Discover and read the best of Twitter Threads about #Latamangeshkar
Most recents (21)
बार बार रिजेक्ट हो कर बन गई अमर धुन और वो गाना जो रूह को झंकझोर देती है
लग जा गले की फिर ये हसीं रात हो न हो
शायद फिर इस जनम में मुलाकात हो न हो
धुन नैना बरसें रिमझिम रिमझिम की धुन मदन मोहन ने अठरा साल पहले ही बनाई थी पर न जाने कैसे किसी भी निर्माता को वो धुन पसंद नहीं आती थी
लग जा गले की फिर ये हसीं रात हो न हो
शायद फिर इस जनम में मुलाकात हो न हो
धुन नैना बरसें रिमझिम रिमझिम की धुन मदन मोहन ने अठरा साल पहले ही बनाई थी पर न जाने कैसे किसी भी निर्माता को वो धुन पसंद नहीं आती थी
मदन मोहन जिसे भी वो धुन सुनाते वो उसे रिजेक्ट कर देता, यूँ बार बार रिजेक्ट मिलने से तंग हो चुके मदनमोहन ने ‘वह कौन थी के वक्त ये तय कर लिया था की अगर राज खोसला भी इसे रिजेक्ट कर देते है तो वे इस धुन के बारे में सोचना बंद कर देंगे पर मदन मोहन के साथ श्रोताओं की भी किस्मत अच्छी थी
कि राज खोसला को वो धुन बहोत पसंद आई और उन्होंने इसे सुनते ही हाँ कर दी लेकिन मदन मोहन ने दूसरी धुन “लग जा गले” को उन्होंने रिजेक्ट कर दिया! यह एक अजीब सच था की लगातार रिजेक्ट होने वाली धुन select हो गई और लगभग सिलेक्ट होनेवाली धुन रिजेक्ट हुई!
"Besides being a wonderful singer, Lata Ji was also multifaceted," describes the Indian Music Director #PyarelalSharma who, along with his partner Laxmikant worked on over 700 songs with the #NightingaleOfHindiCinema.
#LataMangeshkar #Tribute #Legend #IndianCinema
#LataMangeshkar #Tribute #Legend #IndianCinema
On her first death anniversary, here's a collection of some of her rare pictures and lesser-known stories about the legendary singer >>>
Lata Mangeshkar, the legendary Indian singer & composer, passed away a year ago on Feb 6, marking her first death anniversary today!! She was widely regarded as one of the greatest voices in the Indian music industry, and was known as the Nightingale of India.
#LataMangeshkar
#LataMangeshkar
In her over-seven-decade long career, Mangeshkar sung over 30,000 songs in several Indian languages.
A lady who lost her guru, her father at the age of 14 & had to earn for her family by acting in the films which she hated.
A lady who lost her guru, her father at the age of 14 & had to earn for her family by acting in the films which she hated.
A lady who did not marry because she loved her own family deeply.
A lady who was always concerned about her Mother's well being because Asha Bhosle eloped with a elderly man causing their mother shock and prolonged heart ailment.
A lady who was always concerned about her Mother's well being because Asha Bhosle eloped with a elderly man causing their mother shock and prolonged heart ailment.
#LataMangeshkar #NightingaleOfIndia
"Do I miss my contemporaries from the music world? Of course I do. My colleagues like Mohd Rafi saab, Kishoreda (Kishore Kumar), Mukesh bhaiya, and Mannada (Manna Dey) were a constant part of my life.
"Do I miss my contemporaries from the music world? Of course I do. My colleagues like Mohd Rafi saab, Kishoreda (Kishore Kumar), Mukesh bhaiya, and Mannada (Manna Dey) were a constant part of my life.
I’d run into them at recordings on a daily basis. Relationships were not just about work.
Composers and poets like Madan bhaiya (Madan Mohan), Narendra Sharma, whom I called Daddy, Chitragupta saab, and Majrooh Sultanpuri saab used to come home regularly.
Composers and poets like Madan bhaiya (Madan Mohan), Narendra Sharma, whom I called Daddy, Chitragupta saab, and Majrooh Sultanpuri saab used to come home regularly.
And I’d visit them. We were what is called family friends. Nowadays, people meet on video calls", Lata Mangeshkar shared in her final interview with First Post.
Asked who her favourite composers were. She laughed as she said,
Asked who her favourite composers were. She laughed as she said,
#DeathAnniversary
Beyond her world of playback singing, few know that Lata Mangeshkar's musical tastes were way more eclectic.
She enjoyed listening to Mozart, Beethoven, Chopin, Nat King Cole, the Beatles, Barbra Streisand and Harry Belafonte.
#LataMangeshkar #RarePic #Legend
Beyond her world of playback singing, few know that Lata Mangeshkar's musical tastes were way more eclectic.
She enjoyed listening to Mozart, Beethoven, Chopin, Nat King Cole, the Beatles, Barbra Streisand and Harry Belafonte.
#LataMangeshkar #RarePic #Legend
She went to see Marlene Dietrich singing on stage and loved Ingrid Bergman's theatre.
She could also be found studio hopping at the sitar maestro Ravi Shankar's studio, where she bumped into his famous friend George Harrison.
She could also be found studio hopping at the sitar maestro Ravi Shankar's studio, where she bumped into his famous friend George Harrison.
In 1979, she became the first Indian to perform with the Wren Orchestra at the Royal Albert Hall. Here's how she later recalled the experience in her own words:
"Around 1974, I went to London for my first overseas concert at the Royal Albert Hall.
"Around 1974, I went to London for my first overseas concert at the Royal Albert Hall.
#WordsOfWisdom
Vid. #NRrajam ji on WHY it's so difficult even to play a single note ABSOLUTELY correct.
2/n
Vid. #NRrajam ji on WHY it's so difficult even to play a single note ABSOLUTELY correct.
2/n
#WordsOfWisdom
Candid thoughts of Bharat Ratna Pt. #BhimsenJoshi ji on Riyaaz रियाज
- Riyaaz and Presentation are NOT same.
- 'Riyaaz' is an opportunity to remove your weaknesses.
- 'Presentation' is an opportunity to present your BEST.
3/n
Candid thoughts of Bharat Ratna Pt. #BhimsenJoshi ji on Riyaaz रियाज
- Riyaaz and Presentation are NOT same.
- 'Riyaaz' is an opportunity to remove your weaknesses.
- 'Presentation' is an opportunity to present your BEST.
3/n
Starting a new THEMATIC thread on #LataMangeshkar ji's evergreen songs as a tribute to her contribution to the Indian Music Industry.
- Only one song per day
- Everyday after 10.00PM
- For next 365 days.
Pls share your song recommendations with a YouTube links as a reply. 😊
- Only one song per day
- Everyday after 10.00PM
- For next 365 days.
Pls share your song recommendations with a YouTube links as a reply. 😊
1/n
धीरे से आजा री अँखियन में
निंदिया आजा री आजा, धीरे से आजा
छोटे से नैनन की बगियन में
निन्दिया आजा री आजा, धीरे से आजा
Movie: Albela (1951)
Music : C Ramchandra
Lyricist: Rajendra Krishna
#LataMangeshkar
धीरे से आजा री अँखियन में
निंदिया आजा री आजा, धीरे से आजा
छोटे से नैनन की बगियन में
निन्दिया आजा री आजा, धीरे से आजा
Movie: Albela (1951)
Music : C Ramchandra
Lyricist: Rajendra Krishna
#LataMangeshkar
2/365
आयेगा आनेवाला
Movie : Mahal (1949)
Music : Khemchand Prakash
Lyrics : Shakat Ali Dehlavi (Nashad)
Pls share your favourite songs of Lata ji with YouTube links as a reply. 😊
आयेगा आनेवाला
Movie : Mahal (1949)
Music : Khemchand Prakash
Lyrics : Shakat Ali Dehlavi (Nashad)
Pls share your favourite songs of Lata ji with YouTube links as a reply. 😊
Address by Governor, Reserve Bank of India Shri Shaktikanta Das to start shortly
LIVE Link:
@FinMinIndia @DDNewslive @airnews_mumbai
Follow @PIBMumbai for updates
LIVE Link:
@FinMinIndia @DDNewslive @airnews_mumbai
Follow @PIBMumbai for updates
Address by Governor, Reserve Bank of India Shri Shaktikanta Das is LIVE now
Link:
Follow @PIBMumbai for LIVE updates
Link:
Follow @PIBMumbai for LIVE updates
The pandemic holds world economy hostage, economic activity especially in contact-intensive sectors being dented worldwide: RBI Governor
It was 1948-49, Lata was going Bombay Talkies to record a song for film Ziddi. MD was Khemchand Prakash. She took local train from Grant road to Malad.
One young man was also in the same compartment. Lata Mangeshkar got down at Malad Station. He also got down.
#LataMangeshkar
One young man was also in the same compartment. Lata Mangeshkar got down at Malad Station. He also got down.
#LataMangeshkar
When lata took a tanga for Bombay talkies, that young man did the same. After Reaching Lata complained KP that this young man was following her. Who is he?
KP introduced him as Ashok Kumar's younger brother, actor and singer.
KP introduced him as Ashok Kumar's younger brother, actor and singer.
That was the first time when lata and Kishore recorded a duet. This was the song.
This is to remind you that this was film of kishoreda as playback singer.
This is to remind you that this was film of kishoreda as playback singer.
For many women with courtesanal pasts in the Hindu religion, association with brahminism and the Hindu right has provided some relief, they have sometimes been able to practice their art and achieve success as artists. Lata Mangeshkar is an example of this.
There are those who call her
"brahmin" &those that say she was from "devdasi"community. One needs to see it from the lens of the influence of Savarkar on her family, creation of gomantak maratha caste,her father's involvement in the nationalist project of Marathi natyasangeet..
"brahmin" &those that say she was from "devdasi"community. One needs to see it from the lens of the influence of Savarkar on her family, creation of gomantak maratha caste,her father's involvement in the nationalist project of Marathi natyasangeet..
The equations are no different today,for the left often reduces bahujan hereditary women to descendants of exploited victims of sexual abuse who were saved through reform.The choice to lean right,toward brahminic power has been a survival mechanism #LataMangeshkar
The film was ordinary, but Madan Mohan & Lata didi were together to create magic. Film sank.Songs will live forever.The story goes that #LataMangeshkar wept while recording this song. Check the first alaap,you will know why.Ahir Bhairav sung to perfection.
Generations will come and go but nobody will ever know how #LataMangeshkar sang this beauty in Maand. Jaidev made this incredibly difficult composition only for Didi. Dadra taal makes it even more complex and then every stanza has different tune.
And then Didi experimented with Maand again. This time she was 62 years old. Hridaynath Mangeshkar, Gulzar and Lata Didi created Lekin- a monument to Indian music. Kesariya Balam- don’t forget didi could do this in 1991. She had started singing in 1942
Javed Akhtar once recalled a fascinating anecdote about Lata Mangeshkar's sur.
This song. ❤️
Lata once confessed to Gulzar her desire to playback for Dilip Kumar. Gulzar says she did it convincingly (not for DK) when she sang this melody which was originally conceptualised for a man singing about his lady love's perfumed eyes.
“When Sunil Gavaskar was introduced to Noor Jehan on India’s 1982 tour of Pakistan, she said: ‘I don’t know him. I only know Imran Khan and Zaheer Abbas.’ When she was introduced to him, he retorted: ‘I don’t know her. I only know #LataMangeshkar’.”: commentator Sushil Doshi.
In 1988, #LataMangeshkar sang with #SPB for the Tamil film ‘Satya’. The composer @ilaiyaraaja has often explained how the lyrics were tailor-made for her. #ValaiOsai
Listen:
Listen:
Greatness in every language: how newspapers salute and celebrate the life of #LataMangeshkar. Several front pages are in all black, and at least one of daily lowers its masthead.
#LataMangeshkar #RarePic #Legend
1/ Beyond her world of playback singing, few know that Lata Mangeshkar's musical tastes were way more eclectic.
She enjoyed listening to Mozart, Beethoven, Chopin, Nat King Cole, the Beatles, Barbra Streisand and Harry Belafonte.
1/ Beyond her world of playback singing, few know that Lata Mangeshkar's musical tastes were way more eclectic.
She enjoyed listening to Mozart, Beethoven, Chopin, Nat King Cole, the Beatles, Barbra Streisand and Harry Belafonte.
2/ She went to see Marlene Dietrich singing on stage, and loved Ingrid Bergman's theatre. She could also be found studio hopping at the sitar maestro Ravi Shankar's studio, where she bumped into his friend and Beatle, George Harrison.
3/ In 1979, she became the first Indian to perform with the Wren Orchestra at the Royal Albert Hall. Here's how she later recalled the experience in her own words:
"Around 1974, I had gone to London for my first overseas concert, at the Royal Albert Hall....
"Around 1974, I had gone to London for my first overseas concert, at the Royal Albert Hall....
#LataMangeshkar #NightingaleOfIndia
1/"Do I miss my contemporaries from the music world? Of course I do. My colleagues like Mohd Rafi saab, Kishoreda (Kishore Kumar), Mukesh bhaiya, & Mannada (Manna Dey) were a constant part of my life. Relationships were not just about work..."
1/"Do I miss my contemporaries from the music world? Of course I do. My colleagues like Mohd Rafi saab, Kishoreda (Kishore Kumar), Mukesh bhaiya, & Mannada (Manna Dey) were a constant part of my life. Relationships were not just about work..."
2/ "Composers and poets like Madan bhaiya (Madan Mohan), Narendra Sharma, whom I called Daddy, Chitragupta saab, and Majrooh Sultanpuri saab used to come home regularly. And I’d visit them. We were what is called family friends", she shared in her final interview to First Post.
3/ Asked who her favourite composers were, she laughed as she said,
"If I forget any names, I am in trouble. But I really enjoyed singing for Shankar-Jaikishan, Salil Choudhary, SD Burman, RD Burman, Laxmikant-Pyarelal. I mention these because I did more work with them..."
"If I forget any names, I am in trouble. But I really enjoyed singing for Shankar-Jaikishan, Salil Choudhary, SD Burman, RD Burman, Laxmikant-Pyarelal. I mention these because I did more work with them..."
As we all pay homage to #LataMangeshkar , a short story that showcases her genius
Kamal Hassan & Ilaiyaraja were composing songs for the 1988 movie Sathyaa when they chanced upon a great tune! Raja insisted that only Lata can sing such a composition & Kamal agreed to it
1/n
Kamal Hassan & Ilaiyaraja were composing songs for the 1988 movie Sathyaa when they chanced upon a great tune! Raja insisted that only Lata can sing such a composition & Kamal agreed to it
1/n
Raja sat down with Vaali for writing the lyrics. He told him Lata ji is going to sing - so let’s make the Tamil words easy for her. They settled on using a grammatical form called ‘Rettai Kilavi’ which has small words repeating in every line like Kala Kala, Kulu Kulu
2/n
2/n
As the song got written down, eventually it turned out to be so pacy and complex to sing eventually!! When Lata ji came down to the studio to record, she was surprised by the lyrics & the difficulty of the rhythm of words!
3/n
3/n
Didn't anyone tell her that you don't look at a Muslim practice from feminism lens? In India, that's reserved only for Hindu beliefs. Now, liberals, feminists, Muslims and permutation & combination of all three are after her. Check replies to her.
- There's only one reason this poor animal was publicly butchered.
- Its the same reason why Muslim terrorists and Indian left, liberal jamaat use the 'gau mutra' jibe.
- Hatred for Hindus.
- And to show them their place by defiling what's dear to them.
- Its the same reason why Muslim terrorists and Indian left, liberal jamaat use the 'gau mutra' jibe.
- Hatred for Hindus.
- And to show them their place by defiling what's dear to them.
The funniest part of the debate about #HijabisOurRight is the green-on-green. Let me explain - I saw one Muslim lady comment that why are clothes of these Muslim girls used as litmus test? Why can't they leave it outside the school and continue their studies? Why should they +
1/n
#SaraswatiDarshan #सरस्वतीदर्शन
As a tribute to the नारी शक्ति of the Indian Classical Music, starting a special curated thead of the legendary women musicians.
Note - Names are NOT in any specific order.
#Navratri #Navratri2020 #नवरात्रि
#Navaratri #navaratri2020
#SaraswatiDarshan #सरस्वतीदर्शन
As a tribute to the नारी शक्ति of the Indian Classical Music, starting a special curated thead of the legendary women musicians.
Note - Names are NOT in any specific order.
#Navratri #Navratri2020 #नवरात्रि
#Navaratri #navaratri2020
2/n
#SaraswatiDarshan #सरस्वतीदर्शन
Padma Bhushan गान-हिरा #HirabaiBarodekar ji (29 May 1905 - 20 Nov 1989), the legendary vocalist/guru of the #Kirana gharana, a daughter of #UstadAbdulKarimKhan & the 1st woman to stage a ticketed concert in India. 🙏
parrikar.org/vpl/?page_id=1…
#SaraswatiDarshan #सरस्वतीदर्शन
Padma Bhushan गान-हिरा #HirabaiBarodekar ji (29 May 1905 - 20 Nov 1989), the legendary vocalist/guru of the #Kirana gharana, a daughter of #UstadAbdulKarimKhan & the 1st woman to stage a ticketed concert in India. 🙏
parrikar.org/vpl/?page_id=1…
3/n
#SaraswatiDarshan #सरस्वतीदर्शन
The legendary Surbahar & Sitar maestro Maa #AnnapurnaDevi ji (16 Apr 1927 - 13 Oct 2018), a daughter & disciple of the legendary musician #BabaAllauddinKhan ji of the Senia Maihar gharana, an outstanding guru of many stalwarts of the #ICM 🙏
#SaraswatiDarshan #सरस्वतीदर्शन
The legendary Surbahar & Sitar maestro Maa #AnnapurnaDevi ji (16 Apr 1927 - 13 Oct 2018), a daughter & disciple of the legendary musician #BabaAllauddinKhan ji of the Senia Maihar gharana, an outstanding guru of many stalwarts of the #ICM 🙏
Over the past 4 months, we’ve conducted Mastermind Kerala 1.0 over Zoom.
One of the topics chosen in the final heat of the event was this: Movie Theatres in Kerala.
Here’s a thread on interesting info I found while setting these questions.
#Malayalamcinema #Malayalamfilms
One of the topics chosen in the final heat of the event was this: Movie Theatres in Kerala.
Here’s a thread on interesting info I found while setting these questions.
#Malayalamcinema #Malayalamfilms
1. The first permanent movie theatre in #Kerala was set up in #Thrissur by Kattookkaran Varunny Joseph (as Jos Bioscope Projections), following his bioscope shows at #ThrissurPooram. It exists today as Jos Theatre in the heart of the city in the Round.
2. One of the projectors used by Joseph was exhibited for a long time at #Sapna in Thrissur, a theatre founded by his family. It was finally handed over to the Kerala State Chalachitra Academy in 2020. Sapna, incidentally, took life as Rama Varma theatre in the 1930s.
Happy Birthday Lata di! The towering figure of Indian music!
Is mod se jaate hai..
The 'aalap' with which she starts the song is one of the usp of the song.. sets the pitch & totally transmits u to a different zone
Lata-Kishore | Gulzar | RD Burman
Is mod se jaate hai..
The 'aalap' with which she starts the song is one of the usp of the song.. sets the pitch & totally transmits u to a different zone
Lata-Kishore | Gulzar | RD Burman
