Didn't find the Atlantic article about the Mellon as objectionable as some, but I parsed AWM's most recent 990: of $555M in giving, $225M went to higher ed. That's like half the annual spend of an Arts&Sciences college at a big public R1. It's just not enough to move the needle.
Put another way, there are about 400 R1s + liberal arts colleges in America. $225M = about $500K per. Higher ed in America is simply enormous, and the idea that a few hundred mil in grantmaking each year can exert a real gravitational effect seems questionable by the numbers.
The top 4 public R1s recieved $8M (directly, excluding things like ACLS), which probably sounds like a lot, until you realize that they probably spend ~$3-400M on their respective humanities divisions in aggregate, which makes this like 2% of funding.
Anyway, to paraphrase Brother Mouzone, the most dangerous thing in the world is an English major with a pivot table.
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So. Here's a forelock-tugging article about how SVB's collapse will "chill" start-up funding that only manages to mention one actual "start-up," which, amusingly, is *not* a tech firm, but rather a fake "neo investment bank" called HF.capital. nytimes.com/2023/03/27/tec…
This fake business is itself run by a former minor-league VC player. It doesn't even have a real website, but it does have a Facebook page 🤪
Ah, okay, so SVB's collapse is supposedly devastating the critical investment ecosystem that enables penurious boutique consultancies to pretend that they are technology-enabled banks and brokerages.
What's ruined Nu Star Trek, especially Picard, isn't the vile undermining of a utopian future, a penchant for dumb violence, an attempt to make an elderly man an action hero, bad dialogue, or terrible characters, although they're all there. It's that they ruined warp drive.
FTL travel was always fantasy, but in Trek, and in TNG in particular, they took seriously the idea of the true size of the galaxy, and while the warp drive was fantastical, it was NOT magic. It took a *long time* to get places.
And this could be mined for tension, used for strategic advantage, result in tactical disadvantage, etc., which all made for good storytelling. The first time they encounter the Borg, the show ratchets tension simply by having the cube effortlessly match the Enterprise's speed.