“Down with arms!” – 🇳🇴 #Norwegian poster published by the Labour Party in 1930 showing a worker’s hand smashing a pile of weapons. The artist was Niels Røhder, who designed a few other cool political posters through the 30s - mostly for the Labour Party
"Liberators" – 🇳🇴 Poster designed by Harald Damsleth, Norwegian artist sympathetic to the Nazis and the far-right Nasjonal Samling party. It shows a grotesque incarnation of the USA trampling Europe
(I actually wrote a messy mini-blog about this poster last year if anyone's interested) medium.com/@propagandopol…
🇳🇴 May Day poster (1935) by the Workers' Youth League, Norway's largest political youth organisation, affiliated with the Labour Party and founded in 1927. The poster shows Prime Minister Johan Nygaarsvold, who led the country from 1935 until the Nazi occupation in 1940
"Help from England" – 🇳🇴 Another Damsleth poster showing the Norwegian flag forming in the flames of a burning city. After the German invasion Britain attacked a number of cities in Norway, so the gist of this poster is: "help" from England = destruction of your homes
More info on this poster from Reddit: "Note the use of the 7 in the H. This was the monogram of King Haakon VII, exiled in England and heading a Government-in-Exile, which was used by the resistance as a symbol." reddit.com/r/PropagandaPo…
"Out of the crisis! All people to useful work" – 🇳🇴 Another election poster from the 1930s, this one for the liberal Venstre Party, featuring jubilant naked man facing sun out at sea
Continuing the theme of jubilant nakedness / beach sun-staring:
"Either / Or" – 🇳🇴 Poster by Harald Damsleth for Nasjonal Samling showing, to the left, jubilant naked man with family facing sun (a Nasjonal Samling logo) out at sea, and to the right the horrors of Bolshevism
"NO!" – 🇳🇴 #Norwegian anti-communist poster (ca. 1940) showing a hammer-sickle-star branded hand tearing at the Norwegian flag while being zapped by the NO.
'The Yellow Peril' — American cartoon published in Puck magazine (23 March 1904) comparing an oppressive and backwards Russia with a modern and progressive Japan. Artist: Udo Keppler.
Russia is depicted with a flail labelled 'Absolutism', 'Persecution' and 'Tyranny', while Modern Japan is depicted in the rays of 'Justice', 'Progressiveness', 'Humaneness', 'Enlightenment', 'Tolerance' and 'Religious Liberty'.
Clouds reading 'Finland' and 'Poland' are also depicted in the distance on the Russian side, and victims of the 1903 Kishinev pogrom appear at the bottom left. Beneath Japan is the vanquished figure of 'Medievalism'.
Panamanian illustrations published in 1989 by the Panama Defense Forces.
'The Canal is ours!'
Soldiers of the elite Macho de Monte Infantry Company, one of them wearing a t-shirt reading 'Hasta la muerte comandante coño' (which I'm told in this context means 'Until death, Commander, damn it!')
'What Germany Wants' — British propaganda map from the First World War (ca. 1918) showing a German-dominated 'Central Europe' and 'Central Africa'.
The map was adapted from a similar map published in 'The German Plot Unmasked', an anti-German propaganda book written by French journalist André Chéradame in 1916.
Some details. Area shaded red is territory allegedly sought by Germany as part of its 'German Central Europe and Central Africa Scheme'. Hamburg-Constantinople-Baghdad railway is also shown, plus 'Other Railways', 'Former Colonies' and 'Uncompleted Railways'.
'Does the bicycle make women cruel?' — American cartoon published in the Los Angeles Herald newspaper (13 June, 1897) showing a woman callously cycling over another.
The cartoon illustrated an article about an alleged 'new mania which is afflicting women who ride bicycles', with the author reporting on cases of the mania developing in France.
'The physicians found that the first known case of the mania developed last January … That it was cycling that brought the mania on there seems no question. Only wheelwomen have been afflicted with it, and oddly enough, in every instance, they have been over 30 years of age'.
'Colonizability of Africa' — British map (1899) showing Africa shaded according to its suitability for European colonisation.
Created by prominent cartographer John Bartholomew (left) for a book by British explorer and colonialist Harry Johnston (right) titled 'A History of the Colonization of Africa by Alien Races'.
According to the key:
Pink denotes 'Healthy colonizable Africa, where European races may be expected to become in time the prevailing type, where essentially European states may be formed'