@OffsetYRN The video imagery of being at a psychiatrist while the mind fractures is classic MK-Ultra / trauma programming symbolism. This mirrors Playboy Cartis video. They do this same thing with Taylor Swift and Sabrina Carpentar but I see you all.
🕵️ Kiari, 8:22, 12:13 – The Numbers & The Fracture
Offset’s real name is Kiari.
Numerology breaks it down:
Kiari = 30 → 3 → the Performer, the Voice, the one who entertains while hiding pain.
His life path echoes the same 3 — doubling down on the archetype of the Artist as Sacrifice.
Now look at the video where he’s at the shrink, his mind fracturing:
The shrink’s office is more than therapy. It’s a ritual chamber.
The fracturing mind = the alter being born, the shadow self.
Backwards, his name is Iraik → the inverted persona, the demon-mask behind the artist.
Then come the numbers:
8/22/25 → 8 (Saturn, karma), 22 (Master Builder / mind construction), 2025 → 9 (Endings). Together = 3 again. The performer bound to a fate built by others.
12:13 → 12 = order, the circle of disciples. 13 = betrayal, transformation, death into rebirth. 12:13 is the moment when the structure breaks.
🜏 Symbolism:
8/22 is the date of the demand → the handoff of control, the building of the fractured self.
12:13 is the time of betrayal → when unity collapses and the shadow self (Iraik) steps forward.
Both codes circle back to 3 → the Artist, split between joy and suffering, stage and shadow.
It reads like prophecy:
Kiari, split by design.
A performer fated to fracture.
The numbers whisper the same story —
8:22 builds the mask.
12:13 shatters the mirror.
And 3 is the stage where both selves perform.
You legit lost your soul drinking the gold juice obviously. Sad.
Offset’s real name is Kiari.
Numerology breaks it down:
Kiari = 30 → 3 → the Performer, the Voice, the one who entertains while hiding pain.
His life path echoes the same 3 — doubling down on the archetype of the Artist as Sacrifice.
Now look at the video where he’s at the shrink, his mind fracturing:
The shrink’s office is more than therapy. It’s a ritual chamber.
The fracturing mind = the alter being born, the shadow self.
Backwards, his name is Iraik → the inverted persona, the demon-mask behind the artist.
Then come the numbers:
8/22/25 → 8 (Saturn, karma), 22 (Master Builder / mind construction), 2025 → 9 (Endings). Together = 3 again. The performer bound to a fate built by others.
12:13 → 12 = order, the circle of disciples. 13 = betrayal, transformation, death into rebirth. 12:13 is the moment when the structure breaks.
🜏 Symbolism:
8/22 is the date of the demand → the handoff of control, the building of the fractured self.
12:13 is the time of betrayal → when unity collapses and the shadow self (Iraik) steps forward.
Both codes circle back to 3 → the Artist, split between joy and suffering, stage and shadow.
It reads like prophecy:
Kiari, split by design.
A performer fated to fracture.
The numbers whisper the same story —
8:22 builds the mask.
12:13 shatters the mirror.
And 3 is the stage where both selves perform.
You legit lost your soul drinking the gold juice obviously. Sad.
🔲 Room Symbolism
Sterile white walls → mind as a lab. A controlled environment, stripped of individuality.
Fluorescent lights → interrogation, exposure, “no shadows” = nothing hidden. These often symbolize programming or clinical control.
Clock on the wall → the time marker. It locks the moment in ritual time. (12:13 ties here — the moment after the cycle completes, when betrayal/change begins.)
🪑 The 6 Chairs
There are 6 chairs total (2 occupied, 4 empty).
6 = imperfection of man, the number of flesh, always one step short of 7 (divine completion).
In occult coding, 6 empty chairs = 6 empty selves, waiting to be filled.
It suggests fragmentation → multiple personalities, alters, or fractured aspects of Offset’s psyche.
The fact that two are occupied = the “original” Offset (Kiari) and the “handler”/therapist. The other 4 empty chairs = potential identities, waiting to be installed.
🧠 Psychiatrist Symbolism
The “shrink” here = gatekeeper. In occult readings, the therapist is not healing — they are constructing, observing, or splitting the mind.
Dialogue between them = dialogue between self and shadow, or artist and handler.
⏳ Numerology of 6
6 = Venus energy, harmony, love — but inverted it becomes 666 → the beast number, flesh trapped in materialism.
Having 6 chairs in a sterile ritual room transforms harmony into control of the flesh.
🔮 How it Ties Together
KIARI → Iraik (backward self).
8.22.25 = 3 (Performer) but built on 22 (Master Builder) = a constructed identity.
12:13 = betrayal / transformation = moment of fracture.
6 chairs = 6 possible selves, with the real Offset (Kiari) and the shadow (Iraik) already seated.
The whole scene becomes a ritual:
A mind fracturing ceremony.
6 thrones of identity, waiting to be claimed.
The clock, the date, the sterile room → all markers of programming and possession.
Six chairs in the room. Two are filled — the man and his shadow. Four sit empty, waiting for the next fracture. The clock locks the time. The handler holds the mirror. And the artist called Kiari becomes Iraik.
Sterile white walls → mind as a lab. A controlled environment, stripped of individuality.
Fluorescent lights → interrogation, exposure, “no shadows” = nothing hidden. These often symbolize programming or clinical control.
Clock on the wall → the time marker. It locks the moment in ritual time. (12:13 ties here — the moment after the cycle completes, when betrayal/change begins.)
🪑 The 6 Chairs
There are 6 chairs total (2 occupied, 4 empty).
6 = imperfection of man, the number of flesh, always one step short of 7 (divine completion).
In occult coding, 6 empty chairs = 6 empty selves, waiting to be filled.
It suggests fragmentation → multiple personalities, alters, or fractured aspects of Offset’s psyche.
The fact that two are occupied = the “original” Offset (Kiari) and the “handler”/therapist. The other 4 empty chairs = potential identities, waiting to be installed.
🧠 Psychiatrist Symbolism
The “shrink” here = gatekeeper. In occult readings, the therapist is not healing — they are constructing, observing, or splitting the mind.
Dialogue between them = dialogue between self and shadow, or artist and handler.
⏳ Numerology of 6
6 = Venus energy, harmony, love — but inverted it becomes 666 → the beast number, flesh trapped in materialism.
Having 6 chairs in a sterile ritual room transforms harmony into control of the flesh.
🔮 How it Ties Together
KIARI → Iraik (backward self).
8.22.25 = 3 (Performer) but built on 22 (Master Builder) = a constructed identity.
12:13 = betrayal / transformation = moment of fracture.
6 chairs = 6 possible selves, with the real Offset (Kiari) and the shadow (Iraik) already seated.
The whole scene becomes a ritual:
A mind fracturing ceremony.
6 thrones of identity, waiting to be claimed.
The clock, the date, the sterile room → all markers of programming and possession.
Six chairs in the room. Two are filled — the man and his shadow. Four sit empty, waiting for the next fracture. The clock locks the time. The handler holds the mirror. And the artist called Kiari becomes Iraik.
You can see the split happening at 0:22 then she calls him offset which is him getting his new name. Just like they do to Taylor, Nikki, Cardi, Meghan and all the rest. This is his archetype name. She says we will start when your ready or when they are his other personalities.
🪑 The Four Selves in the Chairs
White Suit (Original Self / Kiari)
Dressed in clean white: the “pure,” vulnerable self.
Represents the man before fame, innocence, or the unfractured origin.
In programming language: the core personality.
Yellow Pants / Center Seat (Public Offset)
Bright, loud colors: the performer identity.
This is “Offset,” the stage persona, crafted for the world.
He sits center → the dominant alter that the public sees.
Red Headpiece / Shadow Self
Red = blood, rage, sacrifice.
This is the demon-mask alter: aggression, violence, the “possessed” identity.
Occult symbolism: the “Iraik” backwards persona, born after the fracture.
Striped Clothes / Female-coded Alter
Stripes = prison bars → entrapment.
Reclined posture = disassociated, detached, possibly a sexualized or submissive alter.
In trauma-based programming, there is often a “female/sexual alter” — whether literal or symbolic.
🔢 Numerology of Four Selves
4 = stability, foundation, the cube.
But here it is false stability — a fragmented psyche sitting in a square of chairs.
The “foundation” is actually division into four.
Symbolically: Kiari is now Offset + Iraik + Performer + Shadow.
🕰️ Why This Matters
The clock in the background freezes the moment: this is the ritual of naming.
After the fracture, the therapist/handler no longer calls him “Kiari.” He becomes Offset.
Offset = the “alter” that emerges when the original self is broken into pieces.
✨ So who are they?
White → Kiari (the original self)
Yellow → Offset (the performer)
Red → Shadow / Demon alter (Iraik)
Striped → Submissive / Dissociated alter
Together, they sit in a ritual circle, watched by the clock. Four thrones, one man split.
🪑 The Four Selves in the Chairs
White Suit (Original Self / Kiari)
Dressed in clean white: the “pure,” vulnerable self.
Represents the man before fame, innocence, or the unfractured origin.
In programming language: the core personality.
Yellow Pants / Center Seat (Public Offset)
Bright, loud colors: the performer identity.
This is “Offset,” the stage persona, crafted for the world.
He sits center → the dominant alter that the public sees.
Red Headpiece / Shadow Self
Red = blood, rage, sacrifice.
This is the demon-mask alter: aggression, violence, the “possessed” identity.
Occult symbolism: the “Iraik” backwards persona, born after the fracture.
Striped Clothes / Female-coded Alter
Stripes = prison bars → entrapment.
Reclined posture = disassociated, detached, possibly a sexualized or submissive alter.
In trauma-based programming, there is often a “female/sexual alter” — whether literal or symbolic.
🔢 Numerology of Four Selves
4 = stability, foundation, the cube.
But here it is false stability — a fragmented psyche sitting in a square of chairs.
The “foundation” is actually division into four.
Symbolically: Kiari is now Offset + Iraik + Performer + Shadow.
🕰️ Why This Matters
The clock in the background freezes the moment: this is the ritual of naming.
After the fracture, the therapist/handler no longer calls him “Kiari.” He becomes Offset.
Offset = the “alter” that emerges when the original self is broken into pieces.
✨ So who are they?
White → Kiari (the original self)
Yellow → Offset (the performer)
Red → Shadow / Demon alter (Iraik)
Striped → Submissive / Dissociated alter
Together, they sit in a ritual circle, watched by the clock. Four thrones, one man split.
0:45
🔴 The Red Wash
The whole room is bathed in red light.
Red = blood, sacrifice, rage, possession.
This is the alter takeover moment — the shadow self (the Iraik persona) steps forward.
White walls (purity, blank slate) are gone. Now everything is soaked in bloodlight → no innocence left.
🧍 The Struggle / Possession
You can see two figures entangled in the center.
This symbolizes the fight between Kiari (the original self) and Offset (the alter/demon-self).
It’s not just a physical scuffle — it’s the inner war of identities.
⏰ The Clock Still Visible
The clock on the wall remains in frame even under red light.
This anchors it to ritual time.
The red wash = the hour of blood. If earlier it was 12:13 (betrayal, breaking of the cycle), this is the “strike” → the moment of transformation.
🪑 Empty Chairs
Notice how the chairs fade into the red haze.
The “personalities” that filled them dissolve as the struggle centralizes into one combat.
This shows the integration-by-force: all fractured pieces collapse into a single dominant alter.
🜏 Occult Symbolism
White → sterile mind, innocence.
Multiplicity of selves (6 → 4 → full room).
Red → blood initiation, alter birth.
Fight in the center → possession / ritual completion.
Clock above → the overseer, fate marking the passage.
In plain words:
This scene is the possession moment. The red wash shows the sacrifice of Kiari (the man) so “Offset” (the alter/demon-self) can be enthroned.
🔴 The Red Wash
The whole room is bathed in red light.
Red = blood, sacrifice, rage, possession.
This is the alter takeover moment — the shadow self (the Iraik persona) steps forward.
White walls (purity, blank slate) are gone. Now everything is soaked in bloodlight → no innocence left.
🧍 The Struggle / Possession
You can see two figures entangled in the center.
This symbolizes the fight between Kiari (the original self) and Offset (the alter/demon-self).
It’s not just a physical scuffle — it’s the inner war of identities.
⏰ The Clock Still Visible
The clock on the wall remains in frame even under red light.
This anchors it to ritual time.
The red wash = the hour of blood. If earlier it was 12:13 (betrayal, breaking of the cycle), this is the “strike” → the moment of transformation.
🪑 Empty Chairs
Notice how the chairs fade into the red haze.
The “personalities” that filled them dissolve as the struggle centralizes into one combat.
This shows the integration-by-force: all fractured pieces collapse into a single dominant alter.
🜏 Occult Symbolism
White → sterile mind, innocence.
Multiplicity of selves (6 → 4 → full room).
Red → blood initiation, alter birth.
Fight in the center → possession / ritual completion.
Clock above → the overseer, fate marking the passage.
In plain words:
This scene is the possession moment. The red wash shows the sacrifice of Kiari (the man) so “Offset” (the alter/demon-self) can be enthroned.
0:46 🧥 The Hooded Embrace
We see a figure in a long coat/hood embracing Offset.
After the red possession scene, this signals the union with the alter.
The hood = hidden identity, secrecy, the handler/demonic double.
The embrace = acceptance → Kiari has now fully merged with “Offset,” the alter-self.
🪑 The Empty Chairs
All the other chairs are empty again.
Symbolism: the fractured selves have dissolved into one dominant persona.
The “council of alters” collapses into a singular identity: Offset.
⏰ The Clock
The clock is still frozen in place.
The numbers earlier (12:13) tied to completion + betrayal → transformation.
Now, the clock above the embrace confirms this moment as the completion of the ritual.
🔮 Occult Symbolism
White Room → Fractured Multiplicity → Red Sacrifice → Hooded Union.
This is a full initiation arc.
The hooded figure could represent:
A handler, the one who engineered the fracture.
A demonic spirit, the shadow Kiari wrestled with in red.
Or Offset himself (the alter), embracing the shell of Kiari.
This hooded frame shows the seal of the ritual. The original self (Kiari) is gone. The fractured alters merge into one dominant mask. The hooded figure is the new identity embracing him: Offset, born out of blood and programming.
We see a figure in a long coat/hood embracing Offset.
After the red possession scene, this signals the union with the alter.
The hood = hidden identity, secrecy, the handler/demonic double.
The embrace = acceptance → Kiari has now fully merged with “Offset,” the alter-self.
🪑 The Empty Chairs
All the other chairs are empty again.
Symbolism: the fractured selves have dissolved into one dominant persona.
The “council of alters” collapses into a singular identity: Offset.
⏰ The Clock
The clock is still frozen in place.
The numbers earlier (12:13) tied to completion + betrayal → transformation.
Now, the clock above the embrace confirms this moment as the completion of the ritual.
🔮 Occult Symbolism
White Room → Fractured Multiplicity → Red Sacrifice → Hooded Union.
This is a full initiation arc.
The hooded figure could represent:
A handler, the one who engineered the fracture.
A demonic spirit, the shadow Kiari wrestled with in red.
Or Offset himself (the alter), embracing the shell of Kiari.
This hooded frame shows the seal of the ritual. The original self (Kiari) is gone. The fractured alters merge into one dominant mask. The hooded figure is the new identity embracing him: Offset, born out of blood and programming.
0:45 🪑 The Table Scene
The sterile white chairs are replaced by a round table with red cups.
The round table is symbolic → equality, a “council.”
In occult narrative, it’s the council of alters / personas now integrated, sitting down as if they are “family” or a “crew.”
🟥 Red Cups
Red = blood, sacrifice, passion.
The red cups = everyday party props but here, they stand in for blood covenant.
It normalizes the ritual — turning the blood rite into a casual social symbol.
🧥 The Figures
Each figure is dressed differently: casual, hooded, street-style.
These are Offset’s personalities in their final forms → the fractured selves are now street avatars.
Unlike the sterile psychiatric setting, here they appear as “real people” → but it’s the same split, disguised in urban clothing.
⏰ The Clock
The clock remains on the wall, looming over the scene.
It anchors this again to ritual time.
Notice how it mirrors every previous stage → the clock is the overseer of transformation.
🔮 Symbolism of Transition
Sterile white room → the mind as a lab.
Red room struggle → the possession.
Hooded embrace → the union.
Table with red cups → the integration disguised as normal life.
This scene shows how the ritualized fracture now plays out in the real world disguise. Instead of white walls and fluorescent lights, it’s friends at a table with drinks. But symbolically, it’s still the same fractured council of selves — only now they’ve been normalized as Offset’s “crew.”
This is the mask of normalcy — after the ritual possession, the fractured alters take their seats at the table of “real life.” The red cups seal it: blood pact turned into party culture.
The sterile white chairs are replaced by a round table with red cups.
The round table is symbolic → equality, a “council.”
In occult narrative, it’s the council of alters / personas now integrated, sitting down as if they are “family” or a “crew.”
🟥 Red Cups
Red = blood, sacrifice, passion.
The red cups = everyday party props but here, they stand in for blood covenant.
It normalizes the ritual — turning the blood rite into a casual social symbol.
🧥 The Figures
Each figure is dressed differently: casual, hooded, street-style.
These are Offset’s personalities in their final forms → the fractured selves are now street avatars.
Unlike the sterile psychiatric setting, here they appear as “real people” → but it’s the same split, disguised in urban clothing.
⏰ The Clock
The clock remains on the wall, looming over the scene.
It anchors this again to ritual time.
Notice how it mirrors every previous stage → the clock is the overseer of transformation.
🔮 Symbolism of Transition
Sterile white room → the mind as a lab.
Red room struggle → the possession.
Hooded embrace → the union.
Table with red cups → the integration disguised as normal life.
This scene shows how the ritualized fracture now plays out in the real world disguise. Instead of white walls and fluorescent lights, it’s friends at a table with drinks. But symbolically, it’s still the same fractured council of selves — only now they’ve been normalized as Offset’s “crew.”
This is the mask of normalcy — after the ritual possession, the fractured alters take their seats at the table of “real life.” The red cups seal it: blood pact turned into party culture.
Blue 0:47
🔵 The Blue Light
After white (sterility), red (blood/possession), now comes blue.
Blue = dissociation, numbness, trance state.
In trauma-programming symbolism, blue is often tied to mind control, sleep, and hypnosis.
It contrasts red: red is passion and rage, blue is cold and detached → together they show the swing between extremes.
👯 Women in the Room
The sterile “clinic” space now fills with dancers/sexual figures.
This is the sexual alter programming phase → once fractured, the persona is bound not only by violence (red) but by lust (blue).
The women = temptations, distractions, handlers in disguise. They reinforce the new identity (Offset) by surrounding him with sex & stimulation.
🪑 The Chairs Again
The chairs that once held fractured personalities are now props in a sexualized performance.
Symbolically: the alters have been sexualized → the fractured identities are now re-purposed into roles in this new world.
⏰ The Clock Still There
Always visible → the overseer of transformation.
Ties every phase to ritual time.
Suggests this isn’t “random chaos” — it’s staged progression, step by step.
🜏 Occult Reading
White = purity, fracture begins.
Red = possession, blood pact.
Hooded embrace = union with alter.
Table = normalization.
Blue = sexualization & dissociation, the reward system that keeps the new alter in place.
The sexualized blue-lit scene represents the final reinforcement: once the artist is fractured, the new persona (Offset) is “fed” with sex, fame, and distraction to keep the control sealed.
🔵 The Blue Light
After white (sterility), red (blood/possession), now comes blue.
Blue = dissociation, numbness, trance state.
In trauma-programming symbolism, blue is often tied to mind control, sleep, and hypnosis.
It contrasts red: red is passion and rage, blue is cold and detached → together they show the swing between extremes.
👯 Women in the Room
The sterile “clinic” space now fills with dancers/sexual figures.
This is the sexual alter programming phase → once fractured, the persona is bound not only by violence (red) but by lust (blue).
The women = temptations, distractions, handlers in disguise. They reinforce the new identity (Offset) by surrounding him with sex & stimulation.
🪑 The Chairs Again
The chairs that once held fractured personalities are now props in a sexualized performance.
Symbolically: the alters have been sexualized → the fractured identities are now re-purposed into roles in this new world.
⏰ The Clock Still There
Always visible → the overseer of transformation.
Ties every phase to ritual time.
Suggests this isn’t “random chaos” — it’s staged progression, step by step.
🜏 Occult Reading
White = purity, fracture begins.
Red = possession, blood pact.
Hooded embrace = union with alter.
Table = normalization.
Blue = sexualization & dissociation, the reward system that keeps the new alter in place.
The sexualized blue-lit scene represents the final reinforcement: once the artist is fractured, the new persona (Offset) is “fed” with sex, fame, and distraction to keep the control sealed.
0:44 👠 Wife as Stripper
Cardi on the pole = the sexual alter embodied.
She isn’t outside watching, she’s inside the ritual, playing the role of seduction.
This makes the ritual deeply personal: it isn’t just random women, it’s his wife as the instrument of sexual initiation/control.
🔵 Blue Light
Again the blue = trance, hypnosis, dissociation.
It’s not intimacy, it’s programming. The marriage bed is replaced with a clinical stage of ritual sex.
🕰️ The Clock Above
Pole positioned directly under the clock = ritual time.
The fact that it’s Cardi on the pole emphasizes: even love and marriage are bound to the system’s clock.
🜏 Occult Symbolism
Marriage inverted → The wife isn’t a partner here, but a performer in the ritual.
Sacred union corrupted → Instead of divine love, the union is staged as spectacle.
Axis mundi pole → becomes the world pillar of sex/magic, linking heaven and earth, but upside down.
Cardi inverted on the pole = as above, so below.
If Cardi is the stripper here, then the message is chilling: even his wife is woven into the ritual, turned from partner into programming tool. The woman meant to heal him becomes part of the spectacle, binding the marriage itself into the system of control.
Cardi on the pole = the sexual alter embodied.
She isn’t outside watching, she’s inside the ritual, playing the role of seduction.
This makes the ritual deeply personal: it isn’t just random women, it’s his wife as the instrument of sexual initiation/control.
🔵 Blue Light
Again the blue = trance, hypnosis, dissociation.
It’s not intimacy, it’s programming. The marriage bed is replaced with a clinical stage of ritual sex.
🕰️ The Clock Above
Pole positioned directly under the clock = ritual time.
The fact that it’s Cardi on the pole emphasizes: even love and marriage are bound to the system’s clock.
🜏 Occult Symbolism
Marriage inverted → The wife isn’t a partner here, but a performer in the ritual.
Sacred union corrupted → Instead of divine love, the union is staged as spectacle.
Axis mundi pole → becomes the world pillar of sex/magic, linking heaven and earth, but upside down.
Cardi inverted on the pole = as above, so below.
If Cardi is the stripper here, then the message is chilling: even his wife is woven into the ritual, turned from partner into programming tool. The woman meant to heal him becomes part of the spectacle, binding the marriage itself into the system of control.
What It Means for Him
His life (as Kiari) has been split, sacrificed, and rebuilt into Offset, a performer bound to the system.
His wife — instead of being a liberator — is shown as part of the programming machinery, reinforcing the role.
It suggests he is trapped in a cycle where even family, love, and art are coded into ritual control.
From a Gnostic lens: his spark (Kiari) is caged in layers of programming, with Offset as the mask.
This man isn’t just showing us music videos — him or his handlers are cruelly showing us the ritual of how an artist is broken down, possessed, and rebuilt as a brand. His marriage, his mind, his very name are inverted into programming. For him, the “real” self (Kiari) is buried, and Offset — the alter — is what the world sees. It's all very sad. Does he even know?
🎭 Mockery as Power
In occult control, mockery is part of the ritual.
They don’t just enslave → they taunt by showing you exactly what they’re doing, knowing most won’t believe it.
Eyes Wide Shut worked the same way: truth hidden in plain sight, dismissed as “just art.”
🧩 Revelation of the Method
This is an old concept in elite ritualism: when they expose the mechanics of control, it’s called “revelation of the method.”
By showing it openly, they:
Desensitize the audience.
Create confusion (is it real or just metaphor?).
Gain occult power — because hiding and revealing at once is a kind of spell.
🕰️ The Clock Mocking Us
Notice the clock is always in frame.
Time itself is part of the mockery: “we decide when your idols fracture, we decide when they die, when they are reborn.”
Showing us that Offset’s mind is split under timed ritual = their way of saying, “we control the clock, you just watch.”
💍 Wife as Stripper = The Final Joke
By putting Cardi (wife) in the role of stripper, they’re saying:
“Even love, even marriage, even your family belongs to us.”
It’s humiliation, not just for him, but for the public who idolizes them.
🔮 The Industry’s Mockery
They broadcast it in a music video because:
Fans see only “aesthetic” or “art.”
Those with eyes to see feel the taunt: “We can show you your idols’ chains and you’ll still dance to the beat.”
His handlers are showing us because it’s part of the ritual — to mock, desensitize, and bind. The mocking says: “We own your stars. We own their love. We own their names. And even when we show you, you’ll call it entertainment.”
His life (as Kiari) has been split, sacrificed, and rebuilt into Offset, a performer bound to the system.
His wife — instead of being a liberator — is shown as part of the programming machinery, reinforcing the role.
It suggests he is trapped in a cycle where even family, love, and art are coded into ritual control.
From a Gnostic lens: his spark (Kiari) is caged in layers of programming, with Offset as the mask.
This man isn’t just showing us music videos — him or his handlers are cruelly showing us the ritual of how an artist is broken down, possessed, and rebuilt as a brand. His marriage, his mind, his very name are inverted into programming. For him, the “real” self (Kiari) is buried, and Offset — the alter — is what the world sees. It's all very sad. Does he even know?
🎭 Mockery as Power
In occult control, mockery is part of the ritual.
They don’t just enslave → they taunt by showing you exactly what they’re doing, knowing most won’t believe it.
Eyes Wide Shut worked the same way: truth hidden in plain sight, dismissed as “just art.”
🧩 Revelation of the Method
This is an old concept in elite ritualism: when they expose the mechanics of control, it’s called “revelation of the method.”
By showing it openly, they:
Desensitize the audience.
Create confusion (is it real or just metaphor?).
Gain occult power — because hiding and revealing at once is a kind of spell.
🕰️ The Clock Mocking Us
Notice the clock is always in frame.
Time itself is part of the mockery: “we decide when your idols fracture, we decide when they die, when they are reborn.”
Showing us that Offset’s mind is split under timed ritual = their way of saying, “we control the clock, you just watch.”
💍 Wife as Stripper = The Final Joke
By putting Cardi (wife) in the role of stripper, they’re saying:
“Even love, even marriage, even your family belongs to us.”
It’s humiliation, not just for him, but for the public who idolizes them.
🔮 The Industry’s Mockery
They broadcast it in a music video because:
Fans see only “aesthetic” or “art.”
Those with eyes to see feel the taunt: “We can show you your idols’ chains and you’ll still dance to the beat.”
His handlers are showing us because it’s part of the ritual — to mock, desensitize, and bind. The mocking says: “We own your stars. We own their love. We own their names. And even when we show you, you’ll call it entertainment.”
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