It's disturbing how much of what the anti-AI people call for mirrors Mussolini's Italy. The Ministry of Popular Culture had authority over all public communication of art. If the anti-AI mob has their way, we'll be in exactly the same situation here. 🧵
In particular, a 1941 Copyright Law established "moral rights", chaining writers and artists to Fascist corporations and tying creative endeavors to what were essentially cartels.
They had previously done something similar in 1933 with recording and broadcasting. 2/6
Works not licensed or approved by the corporations were legally prohibited from reaching the public. Industries had their own censors on site, and offending copies could be captured and stopped very quickly. 3/6
Corporations had ownership over art and ideas, exercising full control, and collaboration with publishers was required.
They paid lip service to satire, but this exception was used to bolster the "legitimacy" of the censorship of unlicensed media and art. 4/6
The destruction of transformative use as fair use, the very lifeblood of free speech itself, would establish this same LITERAL fascism. Art history is very instructive on how art is derivative of the culture around it. No one could POSSIBLY avoid the license regime. 5/6
And then, speech and thought itself would become highly restricted, allowed only when approved by the big content cartels. If anything, this would be FAR more restrictive than anything Mussolini could ever get passed!
More people need to learn history! 🔚
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Yes, fair use is a FUNDAMENTAL HUMAN RIGHT, which NO authority should infringe upon, no matter what copyright hawks like Neil Turkewitz try to say. It's there to protect the copyright cartels from running roughshod over us. 2/13
Several cases make this clear, including Eldred v. Ashcroft, Harper & Row, Campbell v. Acuff-Rose, among others.
I'm worried about what would happen if no one makes this case to the Supreme Court now, and they don't note it in their rulings? 3/13
There are two kinds of art: art you make to make a living, and art you make for art's sake.
IP is about neither of these. Copyright is inhibiting to the former and destructive to the latter. 🧵
When I make art to make a living, I am merely a humble tradesperson: I ply my skills to earn a paycheck. I'm not vain or narcissistic enough to think I'm doing anything more important than that, and so I don't feel I need IP protection. 2/12
Does a plumber need IP protection for the pipe he lays? Does a heart surgeon need IP protection for the stints he puts in? Does a firefighter need IP protection for the techniques he uses to save lives? 3/12
Everything we're seeing with the anti-AI movement is just the most recent culmination of this century's trend: big content cartels doing everything they can to suppress the rest of us to preserve their outdated, obsolete business model. 🧵
And they began doing this long before AI came on the scene. Before then, they had an even bigger threat that put their entire business model in jeopardy.
It was called the Internet. 2/22
Before, publishers had ways of controlling the physical printing of books, the cutting of records, the broadcast of shows, and the release of movies. By doing so, they became oligarchs of creative output, with the people forced into their system. 3/22
Nathan Poe observed: "It is utterly impossible to parody a Creationist in such a way that someone won't mistake for the genuine article."
Wired said in 2017: "Poe's Law applies to more and more internet interactions." 🧵
I think the spirit of Poe's Law is that the people being lampooned have become so ridiculous they've become parodies of themselves.
I *don't* think it's people just being stupid and *calling* it parody, making themselves indistinguishable from their targets. 2/7
The point of parody and satire is to show something to be ridiculous by exaggerating it to the point of utter lunacy. The idea is to expose the vices, abuses, and stupidity of the subject, for the purposes of provoking thought, discussion, and change. 3/7
If you're forced to pay protection money to the Mafia so nothing bad will happen to your business, and something bad happens to your business, you are perfectly within your rights to demand they keep their end of the bargain. That is NOT the same as wanting the Mafia!
Likewise, when your tax money is taken by force, with the understanding that if something bad happens FEMA and other government agencies will be there for you, you are perfectly within your rights to expect and even demand it.
Now that it's #PublicDomain Day 2024 and #MickeyMouse is PD, I have to say that it should be obvious to everyone that copyright has gotten absolutely ridiculous. We should go back to a copyright term of 28 or even the original 14 years. 1/6
It used to be the case that a new creation could become PD within one's own lifetime; that was the period of our greatest creative outpouring, where Disney used fairy tales, Universal used horror novels such as Dracula and Frankenstein, etc., resulting in a heyday. 2/6
During this time, it was hardly the case that no one wanted to write new novels or create other new IP. They didn't seem to care at all about whether or not they'd still have a copyright 70 years after they die! 3/6