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Jul 20 16 tweets 6 min read Read on X
You’ve been lied to about ancient leadership.

The greatest book on ruling isn’t The Prince. It’s not even by a Roman.

It’s about a Persian king—written by a Greek soldier who admired Socrates.

And this is why Alexander the Great studied it. 🧵👇 Cyrus the Great Credit: Mohsen Razi
The book is Cyropaedia, by Xenophon.

On the surface, it’s a biography of Cyrus the Great.

But it's not history.
Not fully fiction.
Not quite philosophy.

It’s a political grenade wrapped in a leadership manual. Image
Forget Machiavelli’s scheming.
Xenophon gave us something weirder:

A king who conquers the world by charm, beauty, and… virtue?

The shocker?
Xenophon actually thought this Persian should be a model for Greek leaders.

That was like praising your enemy on national television. Image
Cyrus isn’t praised the way you’d expect.

Xenophon doesn’t flatter him.
He wonders about him.

He doesn’t say Cyrus was “good.”
He says Cyrus made people want to obey him.

That’s deeper than power. That’s charisma. Image
Xenophon starts with one question:

“How did this man get people to obey him willingly?”

Then he spends 8 chapters showing us the answer:
It wasn’t strength.
It wasn’t fear.
It was character.

But not in the soft, modern sense. Image
Cyrus had three explosive traits:

• Philanthropia – love of people
• Philomathia – hunger for learning
• Philotimia – ambition, even obsession with glory

But what happens when those traits collide?

Xenophon doesn’t preach. He shows you the mess. Image
When Cyrus is a boy, he’s bold, emotional, and wildly affectionate.

He gets his way by hugging, sulking, or charming his way out of problems.

One moment, he’s a golden puppy.
The next, he’s casually comparing himself to a slave to make a point.

And it works. Image
But as Cyrus matures, he starts holding back.
He blushes. Uses softer words. Thinks before speaking.

Xenophon is tracking a deeper change—ambition learning self-control.

He’s asking: Can someone be both hungry for power and truly noble? Image
The deeper the story goes, the more Cyrus stops explaining himself.

He goes from transparent to unreadable.

He wins loyalty with gifts, respect, and attention.

But does he manipulate people?
Does he love them?
Or just use them?

Xenophon doesn’t tell you. That’s the genius. Image
One day, Cyrus faces his uncle, a jealous king named Cyaxares.

The uncle thinks Cyrus stole his army.
Cyrus thinks he earned their loyalty.

They argue. The uncle says:
“What if someone did this to you?”

It’s the moment the whole book turns. Cyaxares
This isn’t just about ancient Persia.

It’s about you—your workplace, your ambition, your friends.

When you get your way… do you lose something bigger?

Do people obey you… or like you?

And are you sure you can tell the difference? Image
Scholars still argue what Xenophon meant.

Some say Cyrus is a monster with a smile.
Others say he’s the perfect king.

Xenophon doesn’t make it easy.
He withholds judgment because he wants you to judge yourself. Image
One philosopher called Cyropaedia “the real Republic.”

Unlike Plato’s cold utopia, Xenophon shows the chaos of power.

His leader isn’t flawless.
He’s a paradox:

Ambitious but kind.
Clever but opaque.
A lion pretending to be a lamb until he roars. Image
Xenophon dares to ask:

What if the best leader isn’t a saint, a tyrant, or a genius?

What if the best leader is someone you can’t quite figure out?

What if power, used well, still leaves scars? Image
Most leadership books promise clarity.

Xenophon gives you discomfort.

That’s why Cyropaedia isn’t just ancient literature.
It’s a mirror.

And the longer you read it, the more it stares back. Image
Follow @CultureExploreX for more breakdowns of the greatest forgotten books of history.

And subscribe to The Culture Explorer:
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More from @CultureExploreX

Jul 19
To understand Western architecture, you don’t need a textbook.

You need to stand in Rome.
Look up. Look down. Turn around.

The past is under your feet, and the future was built on top of it. 🧵👇 St. Peter's Square, Vatican City, Rome... Credit pinterest pin/9359111721549653/
Rome isn’t just a city.
It’s the memory of Western civilization cast in stone.

Everything we know about power, beauty, space, and time was tested here first. Santa Maria del Popolo Credit: Handluggageonly
Rome didn’t begin as an empire.

It began as huts on the Palatine Hill—iron-age dwellings, clustered near a swamp.

But it didn’t stay small.

Because from the very beginning, Romans saw space as something they could control. Palatine Hill Credit: around the world on pinterest
Read 25 tweets
Jul 19
Armor wasn't just about survival.
It was propaganda in steel.

Each suit told the world who you were — warrior, emperor, legend.

Here are some of the most jaw-dropping historical armors ever made.

Including one (#10) that terrified before the battle even began. 🧵👇 Detail of the Hercules armor of the Emperor Maximilian II of Austria. Made in 1555, it’s now on display at the Kunsthistorisches museum in Vienna.
1. Armor of Grand Marshal Nikolaus IV Radziwill (c. 1555)
Polished, powerful, and intimidating.

This Lithuanian noble wore his armor like a crown. Photo: Andreas Praefcke Wikimedia Commons Public Domain
2. Gothic Armor by Lorenz Helmschmied (c. 1500)

Elegant curves. Razor articulation.

This was armor as sculpture made to flow with the human body like a second skin. Photo: George Shuklin Wikimedia Commons CC BY-SA 3.0
Read 23 tweets
Jul 17
Most cities impress you.
Rome? It overwhelms you.

Not with noise. Not with size.

With beauty so intense, it feels like standing in front of a tidal wave.

A hallway that lies (#4).
A chapel that opens the heavens (#13).

You’ll want to see this. 🧵👇 Doria Pamphilj Gallery Insta: @avanicastrophoto
1. Walk into Palazzo Colonna, and you’ll feel dizzy.

Gold. Mirrors. Marble.

It looks like a fever dream someone had in the 1600s and decided to build anyway. Credit: @archi_tradition
2. The Galleria Borghese doesn’t ease you in.

It hits you with Bernini.

Marble turns into flesh. Movement freezes mid-motion.

And you’re left wondering: how is this even possible? @ValentyneDreams
Read 18 tweets
Jul 15
The most dangerous thing you can do… is aim too low.

Michelangelo said it best.

These 20 sculptures show what happens when humans reach higher than anyone thought possible. 🧵

1. Pietà – Michelangelo
St. Peter’s Basilica, Vatican City

Michelangelo was 24. One block of marble. One mother. One dead son.
And somehow… he made it eternal.Michelangelo’s Pietà is a masterpiece so hauntingly perfect that it feels as if marble itself wept under his chisel.
2. The Veiled Virgin – Giovanni Strazza
Presentation Convent, St. John’s, Newfoundland and Labrador, Canada

Carved in the 1850s. Still unexplained.
How do you make stone look like silk? The Veiled Virgin by Giovanni Strazza (1850s) — St. John’s, Canada Her veil looks like silk. You want to lift it. But it’s all carved from one marble block.  Credit: @ArtorOtherThing
3. Winged Victory of Samothrace – Unknown
Louvre Museum, Paris, France

No face. No arms. And still… it dominates the room.
The moment just before she lands.
Read 23 tweets
Jul 14
Venice doesn’t feel real.

A floating city with no cars, no roads... just water, silence, and 1,500 years of ambition.

It’s not just beautiful. It’s impossible. 🧵

A thread on the haunting, seductive, unforgettable beauty of Venice: The Bridge of Sighs, Venice, Italy.
It began as a refuge, settlers fleeing barbarian invasions, building on marshes no army would cross.

But Venice turned exile into empire.

By the 13th century, it wasn’t just surviving, it was ruling the seas. Venice was built on a foundation of about 10,000,000 underwater wooden logs or 8 to 10 tree logs per sq meter. Trunks function as roots. 1200 years later, those same trunks still support almost all of central Venice. Credit:  Dr. M.F. Khan @Dr_TheHistories
No city flaunted power like Venice.
Not with walls but with domes, gold, and spectacle.

The Basilica di San Marco was its crown: five bulbous domes, stolen columns, and a ceiling made of molten heaven.

It wasn’t built just for prayer. It was built to stun as well. The Patriarchal Basilica of Saint Mark (Italian: Basilica Cattedrale Patriarcale di San Marco) in Venice, Italy, was the national treasure of the Republic of Venice until 1797 and since 1807 it has been the Cathedral of Venice. Photo: @harimaolee By Nguyễn Khánh
Read 21 tweets
Jul 13
This cathedral looks like a fairytale. But it was built to scare people, not to inspire them.

A warning in stone. A symbol of domination.

Here’s the untold story of Saint Basil’s Cathedral 🧵👇 St. Basil’s Cathedral (Moscow, Russia) Credit:  Architecture & Tradition @archi_tradition
After Ivan the Terrible conquered Kazan in 1552, he wanted more than a monument.
He wanted to make a statement.

He ordered a cathedral so bold, so strange, that it would leave Russia’s enemies shaking.
And he didn’t hold back. Iván el Terrible entra en Kazán, por Piotr Shamshin.
The site was strategic, the edge of the Kremlin moat.

Before it, Red Square had no real landmark.

This cathedral changed the skyline forever.
It set the tone for how Moscow would be seen — sacred, strange, and unstoppable. Image
Read 21 tweets

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