i was on the front porch that evening
gazing at the vanilla twilight above,
watching the small birds flying home.
"lucky son of a bird," i sighed, chuckling.
that was the last sip of my teaβ
i had made it eight hours ago,
for there was nothing to talk about,
rather everything to think about.
someone stared at me from the pond below.
he looked familiar, but i could barely recognize him.
from his face, i could tell he was disappointed.
"donβt worry, lilβ buddy, weβll make it," i said, fake smiling.
he began to count: "1...2...3...4..."
"should i hide?" i looked around for a hiding spot.
"12...13...14...15..." he continued.
as he counted more and more, i realized something.
"21...22...23." then he stopped.
i put on a thin, one-dimensional smile.
those numbers felt like an arrow to the heart.
i refilled my tea and drank it even faster.
i looked down at him and said,
"i owe you."
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an indie time-hopping film that are decent enough to watch.
yeah no i have no clue, lol.
okay, yeah that explained it, i think. clearly this is a complex film that really needs its viewers 100% attention to any details given by the film itself.
it's sad to see this adaptation failed for me. coming from Stephen King, i know this film's gonna be worth to watch, but no and here's why:
look i watched this on 2 occation, last year when the VOD first released and just now completed it. i tried to watch this as if i don't know it's adapting one of the King's story, so that i can be objective. cause most of the times, adaptation's sucks.
a beautiful placed chaotic emotions of a troubled character.
a second feature film of Jesse Eisenberg, a recent phenomenom of unsurprisingly well received film. well written and directer film.
first of all, i like the first and last image of this film, i really love it. seing Benji in different emotional state gave me big emphasis about the shot itself. i like how this film not go into the classic plot way, like when Dave's monologue about how he envy-
a confused thriller with the whole family complex of demons
drawn from his previous success, "They Look Like People" made the whole image of indie cinema look a lot different to me. it opened up a way to make really good movie with every limitations of independent cinema. the Blackshear way, i would call it.
i wanna see how he progress since that film, the journey within projects must have been a blast for him, his crews and also casts. all of it reflected to WHEN I CONSUME YOU. but it's sad to say, i didn't like this one.
a family vacation turns a dark turn into a total mare of night.
just finished it a minute ago and i am in awe!
First, i wanna pull my hat off to the writer whom successfully bring the story full circle. every question answered by the film. i feel for every characters, you did it!
anw, what the hell? i sense some kinda trend here, last year we got HERE (POV of a House), and now we got PRESENCE (Ghost POV), and WOLF MAN (half POV of werewolf). not that i hate it, I LOVE IT. kinda good actually to put an idea to ppl about putting themself in somebody's shoes
there're big notes on this film, i reaaaaaallly love it! i found this years ago from the song cover "Waving Through A Window" by Owl City, and just now finish watching it.
this film telling us about human being human, everyone had atleast one flaw, and the best thing is to embrace it. The protagonist, Evan, have severe anxiety disorder and that also moving the plot as Evan go down to his big white lie.