johnny hart was an american cartoonist who started a comic called B.C. in 1958. he also created another popular strip called 'wizard of id'.
he was called "the most widely read christian of our time," by a former director of the office of public liaison at the white house.
...
that designation may seem somewhat absurd, but he was still doing B.C. when he died in the 2000s. considering he made two of the most popular american newspaper comics, and ran them for about half a century - in light of how many people read books, it might actually be the case.
his primary topic, prehistoric man, only makes it more interesting that he was a christian. he was raised christian, but after a father son team installed a satellite dish at his home and apparently had some type of gospel conversation with him, he became more serious about it.
that was in the 1980s, well into his cartooning career. this is interesting because suddenly you have a syndicated cartoonist who is like, really serious about being christian, putting out national work. suppose this could unfold in a variety of directions. heres a few examples:
these are all easter strips. it may not occur to the average person, but easter always being on a sunday would provide an opportunity for the type of artist who always gets an expanded, larger window of communication every sunday.
here's the most controversial incident.
the washington post and LA times had already refused to run some of these explicitly christian strips. well, in 2001, he published this. its difficult to find a high res image of it online, so here's one where you can see how it would be printed, and one that's easier to read:
specifically the menorah burning out and being replaced by a cross made people... pretty mad. the ADL, the american jewish committee, and a bunch of people got really mad, and some newspapers refused to run the strip. i think some even ran it with a disclaimer but i cant find it
his distributor released a statement that basically amounted to, "uh, it's about christianity being rooted in judaism", and... that was basically it. its interesting that in a sense this could be one of the most controversial single newspaper comic strips that actually ran.
hart wrote BC until he died in 2007. interesting that these religious themes arent “incorporated”, theyre just explicitly straight up stated - even if it breaks the literal meaning of his title, which hart himself would probably deny: “B.C.”.
just a file in american art history
secretary has informed me that i called the good friday strips easter strips. i uh, meant easter-tide. or easter weekend.
anyway here's (i think) the only time i drew cavemen:
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bizarre unnavigable part of being a parent is that there is no way to reveal the information that you dont give your kid any screens without making other parents upset. even if you intentionally set out to not tell them, if they dig enough, and find out, they then become upset.
you can laugh about it, or blame it on any reason, or pad it infinitely with how much you love screens, or how youre just an idiot and dont know anything about parenting and are just winging it: doesnt matter. people just become upset at the information. its upsetting information
a weird parallel is the home birth thing. im self aware enough to not flex about something my wife did or to make other people feel like i know what medical decisions they should make. but if i need to mention it in a conversation, people likewise take it as a type of challenge.
i have critical art history information. a guy named bob eckstein wrote a book called 'the history of the snowman' and this was the earliest image of a snowman he could find anywhere, from a dutch book of hours in the 1380s:
he also claimed this was a snowman, from 1603 (yellow circle). real "that guy" research hours
i only found this because i wondered something similar: is construction of the snowman innate, or learned as cultural? the furthest back i got was, interestingly, japan in the 1760s. this image by harunobu is titled "three boys making a snowman", but, theyre just rolling a ball:
i had a friend, an artist. when you make prints as a fine artist, the convention is that the printer does a run of 5-10 prints as a test, to show you what they’ll look like. if the artist approves them, then he does the actual prints.
…
so if youre getting 60 prints done, at the end there’s the 5 test ones. what do you do with these? these are “artists proofs”. you write “AP” on them instead of a number. its extra cool to have these, so they sell for more money.
my friend was doing a run of prints. around 60.
he did not get artists proofs. so he’s there with his agent. they open the box, he’s signing and numbering them. the agent says, okay, now write AP on these. friend says, “uh, why are these artists proofs?”. agent says, “because you’re writing AP on them.
a spectre is the 2024 internet man. and that spectre is:
the difference between modernism and post-modernism.
this has been a huge part of my "navigating people trying to force you to do stuff" studies. it is useful.
know the difference. it could save your life.
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my education is native to postmodern world. this isnt really a flex at all, because its a terrible place to start. you essentially start off with everything disassembled, and then you have to work backwards and figure out why people disassembled it. really, its a horrible set up
that being said, it's almost a joke now that people use post-modernism as a blanket term online without really referring to anything specific. we can imagine the ancient "everything i dont like is hitler" meme reset with "postmodernism" at the end. at least, thats the perception
one of my favorite weird internet things. was in a program like this around 3rd grade. in retrospect, makes no sense. was taken out of school half a day once a week and taken to a non-school building to do weird puzzles and take strange tests. generic name, 0 record of it online
i remember being in the basement of our school, a huge grey room, with all the kids there sitting very far from each other. they gave us a test with lots of images. me and three other kids got in, and they’d take just the three of us on this bus to the program with the other kids
the building they took us to was not a school building, the only adult there was whoever the “teacher” was. we took bizarre tests that usually involved working around a problem, a logical trick, or inventing something to solve an elaborate complex problem. zero normal “learning”