miniatures as a hobby & later created audioanimatronics he consulted with George on his experience breathing the illusion of life into three dimensions. When Pal became a US citizen it was Walt Disney & Woody Woodpecker creator Walter Lantz (all 3 seen below) who sponsored him. The Pals were eternally grateful to both men.
George Pal was born in Europe & became an animation filmmaker there. He created the Oscar award winning Puppetoon stop motion process which used carved wooden replacement parts to animate the puppets. He was eventually forced to flee Holland for America before the nazis invaded.
This is an epilogue to the Anita Bryant/Rainbow Jihad Disney threads. I'm going to tell you a little story about this man (Howard Ashman) who some consider to be the most pivotal figure in making animation what it became. He also left behind something that's very relevant to the woke times we find ourselves in. He was gay but he wasn't woke.
Even id you don't know who Howard Ashman was, you've certainly seen the 3 films he had a hand in at Disney...
Here's a few clips about how Howard became involved with The Little Mermaid. There's also a few vintage clips of them in this montage. You can see he has no "secret gay agenda." He was trying to restore Disney to what it had been when Walt was alive. In the 2nd & 3rd clip you can see how Howard was instrumental in shaping the story & characters of The Little Mermaid. In the final clip Roy Disney Jr gives Howard the highest praise.
This thread is about how to nominate the purged 1946 film Walt Disney's Song of the South to the National Film Registry. The deadline is Aug 15. The form is in the next comment. You need reasons why it should be on the Registry & this thread will give you several.
This is the form. You must include the release year. Song of the South was released in 1946. research.net/r/national-fim…
Actor James Baskett is the first black actor to receive an Academy Award.This was an eternal Oscar and there was a HUGE fight for him to receive it.He was also the first black actor signed to a 7 year contract & the first actor Walt Disney ever signed.This needs to be celebrated.
This epic thread is about Walt Disney's Darby O'Gill & The Little People. An obscure film today, it was a major project for Walt & is the bridge between Song of the South to Mary Poppins. It's one of the greatest fantasy films ever made & the techniques developed/perfected for it were later used in LOTR and Elf.
The film is suggested by the books Darby O'Gill & the Good People and The Ashes of Old Wishes & Other Darby O'Gill Stories by Herminie Templeton Kavanagh. The stories originally appeared serialized in magazines that Walt had been exposed to as a boy. As an adult he was determined to make a film.
This thread is about James Baskett's often overlooked Oscar winning performance in Song of the South. We always focus on the animated sequences with the live action story usually ignored. The story is about a little boy while his parents are separated. See how they set up Uncle Remus in the dialogue here long before he's introduced. BTW Aunt Tempie is portrayed by Hattie McDaniel who is the first black person to ever receive an Oscar.
What's important in this scene is the boy's sense of betrayal when the father leaves. That plays a role later. We're never told what's in his newspaper that offends people but at this time Atlanta had been burned to the ground by General Sherman. It was in ruins even during reconstruction. His paper may have been advocating for the free black people because Joel Chandler Harris who wrote down the Uncle Remus was a newspaper man who did just that. This was commonly known in 1946. Also pay attention to the grandmother. More on her role later.
This is where we first meet Uncle Remus. The boy is running away to Atlanta to be with his dad. Remus uses reverse psychology to get the boy to return to his mom. This demonstrates what Walt Disney said about deeds rather than words. He even said lecturing a child isn't as effective as shepherding them. Remus shepherds the boy into making the right choice & he learns for himself. Remus' stories are used in this manner too. Remus also recognizes that he's the father figure in this boy's life & embraces his role. In 1946 it had never been seen in a film where a black man was the father figure to a white boy. Race never even comes up. It's just a neighbor mentoring a fatherless neighbor boy.