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MichiganAnon93

@T_Lawler93

Aug 29

Thread 🧵: Who is the treasonous Luciferian secret society @BnaiBrith?

B'nai B'rith International (/bəˌneɪ ˈbrɪθ/ bə-NAY BRITH; from Hebrew: בְּנֵי בְּרִית, romanized: b'né brit, lit. 'Children of the Covenant') is an American 501(c)(3) nonprofit Jewish and Zionist service organization and was formerly a cultural association for German Jewish immigrants to the United States. B'nai B'rith states that it is committed to the security and continuity of the Jewish people and the State of Israel and combating antisemitism and other forms of bigotry.

Although the organization's historic roots stem from a system of fraternal lodges and units in the late 19th century, as fraternal organizations declined throughout the United States, the organization evolved into a dual system of both lodges and units. The membership pattern became more common to other contemporary organizations of members affiliated by contribution in addition to formal dues paying members. B'nai B'rith has members, donors and supporters around the world.

History:
B'nai B'rith was founded in Aaron Sinsheimer's café in New York City's Lower East Side on 13 October 1843, by 12 recent German Jewish immigrants led by Henry Jones. It was organized as a secret lodge. The new organization represented an attempt to organize Jews of the local community to confront what Isaac Rosenbourg, one of the founders, called "the deplorable condition of Jews in this, our newly adopted country". The new group's purpose, as described in its constitution, called for the traditional functions performed by Jewish societies in Europe: "Visiting and attending the sick" and "protecting and assisting the widow and the orphan". Its founders had hoped that it soon would encompass all Jews in the United States, but this did not happen, since other Jewish organizations also were forming around the same time.

The German-speaking founders originally named the organization Bundes-Brüder (German for "Brothers of the Covenant") to reflect their goal of a fraternal order that could provide comfort to the entire spectrum of Jewish Americans. Although early meetings were conducted in German, after a short time English emerged as the language of choice and the name was changed to B'nai B'rith. In the late 20th century, the translation was changed to the more contemporary and inclusive Children of the Covenant.

Despite its fraternal and local beginnings, B'nai B'rith spoke out for Jewish rights early in its history and used its growing national chain of lodges as a way to exercise political influence on behalf of world Jewry. In 1851, for example, it circulated petitions urging Secretary of State Daniel Webster to demand the end of Jewish disabilities in Switzerland, during on-going trade negotiations. Into the 1920s the B'nai B'rith continued in its political work by joining in Jewish delegations and lobbying efforts through which American Jews sought to influence public policy, both domestic and foreign. B'nai B'rith also played a crucial role in transnational Jewish politics. The later spread of the organization around the world made it a nerve center of intra-Jewish communication and mutual endeavor.

1843 to early 1900s:
B'nai B'rith's activities during the 19th and 20th centuries were dominated by mutual aid, social service and philanthropy. In keeping with their concerns for protecting their families, the organization's first concrete action was the establishment of an insurance policy awarding widows of deceased members $30 toward funeral expenses and a stipend of $1 a week for the rest of their life. To aid their children, each child would also receive a stipend and, for male children, the assurance he would be taught a trade.

In 1851, Covenant Hall was erected in New York City as the first Jewish community center in the United States, and also what is widely considered to be the first Jewish public library in the United States. One year later, B'nai B'rith established the Maimonides Library. Immediately following the Civil War—when Jews on both sides of the battle were left homeless—B'nai B'rith founded the 200-bed Cleveland Jewish Orphan Home. Over the next several years, the organization would establish numerous hospitals, orphanages and homes for the aged.

In 1868, when a devastating flood crippled Baltimore, B'nai B'rith responded with a disaster relief campaign. This act preceded the founding of the American Red Cross by 13 years and was to be the first of many domestic relief programs. That same year, B'nai B'rith sponsored its first overseas philanthropic project raising $4,522 to aid the victims of a cholera epidemic in Ottoman Palestine.

In 1875, a lodge was established in Toronto, followed soon after by another in Montreal and in 1882 by a lodge in Berlin. Membership outside of the United States grew rapidly. Soon, lodges were formed in Cairo (1887) and in Jerusalem (1888—nine years before Theodor Herzl convened the First Zionist Congress in Basel, Switzerland). The Jerusalem lodge became the first public organization to hold all of its meetings in Hebrew.

After 1881, with the mass immigration of Eastern European Jews to the United States, B'nai B'rith sponsored Americanization classes, trade schools and relief programs. This began a period of rapid membership growth, a change in the system of representation and questioning of the secret rituals common to fraternal organizations. In 1897, when the organization's U.S. membership numbered slightly more than 18,000, B'nai B'rith formed a ladies' auxiliary chapter in San Francisco. This was to become B'nai B'rith Women, which in 1988 broke away as an independent organization, Jewish Women International.

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MichiganAnon93

@T_Lawler93

Aug 24

🦈 The Occult Symbolism of Jaws – A Deep Dive 🧵

Opening Ritual: Chrissie’s Sacrifice
The film begins with a night attack on Chrissie, immediately signaling a ritualistic tone. Night represents Isis, the moon goddess who rules over the watery realm. Chrissie’s death is not random, it is a sacrifice to Isis, establishing the cosmic order and chaos that will unfold. This mirrors Egyptian initiation rituals, where offerings to deities establish the sacred framework. Her death also introduces the shark as Set/Typhon, the chaotic destroyer, while the waters become the liminal space of danger and transformation. The audience witnesses the first step in the mythic cycle: the uninitiated are consumed, preparing the ground for the initiate’s journey.

The Boy as Child Osiris/Hapi:

The early death of the young boy symbolizes Osiris in his child form, also identified in esoteric tradition as Happi, the post-flood child Nimrod. Innocent and unprepared, he represents the latent divine principle vulnerable to chaos. Typhon (the shark) destroys him, enacting the ritual murder of Osiris/Happi, echoing the scattering of humanity or divine essence after Babel. This scene establishes that the uninitiated are devoured by the chaotic forces of doctrine and the cosmos, reinforcing the theme of sacrificial necessity and initiating the narrative arc of death and rebirth.

Quint as Osiris, the Master:

Quint embodies Osiris, the master archetype, calm, knowledgeable, and fearless. He is the “all-knowing” figure who confronts the abyss. His eventual death at the jaws of Typhon mirrors Osiris’ dismemberment, a ritual necessary for cosmic balance. Quint’s composure and knowledge contrast with Brody’s fear and ignorance, establishing a hierarchy: the master initiates, the initiate is tested, and the doctrine is challenged. Quint’s death is not mere spectacle; it’s a symbolic enactment of ancient myth, the dismemberment necessary for Horus’ rise, encoded in a cinematic shark attack.

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MichiganAnon93

@T_Lawler93

Aug 11

🚨🧵Exposing the Occult in Harry Potter and the Prisoner of Azkaban

A Deep Dive into the Hidden Dark Symbolism Behind the Magic

Harry Potter and the Prisoner of Azkaban is much more than a fantasy story for children and young adults. Beneath the surface of the wizarding world lies a carefully crafted occult initiation manual disguised as entertainment. This installment, like the others before it, is steeped in dark symbolism that aligns closely with Luciferian, Hermetic, and other esoteric traditions, symbolism designed to subtly introduce and normalize occult practices and worldviews to an unsuspecting audience.

Having already exposed the Rosicrucian and Rose Cross elements in the first two books, here we take a deeper plunge. The themes of illumination versus ignorance, the spiritual battle between the enlightened initiate and the enslaved profane masses, are made explicit through characters, spells, and story arcs. The narrative embeds archetypes of spiritual rebellion, forbidden knowledge, and vibrational control, cloaked in magical adventures that hide sinister intentions behind seemingly innocent fantasy.

This thread will systematically expose how Prisoner of Azkaban pushes Luciferian doctrine, mind control techniques, and spiritual deception into popular culture, using symbols like the black dog (Sirius), Dementors, the Patronus, and time manipulation as key devices in a broader campaign to desensitize viewers to occult realities.

Be warned: what looks like children’s fiction is a gateway to a dangerous spiritual system that opposes biblical truth and enslaves the soul. This is not harmless magic, it is a spiritual battlefield disguised as a story, and understanding its symbolism is critical for spiritual discernment in our time.

Aunt Marge Inflation Scene: Alchemical Pride and Spiritual Inflation

The grotesque inflation of Aunt Marge in Prisoner of Azkaban is not just a quirky moment of fantasy but a dark occult allegory for spiritual pride and the sin that led to Lucifer’s fall. In Scripture, pride is the root of all rebellion against God, and this scene visually symbolizes that dangerous inflation of the ego, being “puffed up” beyond natural human limits and divine order.

Aunt Marge’s unnatural swelling is an abomination, mirroring the alchemical “pressure vessel” where pride is the poison that ultimately bursts the vessel. Her bloated form is a physical manifestation of the biblical warning that those who exalt themselves will be humbled (Proverbs 16:18).

This moment foreshadows the dangers of spiritual inflation, that false pursuit of power and knowledge apart from God which is condemned in Leviticus 19:26 and Deuteronomy 18:10-12. Magic, witchcraft, and all occult arts are an abomination (Deuteronomy 18:10-12), and this scene reflects how those who dabble in such dark arts set themselves up for destruction.

The family dynamics in this scene are also symbolic. Aunt Marge’s harshness and blindness to Harry’s suffering represent the profane world, hardened by pride and ignorance, who oppose the spiritually awakened. Harry’s uncontrolled magic exploding in response signifies the dangerous, unstable power that comes from forbidden knowledge and rebellion against God’s authority.

From a Christian exposé perspective, this scene is a warning: spiritual growth can never come through prideful self-exaltation or occult practices. True illumination comes only through Christ, and the path shown here is a tragic counterfeit, leading instead to destruction and bondage.

This opening initiatory moment reveals how the film glorifies prideful rebellion under the guise of magical fantasy, subtly normalizing what Scripture calls an abomination and an opening for demonic influence.

The Omen of the Black Dog: Sirius and the Black Dog Archetype

Immediately following the inflation scene, Harry encounters a black dog stalking him, a deliberate occult symbol loaded with spiritual deception. This black dog is Sirius Black, but beyond the character lies the archetype of the black dog as an omen of death, spiritual darkness, and demonic deception found in centuries of folklore.

The “black dog” is often associated with psychopomps, entities who guide souls into death or spiritual bondage. It is a symbol of the fallen spiritual order, and here, Sirius represents the occult “Dog Star” or Sirius, the Luciferian light-bearer, who sought to ascend above God’s throne.

Sirius as a “fallen star” aligns with biblical descriptions of Satan’s prideful rebellion (Isaiah 14:12-15). His role as Harry’s godfather, unknown until late in the story, symbolizes hidden spiritual guardianship by Luciferian forces, subtly guiding the protagonist along a path of rebellion cloaked in counterfeit light.

The film’s early emphasis on the black dog primes viewers for a narrative of false illumination versus spiritual ignorance. The black dog’s ominous presence warns Christian viewers that this is not innocent fantasy but a deliberate introduction to occult deception.

This archetype calls believers to discernment: the story glorifies a false light opposed to the true light of Christ, and the Luciferian “illuminated man” agenda is hidden in plain sight under the guise of friendship and protection.

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MichiganAnon93

@T_Lawler93

Jul 21

🧵THREAD: Harry Potter & the Chamber of Secrets Exposed; A Rosicrucian & Mystery Babylon Occult Trap Hidden in Plain Sight

1/ The Chamber of Secrets as the Alchemical Sepulcher of Occult Initiation

At a superficial glance, the Chamber of Secrets is just a hidden, ancient room beneath Hogwarts. However, this chamber is a direct allegory for the alchemical sepulcher, a sacred concept in Rosicrucian and Mystery Babylon teachings representing the soul’s spiritual tomb. Here, the false initiate is said to confront death and darkness in pursuit of “transformation.” Yet unlike true Christian rebirth through Christ’s resurrection, this sepulcher is a trap where souls face petrification: spiritual hardening and paralysis away from God’s grace.

This chamber symbolizes the inner sanctum of secret knowledge, a place Mystery Babylon’s mystery schools use to lure souls with promises of enlightenment, only to imprison them in lies. Hogwarts itself is a symbol of these secret schools, and the Chamber is the concealed heart of their deception, dressed in magical fantasy to seduce millions into occult initiation.

2/ The Basilisk: The Serpent Embodied as Spiritual Death and the Power of the Gaze

The basilisk is more than a mythic monster; it is the living serpent of occult power whose gaze is fatal. Crucially, anyone who looks directly into the basilisk’s eyes dies instantly, while those who see its gaze indirectly, via reflection or camera, are petrified, frozen in a living spiritual death.

Spiritually, this distinction is profound. The basilisk’s direct gaze symbolizes Satan’s ability to bring immediate spiritual death to anyone who confronts occult evil without Christ’s protection. Scripture consistently warns believers to avoid direct engagement with demonic forces (Ephesians 6:10-12). The indirect gaze represents the paralysis of souls trapped in spiritual bondage, alive but immobilized, hardened by lies and fear.

This deadly allegory warns that occult “knowledge” and power are either soul-killing or soul-paralyzing traps, with no true hope outside Jesus Christ.

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MichiganAnon93

@T_Lawler93

Jul 16

🧵 THREAD: The Limbaugh Legacy: A Trojan Horse in Talk Radio. @POTUS giving this clown the highest civilian honor is one his biggest mistakes IMO of Trump's political career. This isn't sliding, it's having an opinion. Don't like it too fucking bad.

Rush Hudson Limbaugh III sold himself as the voice of working-class conservatism.

But the truth is darker.

The Limbaughs are a multi-generational political family tied to socialist revolution, elite legal power, and neocon war propaganda.

Let’s break it down.

Rush Limbaugh Sr., the patriarch, was a powerful lawyer and civic leader in Cape Girardeau, Missouri.

But what they never told you?

He helped found the Committee of 48, an openly socialist, anti-capitalist, and anti-imperialist political movement in 1919.

The Committee of 48 was a direct attempt to form a third party to the left of both Republicans and Democrats.

Its goals?

- Nationalize industry

- Dismantle monopolies

- End U.S. imperialism

- Merge with labor and socialist movements

Rush Sr. was all in.

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MichiganAnon93

@T_Lawler93

Jul 1

🧵 Gardening in Michigan’s Sandy Regions
Living along the coast of Michigan’s Thumb is beautiful, but the sandy soil left behind by ancient Lake Huron makes gardening a real challenge. Here's a thread of plants that thrive in these tough conditions 🌱👇

1. Carrots
Sandy soil is actually ideal for carrots, especially types like Danvers or Scarlet Nantes. The loose texture prevents root deformation. Just amend with compost for better yields and consistent moisture.

2. Radishes
Fast-growing and forgiving, radishes love the drainage sandy soil provides. Perfect for beginners and a great early-season crop. Add mulch to retain moisture.

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