J. Michael Straczynski Profile picture
Dec 30, 2025 11 tweets 3 min read Read on X
I actually discussed this quite a while ago, over a year, I think. I've always been frank with the fans whether it's good or bad. The short answer is no, at least not in this form. The problem we ran into was three-fold: first, it's rare when network A picks up a show from--
-- another network unless it's been a big hit or it has major talent attached to it. That wasn't the case here it was just a script. Second, the well-documented paralysis that would grip Hollywood for the next several years was already starting to make itself known and buying--
--was slowing down across the board. Third, that the project came from the CW was a liability with streamers who felt that a show that could air on the CW wouldn't work for them. But the studio believed in the project and felt it was important to try anyway. It took almost--
--a year for the studio lawyers to claw back the rights to the scripts (different entities, lots of legal aspects), then lay out a plan for where to take it and who at that place should see it. (One twatcaster said the other studios had said no at the very moment when I was--
--literally looking at an email with the last roster of names for submission in the coming months; meaning the other studios hadn't even *seen* it yet.) The studio took its best shot, but given the three issues noted above, we knew it was an uphill climb, and it bounced. And--
--I said as much. So what does this mean for the future? Actually, it doesn't mean anything one way or another. Lots of TV shows go through whole slews of pilot scripts before one breaks through. It's commonplace. But you kind of have to wait a while before going back to--
--the well. When that happens, there will be questions like: do we do a version of this that's network friendly, or for a streamer? Because as above, if you write for one you tend to preclude the other, as a CW script wouldn't work for one of them. Is THAT CW reboot script --
-- dead? Yes. Is the prospect of A B5 reboot with another script possible? Absolutely. Not just possible but likely over time. The TV business is slowly starting to pull itself out of the malaise that's gripped it for the last five years, and there are a lot of deck chairs--
-- being moved around on a lot of boats, and you don't want to sell something to an exec who gets replaced in a sale because the new order will kill --that project at once to put their own stamp on it. So there's merit in waiting. That said, do I think that the B5 universe --
-- will continue in one fashion or another, sooner or later, maybe sooner? Yes, I do. And when that should happen, I will break the news to the fans honestly and straightforwardly, just as I have for the last 30 years. Every post, every statement I've made for those three --
--decades is in a searchable database at , tens of thousands of posts, making me accountable for every word I say. It confirms that in all that time, I've always, *always* been straightforward with what's happening with the show, up or down, win or lose.jmsnews.com

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More from @straczynski

Dec 30, 2025
Sorry you got wound up. For whatever aid it may be in future, in general, here's how you can tell an actual entertainment news story from made-up clickbait. (Speaking here as someone who not only works in the business but was a reporter in this arena for many years.) /1
When a reporter for the LA Times or Variety gets wind of a breaking story, they will get confirmation from their sources, and say, for example, "There are initial discussions going on about a merger between A and B." They will generally cite the individuals involved in the /2
conversation. "The discussions, helmed by John Smith at A and Jean Smith at B, are aimed at..." They don't reveal their sources, but they a) identify the people involved, and b), most importantly, they say that this IS going on. They don't say "Well, this may or may not /3
Read 7 tweets
Oct 2, 2025
Twenty years ago, publishing entrepreneur Jaclyn Easton came to me with a risky but innovative idea: , a publishing entity built around one show, Babylon 5, its participants and fans. This wouldn’t be what was usually done, aftermarket making-of books --B5Books.com
-- one-and-done and just kind of tossed out into the world. These would be curated books telling the story of the making of Babylon 5 from deep inside, which could only be done with unprecedented access to writers, producers, cast, crew, everybody --
-- along with scripts, photos, blueprints, artwork, it would be a massive task. This long-view approach to the show was as revolutionary as B5’s five-year arc.
Now, twenty years and seventy – count ’em, 70 – books later, the work is finished, and the site will be shutting down --
Read 6 tweets
Jul 3, 2025
In the episode where Claudia breaks her foot, Ivanova has a line about the Drazi that it's like talking to her foot difference is she has a good relationship with her foot; in the episode where they're trying to get enough power to broadcast the Voice of the Resistance to Earth--
-- the day we went to shoot the scene where they say that, we lost power to the stage and had to bring in a generator. When I was trying to explain time travel to Jerry over lunch for Babylon Squared, I pointed to his plate and said "Imagine you get food poisoning from the fish--
-- and come back in time to warn yourself not to eat the fish." That night Jerry got food poisoning from the fish. When I wrote the episode where Delenn is pregnant, Mira was pregnant and didn't know it. This happened All The Time and weirded everyone out. At one point Mira --
Read 4 tweets
Oct 26, 2024
Very saddened to hear of the passing of Jeri Taylor. Jeri was co-showrunner on Jake and the Fatman (with her husband David Moessinger) and brought me onto the show based on a script I'd written for another show. At the time, I had never been on a network series, and 90% --
-- of my live-action work was in half hour shows, a very different format. Which is why CBS didn't want me on the show. They didn't think I had the chops for a network series. But Jeri and David fought like hell to get me on that show, and eventually prevailed. Not only --
-- was it my first network gig, which was important, Jeri and David took the time to teach me all the things I didn't know about TV writing but thought I did. They were kind, patient, and damned good writers. So when a showdown came between Jeri and David, as the --
Read 6 tweets
Jul 16, 2024
The stunning thing about the news coverage over the last couple of days is the sheer number of pundits saying we're in "uncharted waters" to have something like this happen during a political campaign, and that's only true if you ignore the fact that it's not. In 1972 --
-- Alabama Governor George Wallace was running for President. Wallace was batshit crazy, a stone racist and segregationist who, per Jimmy Carter, had previously run "one of the most racist campaigns in modern southern political history." This was the same George Wallace --
-- who personally stood in the schoolhouse door at the University of Alabama to prevent black students from entering after integration had been ordered. So, as noted: racist, segregationist, batshit crazy, and everybody except the people who were --
Read 7 tweets
May 30, 2024
Variations on this question have been coming up a lot lately, two in the same day (did you guys carpool?) so I’m going to go micro on this for future reference to save writing it again. When casting, you’re looking for someone who is, or can be, the very specific character --
-- that you, the studio, the network, and the producers have all refined and, ideally, made different from everything else out there. You see person after person, waiting for that one perfect match, the actor who is that character.

Having FINALLY found the actor who can be --
-- that character, which was the whole point of the exercise, why would you then just toss aside the character you fought so hard to create and find in an actor? The role exists to be filled by someone who can give you what you need to make what’s on the page feel real and --
Read 14 tweets

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