Thread by @MrBruffEnglish

Let's explore Macbeth as tragic hero. A thread 👇

Macbeth fits the definition of a tragic hero outlined by Aristotle in his work 'Poetics.' He starts as highly renowned, but a single tragic flaw - in this case, ambition - leads to his downfall. #Macbeth #TragicHero

Other characters initially praise Macbeth's nobility and bravery. However, upon meeting the witches and hearing their prophecy, Macbeth's ambition is awakened, setting the stage for his tragic journey. #CharacterAnalysis

Banquo serves as a foil to Macbeth, contrasting their reactions to the witches' prophecies. Whilst Banquo remains sceptical, Macbeth is deeply affected, revealing his underlying ambition. #FoilCharacter

Macbeth's ambition drives him to kill King Duncan and others, resulting in his moral descent. As his actions become increasingly evil, other characters' opinions of him shift from admiration to disdain. #CharacterDevelopment

As Macbeth's actions lead to his eventual downfall, Aristotle's model of a tragic hero is fulfilled. The once-renowned character is now labelled 'dead butcher'. #Aristotle #Tragedy

Shakespeare ensures that Macbeth retains some redeeming qualities. Aristotle wrote that tragedy should ‘excite pity and fear.’ Macbeth's character evokes both as we fear the dangers of unchecked ambition and pity his tragic fate. #Redemption

The off-stage murder of Duncan and Macbeth's indirect involvement in other murders help maintain a shred of humanity in his character, allowing the audience to feel pity for him. #Staging

In Act 5, Macbeth faces his impending doom with bravery, reminding the audience of his original heroic nature. This rekindles a sense of pity for the fallen character. #Bravery

Macbeth's story serves as a cautionary tale, warning against the dangers of uncontrolled ambition. At the same time, the audience pities him, as his final moments of bravery highlight his initial good standing. #CautionaryTale

Enjoy this thread? Watch the full video analysis here:

References: Aristotle’s ‘Poetics’, which can be read here: classics.mit.edu/Aristotle/poe... Dr Emma Smith’s Oxford University lecture, which can be listened to here: podcasts.ox.ac.uk/macbeth