If only it was this angry when millions of migrants were walking home on foot.
Thread. 1/18
For a country that prides itself on moving fast, India was strangely unprepared for the week in 2025 when IndiGo—the airline that had become shorthand for middle-class mobility—simply stopped working. 2/18
Aviation in India has always been a performance—a stage where the country acts out its idea of arrival. If the railways carry everyone, aviation is meant to carry those who imagine they have moved beyond the crowds of railway platforms.
3/18
IndiGo became the face of that performance. Many passengers caught in the 2025 chaos framed the meltdown as a betrayal. But the IndiGo fiasco was not merely an aviation failure.
It was a class moment. 4/18
Because this was not the first time mobility in India had collapsed.
It was just the first time the collapse had affected people who assume uninterrupted movement is the natural order of things, not a privilege. 5/18
For the first time, urban India was experiencing a version of what it had conveniently ignored when millions of migrant workers walked home during the 2020 lockdown. Uncertainty, exhaustion, and the collapse of a system they had trusted—this time it was happening to them. 6/18
In 2020, India witnessed the largest mass displacement since Partition. When the national lockdown was announced, millions of migrant labourers—masons, carpenters, factory workers, domestic workers, loaders, rickshaw drivers—were abandoned. 7/18
The 2025 IndiGo fiasco did not resemble the migrant crisis in scale, stakes, or suffering. It would be obscene to pretend the two were equivalent. But the emotional grammar of helplessness, of being abandoned by a system built for your convenience, came unbearably close. 8/18
The passengers ground down by this airline meltdown were largely the same demographic that once watched stranded workers trudge down highways indifferently. Urban India never imagined that the fragile system could one day touch their own lives. This time, it did. 9/18
If IndiGo’s crisis feels dystopian to you, imagine living like this every day. That is the reality of India’s migrant workforce. The deeper question, then, is: does India learn only when a crisis touches its elites? 10/18
The political calculus that followed, the migrant crisis remained a moral event, not an electoral one. Migrants did not become a constituency.
However, the Airports did. Somehow, the shining terminals became campaign backdrops visited by a sliver of the population. 11/18
The fact is, Indian elections do not revolve around labour justice. They revolve around spectacle. And that is precisely why when governments advertised GDP, they used images of aircraft, not workers. 12/18
It was easy for urban India to ignore who builds the runways and who cleans the planes, because aviation allowed them to float above the very systems that make their mobility possible.
Until 2025, when those systems stopped obeying them. 13/18
Among the loudest voices stranded in airports were IT professionals flying between Bangalore, Pune, Hyderabad, and Gurgaon. They described themselves as “victims” of IndiGo’s incompetence. They were right. They were also missing the irony. Most of them are migrants too. 14/18
The only difference is narrative. Urban professionals rarely see themselves as labour—they are "talent resources." As a result, the daily struggles of migrant workers hardly register, and their voices seldom resonate in the corridors these professionals occupy. 15/18
That fantasy shattered in a single week.
Passengers who had never experienced institutional neglect were suddenly tasting it.
"How can a system simply stop working? ... How can no one be accountable? ... How can we be this disposable?"
16/18
Urban India will forget this crisis quickly. Markets have short memories; crowd have even shorter ones. But for a brief, uncomfortable moment, privilege failed. For once, privilege could not quiet the questions we avoid: how long until we, too, are forced to suffer?
17/18
For those who had been grounded, we feel your trauma. We are with you in the frustration. But for once, we also want you to pause and think of those who face uncertainty every day — raise questions for them, because the system often listens only to the privileged.
18/18
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Simone Tata, the visionary who transformed Lakmé into India's leading cosmetic brand, passed away yesterday in Mumbai. She was 95. We recount the remarkable story of how Goddess Lakshmi inspired the most well-known cosmetic brand of India. 1/16
Photo by Bikramjit Bose.
The story begins in India in the 1950s, a nascent democracy that was unavoidably going through growth pains. Reportedly, the Nehru administration had realised that Indian women were spending a lot of money on imported cosmetics. 2/16
According to M.O. Mathai’s acclaimed book “My days with Nehru,” Indian urban women were furious when the Union Finance Minister halted all imports of foreign cosmetics due to a lack of foreign currency. Telegrams and letters poured into the PM’s office. 3/16
This is one of the most significant pieces of furniture in India’s modern history. If furniture could speak, this one would tell the story of a hero’s last stand.
A short thread. 1/11
This sofa set was recovered from the ill-fated Palm Lounge at the Taj Mahal Hotel, Mumbai, during the 26/11 terrorist attack, bearing a total of 13 bullet marks.
2/11
It witnessed the valiant fight between Major Sandeep Unnikrishnan and four terrorists during the operation. Major Sandeep Unnikrishnan was an officer of the Indian Army’s elite National Security Guard (NSG), renowned for his exceptional bravery.
Legendary actor Dharmendra passed away yesterday after a brave battle. He had been receiving treatment at Mumbai’s Breach Candy hospital.
Did you know that the tune of this song from 'Anupama' (1966) was actually composed 4 years earlier for another film? #DharmendraDeol 1/9
Hrishikesh Mukherjee drew from his cousin's real-life story for the titular character in 'Anupama'. In an interview with The Indian Express, he shared, "My aunt died during childbirth, my uncle turned to alcohol, and he couldn't bear his daughter. " 2/9
"For Anupama’s relationship with the poet who rescues her, I used my imagination." he remarked.
Dharmendra played Ashok, an author sensitive to the world's sorrows, who sees the same melancholy in Anupama and helps her discover herself. 3/9
Somewhere on the north side of the 6200 block of Hollywood Boulevard lies a Walk of Fame star with a single name: Sabu.
Who was he?
He was a boy from Mysore, the son of a mahout, an elephant trainer.
How did he end up in Hollywood? Read on 1/14
He was Sabu Dastagir: Born as Selar Sabu in 1924 in Mysore state.
This is an incredible story of a mahout boy from Mysore who won a DFC in WWII and was inducted in Hollywood Walk of Fame.
2/14
Sabu grew up among elephants.
His father was a mahout in the service of the royal family of Mysore and Sabu along with his older brother, Shaik Dastagir helped their father in his daily duties. His life would change in 1934-35.
In the late 1920s, a young Indian woman boarded a ship bound for Germany to do her PhD. Her name was Irawati Karve. And she was about to take on one of the most dangerous ideas of her time.
Thread. 1/12
Her academic supervisor in Berlin, Eugen Fischer, was a leading figure in medicine and physical anthropology — and a member of the Nazi Party. His influence ran deep. Even Adolf Hitler read his textbook while in prison and used those ideas to build the Nazi racial doctrine. 2/12
Fischer claimed that white Europeans were inherently more intelligent than Africans — because, their skulls were asymmetrical in ways that allowed greater brain growth. 3/12
Remembering Asrani, the man who made us laugh even in a film drenched in blood and revenge.
But behind his iconic “Angrezon ke zamaane ka jailor” act in Sholay lies an unlikely inspiration - a secret photoshoot in Germany nearly a century ago. Thread 1/17
To understand that connection, we must first talk about a man named Heinrich Hoffmann. He was a photographer, but not an ordinary one. He was Hitler’s personal photographer, propagandist, and one of his closest aides. 2/17
Hoffmann met Hitler in 1919, long before the Nazi leader’s rise. His photographs helped shape the visual mythology of the Third Reich. Every poster, portrait, and newspaper image of Hitler that circulated in Germany bore Hoffmann’s fingerprints. Quite literally. 3/17