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Ok, here's a drawing of how I see the Osmosis Reactor v2.2.
This could also be interpreted as the #Ziggy ERM (Exchange Rate Multiprocessor), as you can substitute out assets.
Please take note of the colored functions: they represent Key components of the Reactor.
This could also be interpreted as the #Ziggy ERM (Exchange Rate Multiprocessor), as you can substitute out assets.
Please take note of the colored functions: they represent Key components of the Reactor.
<< Breakdown of Graph >>
The top half represents "endogenous" money cycles. This is generally true across all of the cryptomarkets right now, and is an abstraction of protocol efficiency as protocol design.
The major components are convex bonds, spinal support, and refraction.
The top half represents "endogenous" money cycles. This is generally true across all of the cryptomarkets right now, and is an abstraction of protocol efficiency as protocol design.
The major components are convex bonds, spinal support, and refraction.
Convex bonds are a type of entropic capital system. A user locks money into illiquid money supply as-reserve and is open to be mined by virtue of the network. They may concentrate (strengthen) their bond by proxy-locking qua VProxy stAssets, which creates credit markets.
For those interested in #Ziggy whitepapers, please see the quote tweet below.
I will go down both and explain each in as much simplified detail as possible. I can produce a litepaper based on reoccurring questions.
This thread will be for 2: Ziggy - A Terra Chain for Creatives.
I will go down both and explain each in as much simplified detail as possible. I can produce a litepaper based on reoccurring questions.
This thread will be for 2: Ziggy - A Terra Chain for Creatives.
Before us is an incredible opportunity to solve one of the most important problems for creatives - intellectual property.
While $USTC does need to improve on refining the White Whale algorithm, we also need to inspire Captain Ahabs to come to the foray and set sail.
While $USTC does need to improve on refining the White Whale algorithm, we also need to inspire Captain Ahabs to come to the foray and set sail.
As outlined in Market Module - Demurrage, commodity swaps risk intrinsic "costlessness" - their values are subjectively valued by each party, and often, they are full of compromises.
For the artist, that compromise comes of the form of giving up Intellectual Property (IP).
For the artist, that compromise comes of the form of giving up Intellectual Property (IP).
For those interested in #Ziggy whitepapers, please see the quote tweet below.
I will go down both and explain each in as much simplified detail as possible. I can produce a litepaper based on reoccurring questions.
This thread will be for 1: Market Module - Demurrage.
I will go down both and explain each in as much simplified detail as possible. I can produce a litepaper based on reoccurring questions.
This thread will be for 1: Market Module - Demurrage.
1: Upgrading the Market Module - Demurrage
I have been requested by the L1 team to provide a paper on the Market module. This allows for swaps between $USTC and $LUNC.
Keep in mind that these are two separate pools, and they are labeled "Terra" and "Luna" respectively.
I have been requested by the L1 team to provide a paper on the Market module. This allows for swaps between $USTC and $LUNC.
Keep in mind that these are two separate pools, and they are labeled "Terra" and "Luna" respectively.
There is no "lunc" (ie, "ulunc") in the documentations; "uluna" is the denom used.
"Terra" makes up all fiat currencies that are "not Luna" - such as $UST, $KRT, $JPT, $EUT, $GBT, and more.
"Luna" makes up all other commodities. In #LUNC's case, this is just $LUNC.
"Terra" makes up all fiat currencies that are "not Luna" - such as $UST, $KRT, $JPT, $EUT, $GBT, and more.
"Luna" makes up all other commodities. In #LUNC's case, this is just $LUNC.
Una storia a lieto fine: Fonte Post IG Oasi felina Pianoro
"Oggi siamo emozionati perché dobbiamo raccontarvi una storia speciale. Alcune settimane fa avevamo pubblicato la storia di Mattia, micio arrivato in Oasi con tanti problemi di salute. Non mangiava e respirava...
"Oggi siamo emozionati perché dobbiamo raccontarvi una storia speciale. Alcune settimane fa avevamo pubblicato la storia di Mattia, micio arrivato in Oasi con tanti problemi di salute. Non mangiava e respirava...
molto male. Aveva dolori ovunque, il pelo mancante in molti punti e varie ferite sopratutto nella zona del collo. Avevamo scoperto che aveva il palato fratturato a causa di un calcio, che i dolori alla colonna vertebrale erano causati da colpi simili e che il pelo mancante...
e le ferite che aveva intorno al collo erano dovute al fatto che era stato tenuto incatenato o legato con una corda. Inoltre era cieco da un occhio. Dopo aver pubblicato la sua storia avevamo ricevuto un messaggio da due ragazzi che si erano presentati come Giorgia e Damiano...
Sigue el ciclo temático #DiscosConArte para #TwitterCultural, con portadas de discos de #música creadas por grandes artistas.
¿Os suena esta portada? Seguro que sí: es "Dangerous", uno de los discos más famosos de Michael #Jackson. Hablemos de su arte y otros discos...
Sigue⬇️
¿Os suena esta portada? Seguro que sí: es "Dangerous", uno de los discos más famosos de Michael #Jackson. Hablemos de su arte y otros discos...
Sigue⬇️
Empezaban los 90s y Michael #Jackson, que sabía de música, entendió que el #pop de "Thriller" y "Bad" se estaba pasando de moda, así que quería (necesitaba) renovarse: despidió al legendario Quincy #Jones y contrató a Teddy #Riley.
Y en el 91 salió "#Dangerous".
Sigue ⬇️
Y en el 91 salió "#Dangerous".
Sigue ⬇️
"Dangerous" fue un bombazo ecléctico, una evolución de Jackson y una obra maestra revolucionaria. Hay de todo en ese disco: rap, soul, funk, R&B, swing... y todo muy moderno.
Y respecto del arte, también quería algo nuevo, diferente, y contrató al artista Mark #Ryden.
Sigue⬇️
Y respecto del arte, también quería algo nuevo, diferente, y contrató al artista Mark #Ryden.
Sigue⬇️
