Discover and read the best of Twitter Threads about #BertoltBrecht

Most recents (3)

Eiszeit: 5 Jahre und rund 660 Seiten später konnte ich endlich meine Dissertation zum Phänomen #KältePop einreichen! Mehr dazu ⬇️
Was ist #KältePop?
Ein kurzer Thread über ‚kalte‘ Musik, das Stereotyp des emotionsbefreiten, ‚kalten Deutschen‘, die linke ‚Gegengegenkultur‘ der ‚#78er‘, neue Forschungsansätze der #Popgeschichte/#pophistory sowie den weltweit erfolg- und einflussreichsten deutschen Pop-Export
In den Jahren 1978-1983 kam es aus dem Um- und Vorfeld der deutschsprachigen New Wave (#NDW) heraus zu einer regelrechten ‚Kälte-Welle‘ in der deutschen Pop-Musik, d. h. zu einem inflationären Einsatz ‚kalter‘ Strategien und Motive.
Read 18 tweets
En los Estados capitalistas no está prohibido que la clase explotadora desaloje a familias enteras de sus casas, ni está prohibida la explotación, ni empujar al suicidio a las personas más precarizadas de la clase trabajadora, ni asesinar a millones de personas por causa de
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una deficiente atención médica, ni asesinar a millones de personas por hambre, ni empujar al éxodo a millones de personas por causa del saqueo capitalista, etc... En los Estados capitalistas se vive bajo la Dictadura del Capital,☟
en la que es la clase dominante que dicta el funcionamiento social según sus intereses, en desmedro de los intereses de la clase trabajadora que sin embargo es la que todo produce y hace funcionar. Este sistema de profunda injusticia social será abolido, mediante la lucha,☟
Read 4 tweets
#OTD 1956 – Bertolt Brecht, Aged 58, German poet, playwright, director. (b. 1898)

He moved to US to escape Nazis, wrote one Hollywood screenplay (Fritz Lang, Hangmen Also Die 1943), came under investigation by HUAC, testified, then left for East Germany, before being deported.
#OTD 1956 – Bertolt Brecht, 58, German poet, playwright. (b. 1898)

Life of Galileo * Mother Courage + Her Children * Good Person of Szechwan * Caucasian Chalk Circle * Mr Puntila + his Man Matti * Resistible Rise of Arturo Ui

(1929 based John Gay's Beggar's [Threepenny] Opera)
"Brecht’s testimony is legendary. Asked did he write “Forward We’ve Not Forgotten” (from his play Decision), read in English translation, he responds, “No, I wrote a German poem, but that is very different from this thing,” provoking laughter in audience."
Read 8 tweets

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