Kid Pix was a bitmap drawing software for children by Craig Hickman, released by Brøderbund for home use in 1991.
When I got it as a gift at the end of 1992, it began my life's journey of making art with computers.
Over the past decade, I've become known for my "VideoPaintings" using the Sony Video Painter, a 1991 tablet that allows me to draw directly onto VHS.
I see this a collaboration with my inner child-artist, a direct link to my first creations with Kid Pix.
Kid Pix was a surprisingly robust tool.
While it had zany features like built-in stamps and fun *destroy it all* eraser animations, at its core it offered the same basic principles of professional digital paint software of the era.
I choose tools that serve as their own reflection on the strangeness of shifting media in the millennial lifetime.
I've long explored analog video for this reason. But the subject of my latest project asked me to return to my roots: I created the entire series with Kid Pix.
The use of Kid Pix for my new series is not merely an aesthetic choice: I'm reflecting on a life spent making art with computers.
And this is not only my story, but all of ours: the weirdness of our journey through crypto art.
I will tell you more when the time is right...
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A dive into the meaning behind my new collection, dropping at 6:30pm ET today (1/19) on @niftygateway.
This is a musing on the mystical power technology has to lift us beyond the realm of the flesh and into the divine.
2) The series – a triptych of VideoPaintings and a title card – is inspired by the myth of Prometheus. Regarded as the father of technology, his name means "foresight."
I love the old stories, because they remain accessible cultural touchstones. They allow much room for play.
3) My Promethea also plays with Fire – the OG technology. The advent of Fire marks the dawn of human civilization. It's the essence of catalysis – a liminal substance, both physical + incorporeal.
If not handled with expert care, Fire can burn down everything it helped to build.
I chose this piece quite intentionally for the CryptOGs sale at @SuperRare & @bonhams1793.
She represents transition – both personal and societal. The confusion and excitment of inhabiting liminal space.
2) I conceived "Space Loaf" on 4/8/18 – almost 1 year to the day before I minted my 1st token on @SuperRare.
She's an iconic video from my practice at that time, which was centered on Instagram. Her 5:4 ratio reflects the many ways social media optimization crept into my work.
3) People have always responded to Space Loaf – she's a crowdpleaser – and she has traveled quite a bit.
But the grind of being a "content creator" always left me in the same position... make something cool, then hope it led to paid gigs.
Combining obsolete and cutting edge technology is an aesthetic intervention that lets me transport the viewer outside of their present reality. It's not Here, and it's not Then, so it makes you ask... When?
2) I evoke these mediums of the past in my unique way to serve as a method of conveyance, so you receive my transmissions differently from the multitude of images beaming into your brain at any given moment.
I want to transport you to a dimension of my own definition.
3) From this techno-mystical space, new perspectives emerge.
The Weirdness and the Humor of our Now can be enjoyed from outside looking in – we can gather around the shadow puppets and laugh at our folly in believing any of it to be real.
"We do not want to work because work is too slow. We are intractable about progress; progress does not exist for us. We believe in miracle. We believe in the expulsion of all flux in us...
We believe in fiery spirit suddenly consuming us. We believe in a single moment's eternal fulfillment. For our whole life long, we search for the glow from conflagrations on the horizons of our memory, we rush after every hue...
We wish to penetrate alien spaces, we desire to enter into
bodies of strangers, to metamorphose into organ sounds and the vibration of instruments; we want to slip through all cellular clusters of music, out and in, in and out, like lightning strokes...
1) A look at SELF TRANSCENDING, my signature VideoPainting now on auction as part of @Sothebys "Natively Digital: A Curated NFT Sale"
This is a vision of the Self as a Strange Loop – a narrative that reiterates itself into infinity.
2) Every new Self informs the next, and it’s up to us to establish harmony within the chaos.
I see this as an evolution of the themes and motifs I have been working with for the past decade. It conveys broad techno-mystical experience as well as personal ascension.
3) The work is inspired by a personal revelation I had when reading about the “wood wide web."
I was struck by a vision of the Internet as the extension of the human nervous system, and the human nervous system as an extension of the mycelial networks of the natural world.
Combining obsolete and cutting edge technology is an aesthetic intervention that lets me transport the viewer outside of their present reality. It's not Here, and it's not Then, so it makes you ask... When?
2) I evoke these mediums of the past in my unique way to serve as a method of conveyance, so you receive my transmissions differently from the multitude of images beaming into your brain at any given moment.
I want to transport you to a dimension of my own definition.
3) From this techno-mystical space, new perspectives emerge.
The Weirdness and the Humor of our Now can be enjoyed from outside looking in – we can gather around the shadow puppets and laugh at our folly in believing any of it to be real.