Let’s start with this classic. Still pretty amazing after all this time… #myoldharddrive
What happened to Robin Schlotz? All I could find was this. The source site is offline but it certainly sounds like it could be true. #myoldharddrive
Now for a few ads which feature operatic music. I have not found them on youtube so I uploaded them for you. The first one is for Fiat Tipo and they actually wrote Italian lyrics for it. #myoldharddrive
Pirelli also used opera music. Quite a nice double play on the “never sleep” of Nessun Dorma and the “gripping stuff” of the tires and the aria. #myoldharddrive
And Rossini is always good for an old spaghetti sauce commercial. #myoldharddrive
And Ragu it is again. Of course someone had to butcher La donne è mobile for this… #myoldharddrive
(Every time someone uses La donna è mobile in a commercial a Verdi fan converts to Wagner) #myoldharddrive
Now for sth a little more serious. This movie from 2005 is about the scandal that surrounded the premiere of the Rite of Spring in 1913 #myoldharddrive
On the same piece: Bernstein in rehearsal for the Rite of Spring. This really has changed (or rather: shaped) my perception of the piece forever. If you have 2 minutes to spare listen to how he talks about the opening (starting at 6:05). #myoldharddrive
While I am waiting for an upload to youtube here’s one of the worst opera commercials I have found. Cio Cio San is going to choke on a bowl of Rice Krispies at the end of this… #myoldharddrive
I am on a reeeeaaaallly slow internet connection right now, so bear with me. This ad could not be more wrong about opera #notmyoldharddrive
When Brigitte Hamann published her groundbreaking biography of Winifred Wagner the German newsmagazine Spiegel produced this documentary about her and the Bayreuth connection with the Third Reich. This version is the dubbed BBC one. #myoldharddrive
Another Gem I did not find on youtube. This 1961 Don Giovanni (German) directed by Ferenc Fricsay with Fischer-Dieskau, Grümmer, Berry, Köth, Greindl, you name them. This is a gold standard example of how they used to do opera back then #myoldharddrive
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Man wird diese Walküre sicherlich im Gesamtzusammenhang der Tetralogie neu bewerten müssen, aber mit diesem Disclaimer hier ein paar Gedanken von mir zur Inszenierung (gerne als Diskussionsanregung): 1/ #DOBWalküre#DOBRing@deutsche_oper
Bühnenbild:
Das Bühnenbild ist leider sehr eintönig, bleibt über alle Akte gleich und bietet (außer im 1. Akt) wenig Möglichkeit zur Interaktion, so dass die Inszenierung trotz eigentlich guter Personenregie statisch wirkt.
Zudem ist die Symbolik mit den Kofferbergen etwas „on the nose“ und der Koffer als Theatersymbol nicht besonders originell.
Auf in eine neue Saison, die sich so ganz anders anfühlt als in den anderen Jahren... Aber die gespannte Vorfreude im Saal ist mit Händen zu greifen!! #schöpfung@Konzerthaus_DO
Hengelbrock lässt mit seinem wunderbaren Ensemble Klänge aus dem Nichts entstehen, die Stimmen der Solistinnen schwingen sich fast vibrato- und wie mühelos in die Höhe und der Chor preist aus vollen Kehlen nicht nur den Schöpfer, sondern wohl auch die Lust am eigenen Klang.
Als hätte sich ein Ventil geöffnet bricht der Jubel im Publikum aus. Als gäbe es keinen Virus, für diesen Moment ist das vergessen.
Despite mixed reviews regarding André Heller‘s staging I am really excited for tonight’s Rosenkavalier at @StaatsoperBLN especially in light of this fantastic cast 😍🌹
@StaatsoperBLN Mostly positive feelings after last night. As expected @GGboeck took the cake with his vivid and engaging portrayal of Baron Ochs. This is the second time I have seen him in this role and it really seems to become the calling card for him.
His low e at the end of act 2 went on forever and he was bursting with agility and energy for the role. It does not get better than this. #CamillaNylund delivered a beautiful Marshallin with her clear and pure voice.
A while ago Grace Hoffman’s piano score of FROSCH was offered up for sale on eBay. Listening to the opera with her notes before me and knowing that this is the very book she used to prepare her part is a very special experience.
On one hand it is fascinating to be able to see how she annotated the part of the Amme (and I wish there was a recording with her in this role) and understand how she has approached the role...
... and also to be aware that this is a historical artifact from one of the great singers of the 20th Century inspires a sense of awe...
It’s raining cats and dogs outside but I am thrilled beyond belief for this first opera night of the new decade. A more than 20 year old production which I have only been able to see on DVD so far will come to life at @staatsoperHH tonight with a fantastic cast! #backtoschool
What! A! Night! Spectacular Lohengrin with a cast to die for. #KFV was exceptional with a great sense for the fine undertones of the score. @Arianetanja sent shivers down my spine during the second act and #SimoneSchneider was a well rounded and beautifully melodic Elsa.
#GeorgZeppenfeld proved again to be a profound and earnest Heinrich. #WolfgangKoch sang Telramund with a lot of strength that he was not always able to sustain. Conducting by Nagano was lucid if sometimes a bit imprecise. But that’s nitpicking.
On to the last day of the #RingamRhein. Götterdämmerung with @juliab2209 at @operamrhein
I am really happy that the house seems packed today again after a sadly half-empty auditorium for Siegfried. 💪
@juliab2209@operamrhein Phenomenal Götterdämmerung closes out a Ring that got better with every performance. Linda Watson was just amazing today and Axel Kober managed to create those magical scenes where you just have to hold your breath because they are so delicate ...
... as well as the huge impactful emotional moments. Sami Luttinen (Hagen) and Bogdan Baciu (Gunther) gave stellar performances - and it was great to see and hear Sarah Ferede again (as Norn and Waltraute) after her beautiful Sieglinde.