SAINTS WHO SAW HELL🔥
Witnesses to Eternal Justice 🧵
Throughout history, some saints have been granted visions of hell, serving as stark reminders of the consequences of unrepented sin & the reality of eternal separation from God.
These visions were not meant to inspire despair but to call humanity to conversion & deeper trust in God's mercy.
Below is a list of saints who witnessed hell & the profound lessons we can draw from their experiences.
1. ST. JOHN THE APOSTLE (1st Century)
Visionary of Revelation
In the Book of Revelation, St. John described visions of the final judgment, including the "lake of fire" where the unrepentant & Satan's followers are condemned (Revelation 20:10-15).
This apocalyptic imagery vividly portrays the eternal consequences of rejecting God.
John's vision serves as a warning about the urgency of repentance and fidelity to God.
2. ST. TERESA OF ÁVILA (1515–1582)
The Mystic Who Saw Hell’s Torments
St. Teresa of Ávila experienced a vision of hell during prayer.
She described being placed in a narrow pit, suffocating from the foul air & feeling indescribable terror & despair.
The vision was so intense that she said, “It is impossible to describe... I felt my soul being torn apart.”
This experience deepened her resolve to live a holy life & led her to reform the Carmelite Order to help save souls from such a fate.
3. ST. FAUSTINA KOWALSKA (1905–1938)
The Apostle of Divine Mercy’s Vision of Hell
In her diary, Divine Mercy in My Soul, St. Faustina wrote about being shown hell by an angel.
She described it as a place of great suffering, fire & eternal darkness.
She noted different levels of torment for souls based on their sins, with the greatest suffering being the loss of God.
Her vision inspired her mission to spread the message of Divine Mercy, urging sinners to repent & trust in God’s forgiveness.
4. ST. CATHERINE OF SIENA (1347–1380)
The Doctor of the Church Who Witnessed Hell’s Justice
St. Catherine of Siena was granted a vision of hell as part of her mystical experiences.
She described the intense suffering of souls who had rejected God’s love & emphasized the self-inflicted nature of their torment.
Her vision drove her to intercede fervently for sinners & to call for repentance in her writings & preaching.
5. ST. JOHN BOSCO (1815–1888)
The Educator’s Dream of Hell
St. John Bosco, renowned for his prophetic dreams, had a vision of hell while praying for the salvation of young souls.
He saw a vast, fiery chasm filled with lost souls & heard their cries of despair.
Many of these were youth who had died in sin, which deeply saddened him.
This vision motivated him to guide young people toward virtue & holiness, emphasizing confession & avoiding occasions of sin.
6. ST. PADRE PIO (1887–1968)
The Stigmatist’s Encounters with Hell
St. Padre Pio often spoke of his vivid spiritual experiences, including seeing hell.
He described the demons tormenting souls who had chosen to reject God’s mercy.
His accounts were detailed & focused on the anguish of separation from God.
These experiences fueled his ministry of hearing confessions & leading souls back to God through penance & prayer.
7. BLESSED ANNE CATHERINE EMMERICH (1774–1824)
The Visionary of the Passion
Blessed Anne Catherine Emmerich, a mystic & stigmatist, described visions of hell in her writings.
She saw souls being tormented by their sins & vividly portrayed the justice of God’s punishment for the unrepentant.
Her visions underscored the gravity of sin & the importance of repentance, inspiring readers to turn to Christ for salvation.
8. THE CHILDREN OF FATIMA (1917)
The Visionaries Who Saw Hell
During the apparitions of Our Lady at Fatima, Lucia, Jacinta & Francisco were shown a terrifying vision of hell.
They saw a vast sea of fire filled with demons & tormented souls. Our Lady told them, “You have seen hell where the souls of poor sinners go.”
This vision deeply impacted the children, particularly Jacinta, who offered many sacrifices for the conversion of sinners.
The message of Fatima continues to inspire prayer, penance & devotion to the Immaculate Heart of Mary.
9. ST. ALPHONSUS LIGUORI (1696–1787)
The Moral Theologian’s Teachings on Hell
While not a visionary in the same sense as others, St. Alphonsus wrote extensively about the reality of hell, drawing from his deep meditation & study of Scripture.
He described it as a place of eternal loss & suffering, urging his readers to avoid sin at all costs.
His writings remain a cornerstone of Catholic moral teaching, emphasizing the consequences of rejecting God’s grace.
10. ST. MARGARET MARY ALACOQUE (1647–1690)
The Devotee of the Sacred Heart
St. Margaret Mary, known for her revelations of the Sacred Heart of Jesus, was shown souls in hell who had rejected God’s mercy.
She described their anguish & urged devotion to the Sacred Heart as a remedy for sin.
Her vision reinforced the need for trust in God’s mercy & reparative acts of love for sinners.
LESSONS FROM THE SAINTS’ VISIONS OF HELL
1. The Reality of Hell:
The saints’
experiences confirm hell as a real and eternal separation from God for those who die in unrepented sin.
2. The Call to Conversion:
Visions of hell emphasize the urgency of repentance, prayer, and penance to avoid eternal punishment.
3. God’s Justice and Mercy:
While these visions highlight divine justice, they also point to God’s infinite mercy, always available to those who seek it.
4. A Call to Action:
These saints dedicated their lives to saving souls through prayer, preaching, and sacrificial love, urging others to do the same.
The saints who saw hell remind us of the stakes of our earthly choices and the eternal consequences of sin.
Their experiences serve as wake-up calls, urging us to embrace God’s mercy, live holy lives, and intercede for the salvation of others.
May their witness inspire us to strive for heaven and avoid the path that leads to eternal separation from God.
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I see Anne coming out of the garden. She is leaning on the arm of a relative, who is like her. She is obviously several months pregnant and she looks tired and her fatigue is not alleviated by the sultriness, just as this present heat is exhausting me.
Although the garden is shady, it is very hot and close. The air can be cut like a soft warm dough, it is so heavy. The sun's rays descend from a merciless blue sky and there is some dust making the atmosphere slightly dull. The weather must have been dry for a long time, because where there is no irrigation, the land is literally reduced to a very fine, almost white dust. Out in the open this shade of white is slightly pink, whereas it is a dark red-brown under the trees, where the soil is damp. Likewise the ground is moist along the small flower-beds, where rows of vegetables are growing, and around the rose bushes, the jasmines and other flowers, and particularly in the front of and along the beautiful pergola, which divides the orchard in two, up to the beginning of the fields, now stripped of their crops. The grass of the meadow, which marks the boundary of the property, is parched and thin. Only at its border, where there is a hedge of wild hawthorn, already completely studded with the rubies of its little fruits, is the grass greener and thicker. There are some sheep thereabouts with a young shepherd seeking pasture and shade.
Joachim is working around the rows of vines and olive-trees. There are two men with him, helping him. Although an elderly man he is quick and works eagerly. They are opening little channels at the end of a field to give water to the dry plants, and this water makes its way gurgling between the grass and the dry land. The flow forms circles that for one moment resemble a yellowish crystal and seconds later are only rings of wet soil, around the overloaded vine branches and the olive-trees.
Along the shady pergola, under which golden bees are buzzing, greedy for the sugar of the golden grapes, Anne moves slowly towards Joachim, who hastens towards her as soon as he sees her.
« You came so far? »
« The house is as hot as an oven. »
« And you suffer from it. »
« The only suffering of this last hour is that of a pregnant woman. The natural suffering of everybody: man and beast. Don't get too warm, Joachim. »
« The water we have been hoping for, for such a long time, and that for fully three days seemed so close, has not yet come and the country is parched. We are lucky to have a spring so near and so rich in water. I have opened the channels. It is a measure of relief for the plants which have withering leaves and are covered with dust: just enough to keep them alive. If it would only rain.»
Joachim, with the eagerness of all farmers, looks at the sky, while Anne, tired, cools herself with a fan that seems to be made of the dry leaf of a palm interwoven with many-coloured threads keeping it firm.
Anne's companion interrupts: « Over there, beyond the Great Hermon, fast clouds are arising. There is a northern wind. It will refreshen and perhaps bring rain. »
« The breeze has risen for three days and then it sets when the moon rises. It will do the same again. » Joachim is discouraged.
« Let us go back home. Even here one can hardly breathe, and in any case I think it is better to go back...» says Anne, who looks more olive-hued than usual, owing to a paleness which has come over her face.
« Are you in pain? »
« No. But I can feel the great peace that I experienced in the Temple when I was granted the grace, and which I felt once again when I knew I was pregnant. It is like an ecstasy, a sweet sleep of the body while the soul rejoices and calms itself in a peace that has no bodily parallel. I have loved and still do love you, Joachim, and when I entered your house and I said to myself:
myself: "I am the wife of a just man", I had peace: and I felt the same every time your provident love took care of your Anne. But this peace is different. Understand: I think that the soul of our father Jacob was invaded by a similar peace, like the soothing given by oil that spreads and appeases, after he dreamt of the angels. And, possibly more accurately, it is like the joyful peace of the Tobiahs after Raphael appeared to them. If I absorb myself in this feeling, it grows more and more in strength while I enjoy it. It is as if I were ascending into the blue spaces of the sky... And furthermore, I don't know the reason for it, but since I have had this peaceful joy in me, I have a song in my heart: old Tobiah's song. I think it was written for this hour... for this joy... for the land of Israel that receives it... for Jerusalem-sinner and now forgiven... But do not laugh at the frenzy of a mother... but when I say: "Thank the Lord for your wealth and bless the God of centuries, that He may rebuild His Tabernacle in you", I think that He Who will rebuild the Tabernacle of the true God in Jerusalem will be This One who is about to be born... And I also think that the destiny of my creature was prophesied and not the fate of the Holy City, when the song says: "You shall shine with a bright light: all the peoples of the world will prostrate themselves before you: the nations will come bringing gifts: they will worship the Lord in you and will hold your land as sacred, because within you they invoke the Great Name. You will be happy on account of your children, because they will all be blessed and they will gather near the Lord. Blessed are those who love you and rejoice in your peace..." And I am the first to rejoice, her happy mother... »
Anne changes colour, when saying these words and she lights up like something brought from the paleness of moonlight to the brightness of a great fire and vice versa. Sweet tears, of which she is unaware, run down her cheeks and she smiles in her joy. And in the meantime she moves towards the house, walking between her husband and her relative, who listen and, deeply moved, are silent.
They make haste because clouds driven by a strong wind, rush across and gather in the sky, while the plain darkens and shudders at the warning of a storm. When they reach the threshold of the dwelling, a first livid flash of lightning crosses the sky and the rumble of the first peal of thunder sounds like the roll of a huge drum that mingles with the arpeggio (1) of the first drops on the parched leaves.
They all go in and Anne withdraws, while Joachim, standing at the door, talks with the workers, who have in the meantime joined him: the conversation is about the longed for water which is a blessing for the parched land. But their joy turns into fear because a very violent storm is approaching with lightening and clouds threatening hail. « If the cloud bursts, it will crush the grapes and the olives like a millstone. Poor me! »
Joachim is also anxious for his wife, whose time has come to give birth to her child. His relative reassures him that Anne is not suffering at all. But he is agitated, and every time his relative or any other woman, amongst whom is Alphaeus' mother, comes out of Anne's room and goes back in again with hot water and basins and linens dried near the blazing fireplace in the large kitchen, he goes and makes enquiries, but he does not calm down despite their reassurances. Also the lack of cries from Anne worries him. He says: « I am a man and I have never seen a child being born. But I remember hearing that the absence of throes is fatal. »
It is growing dark and the evening is preceded by a furious & very violent storm: it brings torrential rain, wind, lightning, everything, except hail, which has fallen elsewhere.
One of the workers notices the ferocity of the gale: « It looks as if Satan has come out of Gehenna with his demons. Look at those black clouds!
You can smell sulphur in the air and you can hear whistling and hisses, and wailing and cursing voices. If it is him, he is furious this evening! »
The other worker laughs and scoffs: « A great prey must have escaped him, or Michael has struck him with a new thunderbolt from God, and he has had his horns and tail clipped and burnt. »
A woman passes by and shouts: « Joachim! It is coming. And it is happening quickly and well!» and she disappears with a small amphora in her hands.
The storm drops suddenly, after one last thunderbolt that is so violent that it throws the three men against the side wall; and in front of the house, in the garden, a black smoky cavity remains as its memory! Meanwhile a cry, one resembling the tiny plea of a little turtle-dove that for the very first time no longer peeps but cooes, is heard from beyond Anne's door. And at the same time a huge rainbow stretches its semicircle across the sky. It rises, or seems to rise, from the top of Hermon, which kissed by the sun, looks like a most delicate pinkish alabaster: it rises up in the clear September sky and through an atmosphere cleaned of all impurities, it crosses over the hills of Galilee and the plain to the south, and over another mountain, and seems to rest the other end on the distant horizon, where it drops from view behind a chain of high mountains.
« We have never seen anything like this! »
« Look, look! »
« It seems to enclose in a circle the whole of the land of Israel. And look! there is already a star in the sky while the sun has not yet set. What a star! It is shining like a huge diamond!...»
« And the moon, over there, is a full moon, three days early. But look how she is shining! »
The women arrive jubilant with a plump little baby wrapped in plain linens.
It is Mary, the Mother. A very tiny Mary, who could sleep in the arms of a child, a Mary as long, at most, as an arm, with a little head of ivory dyed pale pink.
Her tiny carmine lips no longer cry but are set in the instinctive act of sucking: they are so small that one cannot understand how they will be able to take a teat.
Her pretty little nose is between two tiny round cheeks, and when they get Her to open Her eyes, by teasing Her, they see two small parts of the sky, two innocent blue points that look but cannot see, between thin fair eyelashes. Also Her hair on Her little round head is a pinkish blond, like the colour of certain honeys which are almost white.
Her ears are two small shells, transparent, perfect. Her tiny hands... what are those two little things groping in the air and ending up in Her mouth? Closed, as they are now, they are two rose buds that split the green of their sepals and show their silk within. When they are open, as now, they are two ivory jewels, made of pink ivory and alabaster with five pale garnets as nails. How will those two tiny hands be able to dry so many tears?
And Her little feet? Where are they? For the time being they are just kicking, hidden in the linens. But now the relative sits down and uncovers Her... Oh, the little feet! They are about four centimetres long. Each sole is a coral shell, with a snow white top veined in blue. Her toes are masterpieces of Lilliputian sculpture: they, too, are crowned with small scales of pale garnet. But where will they find small sandals, when those little feet of a doll will take their first steps, sandals small enough to fit such tiny feet? And how will those little feet be able to go such a long way and bear so much pain under the cross?
But that for the time being is not known, and the onlookers smile and laugh at her kicking, at Her well shaped legs, at Her minute plumpish thighs that form dimples and rings, at Her little tummy, a cup turned upside-down, at Her tiny perfect chest.