Ratul Aich Profile picture
🌟 UX Principal Consultant, PGJMC (Journalism), BSc Viscom (Film), Diploma Animation. Screenwriting Erotica. https://t.co/XMTsjY1Lh8 | https://t.co/NzS1MtQz73

Jul 21, 2020, 15 tweets

My answer to What is wrong with the animation industry of India? quora.com/What-is-wrong-… #animation #3danimation @AnimationXpress

Only by cultivating the comic culture we can improve animation movies in India.
Empowering the lower base line of any industry that is utility market, help the lifestyle and luxury market to survive. In this case the base line is comic publishers and the luxury market is

3d animated movies. Marvel comics was founded in 1939. DC comics was founded in 1934. The character Batman and Joker from DC comics have been produced in so many comics, tv series, movies and 2d animations. Every time it has been produced, the story line and the

character have been through improvisation. The results clearly reflect on the screen in recent DC Movies.

Fueling the local comic content makers will improve the inventory of indigenous storyboards and comics. Local comic content makers have a team of 2–3 people. It is a

low risk business that require low investment per team and little time to create the comics. The success of such comics at the regional scale will build confidence for up-selling.
Making a movie in Bollywood is a high risk business due to huge commitments. This is the reason we

often seen successful regional movies are re-shot with improvisation for Indian Global Audience by Bollywood because success lower down the risk on returns and build confidence in investors.
@ComicConIndia may lay down the operations and supply chain of

base line comic industry in India.
Another aspect is valuing the pre production process in animation. Pre-production in animation is a very important aspect for cohesive production and post production quality. The pre-production is not properly valued in India that result in

less than expected on the big screen. Animated movies have lots of exaggerated expression and exaggerated movements. It require shameless role play theatrical during the pre-production phase followed by story boarding. Indian bodies are hefty and our culture is hierarchical, so

we seldom move. The movie Fraternity have Behavioral segments. Theater artist have the suppleness but they are not invited by Technical Centric Animation Specialists. Technical centric animation artists are normally from middle class that are conditioned to not portray

careless guffaw attitude that is the essence of animated movies. I think technical centric animation specialist have no idea about the existence of theatrical artists. There is no theater experience programs in animation institutes best to my knowledge. The technical artists

believes to achieve everything with their mouse and keyboard. I think this gap in everyone in the process from top to bottom make them not fit for animation and not fit for quality evaluation.
Another reason is in a small budget they have to follow a tight deadline and might be

pushed to move fast animate faster by the management may results in poor output.
These same animators works with outstanding quality in a foreign project given the time, planned pre-production documents and

expert foreign evaluators.
Clearly the process is at fault not the individuals.

Korean Comics promotion platform.
kakaopage.co.id

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