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I get the sentiment of the story but it’s also slanted: latimes.com/entertainment-… it’s making it like Daft Punk just robbed a homeless musician for naught. It also reinforces the stereotype that sampling isn’t an art or this pillage act in which acts don’t pay to sample
The real culprit in the sampling controversy always lies with the invisible middlemen who acquire (sometimes legally) dormant catalogues that are up for grabs. Those who operate this way are also super litigious—-they will cop a grip of songs (all those local mom & pop labels)
Sometimes make compilations & charging crazy prices for use (one is so notorious he once tried to sue me for calling him out on acquiring black publishing songs that get sampled & suing for millions in an interview)
