Discover and read the best of Twitter Threads about #LoudHouse
Most recents (4)
EDITORIAL: "The Debate Over Simon Sharp: Obesity and the Use of Fan Works in Animation"
[Fanart on left by JeremyLoud123.]
[Fanart on left by JeremyLoud123.]
I am three months late on this, but the #LoudHouse episode "Purrfect Gig", the Sam-Luna-cat romp that aired on April the 29th in this country. That episode, which was a very good one from that colorful trio, has sparked controversy in those two months.
Almost all of it was centered on a little boy named Simon Sharp. Fans were mad over his appearance because he looked nothing like his fanon interpretation, which @SuzumiyaJavi popularized in his well-known, and long-running, Samcoln comic "It's Not Your Fault".
EDITORIAL: "Chances of #LoudHouse creator returning to @Nickelodeon not enhanced at all by interview with End Times conspiracy theorist"
I'm sure all of us remember the story of Chris Savino, who, midway through the production of the third season of his enormously popular @Nickelodeon cartoon—#TheLoudHouse—was fired from that network on the basis that he sexually harassed a series of women over the years.
I'm sure all of us remember the story of how many of those who felt the series was just fine without him—@Animated_Antic, @WyomingParmesan and @FurbySquawk, just to name a few—were repeatedly harassed by people demanding he return to @NickAnimation.
RED LIGHT to a crime against charity which has led to the trending of the hashtag #StandWithCarson. 25-year-old @CycloneFB fan @CarsonKing2 had made a deal with @AnheuserBusch to donate proceeds from cans and bottles of Busch Light to an Iowa children's hospital.
Unfortunately, these plans were ruined when the @DMRegister's @AaronPCalvin smeared him by digging up a series of racist tweets that Mr. King made when he was a teenager (and for which Mr. King has apologized). This forced the brewery to sever ties with the innocent young man.
COMMENTARY: "10 The Loud House Deleted Scenes Nickelodeon Doesn't Want You To See", uploaded to @YouTube by @TheThingscom
In late 1979, the late great film critics Gene Siskel and @ebertchicago reviewed "In Search of Historic Jesus" by describing the method its distributor, Sunn Classic Pictures (later Taft International; now defunct) used to market its "documentaries". imdb.com/title/tt008014…
This method: rent the theater, increase the admission price, watch as the people go to see what Mr. Siskel would call "a cheap magic show", say in newspaper and TV ads (there was no such thing as the Internet then) that the film is playing for "one week only" for many weeks . . .
