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1)在上一篇貼文裡,我介紹了 #tezos 以及 #genart 的獨特性,而在這一篇貼文中,則是要有系統的教會大家,如何欣賞生成式藝術。時間回到1896年,當觀眾首次看到盧米埃爾兄弟的『火車進站』電影時,他們嚇得驚慌失措而逃離,而這正呈現新媒體的特質,人們必須習慣新的敘事方法後,才能開始理解其內涵。
2)生成式藝術在區塊鏈的推波助瀾下,跟過往的(2021年前)的型態很不同。早些年前,生成藝術因其可複製性,我們在創作時較重視表演性, audio/visual 的形式,是市場主流;嚴格的控制frameRate、與其他媒材的協調性(聲音、光線),然而當區塊鏈讓生成藝術固定型態後,一切的發展又都不同了。 https://vimeo.com/133222869
3)現今的生成藝術追求的是:
a.演算法美學(perlin noise、cellular、fractal..
b.自訂系統的個人宇宙
c.迷因文化擴張(pepe、pixel art、ape..
d.當代繪畫性的延伸

演算法是生成藝術的基底,就像是繪畫中我們會使用縫合法、渲染法、重疊法等,如果你能夠看懂其中奧秘,發現藍籌就不會是碰運氣 https://www.notion.so/That-Creative-Code-Page-c5550ef2f75741
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