Prof Dimitra Fimi Profile picture
Jul 1, 2019 16 tweets 10 min read Read on X
2nd #Tolkien session @IMC_Leeds: “Materiality in Tolkien’s Medievalism, II”
First up: Gaëlle Abaléa on “Corpses, Tomb, and Barrows: The Materiality of Death in Tolkien” @TolkienSociety @UofGFantasy #IMC2019
How are people in Middle-earth dealing with death? Abaléa is drawing upon Louis-Vincent Thomas’s “Les Chairs de la mort” in her analysis.
How do the Rohirrim and the men of Gondor face death differently? Glorious/heroic death for the former - buried in mounds outside the city. The latter: tradition of ship building and ship burials (my book was referenced on this point! 😊) but also tombs inside the city. #IMC2019
Decline of Númenor: corruption via the fear of death - in the Third Age they are embalmers, building great tombs (parallels with Egypt - again, nice to be quoted here! ☺️)
Abaléa: Funereal practice in Middle-earth seems to be homogeneous: burial. Cremation as a mark of “bad” death. #IMC2019
Abaléa: Boromir’s burial - combination of ship burial tradition + social necessity.
2nd speaker: Aurélie Brémont: on “‘Cleaving the undead flesh’: Solid Blades and Invisible Foes in Middle-Earth” @TolkienSociety @IMC_Leeds #IMC2019 @UofGFantasy
Frodo will use Sting (which he’s inherited from Bilbo) only once, in the Mines of Moria - it passes on to Sam, by the end of the book. Courage + appropriate (magical) weapons/aids seem to be a powerful combination: the mithril coat + phial of Galadriel amplify Sting’s power.
Brémont: at the barrow-downs Merry seems to be “inhabited” by a dead warrior from the past - Flieger has linked this incident with concepts of reincarnation in the legendarium (e.g. in The Lost Road or Notion Club Papers + Elvish reincarnation) @IMC_Leeds #IMC2019 @TolkienSociety
Brémont: what if Merry’s dream had an influence on his storyline, leading him (indirectly) to the moment of killing the Witch-king? Was this a way for Tolkien to make a hobbit into a hero?
3rd speaker: @AslBulbul on “Be Careful What You Bring for Your Journey: The Fate of the Fellowship Beaconed by Their Provisions”
@TolkienSociety @IMC_Leeds #IMC2019 @UofGFantasy
@AslBulbul: emphasis on description of weapons and provisions when the fellowship leaves Rivendell - argument: the fellowship’s weapons are crucial for the resolution of The #LordOfTheRings
@AslBulbul: Narsil/Anduril - Anduril cannot be forged until the One Ring has been revealed. The decoration of Anduril is significant: Sun, Moon, stars - all forces of light are gathered together against darkness. @IMC_Leeds @TolkienSociety @UofGFantasy #IMC2019
@AslBulbul: Anduril’s power is revealed gradually: at Rohan and then in Gondor. It marks Aragorn as the King. It seems to have a light of its own (and perhaps its own agency?) @IMC_Leeds @TolkienSociety #IMC2019
@AslBulbul: Boromir’s horn - its cleaving seems to chime with the breaking of the Fellowship (especially when Denethor asks for an explanation for the broken horn). @IMC_Leeds @TolkienSociety #IMC2019
@AslBulbul: Gandalf’s sword, Glamdring, serves as an icon of the white light, the Flame Imperishable, at the point of conflict with the Balrog.

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More from @Dr_Dimitra_Fimi

Oct 25, 2022
Inspired by my last post, here's how #Tolkien got carried away and made a mistake:
The Book of Mazarbul is a manuscript compilation recording the fate of Balin and his Dwarves that the Fellowship of the Ring found and read in Moria.
1/21
@TolkienSociety @theoneringnet @JRRTolkien
It is described this way:
"It had been slashed and stabbed and partly burned, and it was so stained with black and other dark marks like old blood that little of it could be read. Gandalf lifted it carefully, but the leaves crackled and broke as he laid it on the slab…
2/21
he gingerly turned the leaves… written by many different hands, in runes, both of Moria and of Dale, and here and there in Elvish script."
3/21
Read 21 tweets
Jul 24, 2022
THREAD: The scene below from the @LOTRonPrime trailer brought to mind #Tolkien’s the Hill of the Slain (Haudh-en-Ndengin in Sindarin) the memorial of the “Battle of Unnumbered Tears” the Elves fought against Morgoth in the First Age. Art: Ted Nasmith 1/11
#RingsOfPower #LOTRROP ImageImageImage
The monument first appears in the ‘Book of Lost Tales’, written c. 1916-18, where it is named
‘the Hill of Death’, is described as the ‘greatest cairn in the world’, and it is made
by the sons of Feanor, who arrive late and find their kin slaughtered (Lost Tales I: 241). 2/11 Image
It reappears in ‘The Lay of the Children of Húrin’, composed c. 1920-25, where it is now described as a ‘mighty mound’, but this time Túrin passes by some time after its construction, so it evokes past memories and acquires a sacred aura.
3/11 Image
Read 12 tweets
Jul 3, 2022
THREAD: Re-reading Marina Warner’s (@marina_warn) From the Beast to the Blonde, in preparation of welcoming her to @UofGlasgow and @UofGFantasy soon for @OnceFantasies! Her emphasis on transformation in fairy tales really foregrounds the affordances of fantasy:
1/6
#OnceFuture
For Warner, metamorphosis/shape-shifting/change, defines the fairy-tale. The wonders of the fairy-tale “disrupt the apprehensible world in order to open spaces for dreaming alternatives” - a lot of common ground with many definitions of fantasy/the fantastic here.
2/6
#OnceFuture
I like Warner’s double reading of the verb “to wonder” (cf. wonder tale/märchen): both to marvel and also to enquire, to seek to know. Together they highlight to key elements of the fairy tale (and fantasy, I’d say!): “pleasure in the fantastic, curiosity about the real”.
3/6
Read 6 tweets
Sep 28, 2021
THREAD🧵We don’t know if #Tolkien read Hope Mirrlees’ Lud-in-the-Mist (no evidence he even knew of it) but thinking about Nathaniel Chanticleer and Bilbo Baggins, both middle-class, middle-aged, unlikely/reluctant heroes, going there + back again, 1/7
@TolkienSociety @UofGFantasy ImageImage
and returning having lost their respectability but having gained something more important, makes one wonder… 2/7
(Art above👆by Michael Herring and David Wenzel)
(Below👇 first edition covers) ImageImage
Consider also appearance: Nathaniel is “rotund, rubicund” with eyes “in which the jokes, before he uttered them, twinkled like a trout in a burn” while Bilbo (like all hobbits) is “inclined to be fat in the stomach” and laughing “deep, fruity laughs”Art: @ben_towle + #Tolkien 3/7 ImageImage
Read 8 tweets
Aug 3, 2021
Do you remember this iconic scene from Peter Jackson’s The #LordoftheRings? I think it’s visual origins go back to the early 20th century, long before #Tolkien ever thought about hobbits and Black Riders! THREAD 🧵👇 1/12
@TolkienSociety @theoneringnet @UofGFantasy @JRRTolkien Image
In the film, the hobbits hide away as they hear a horse approaching. They’ve found the perfect hiding spot, the root of a tree, but it’s touch-and-go! They’re nearly discovered! 2/12 Image
The scene seems to have come from artist #JohnHowe (who worked on the films) and reproduces exactly this specific work, initially created for the 1987 Tolkien Calendar (john-howe.com/portfolio/gall…). But Howe himself points to yet another source -some of you will have spotted it! 3/12 Image
Read 13 tweets
Aug 27, 2020
For @FolkloreThurs’s #wild men theme: in #Tolkien’s hapless Túrin Turambar 3 myths collide: Kullervo (Finnish), Sigurd (Old Norse) + Oedipus (Greek). Oedipus is important not only for the incest motif
1/6
#FolkloreThursday @TolkienSociety
Art: @TedNasmith, Akseli Gallen-Kallela
but also because of his movement from wilderness to city. Abandoned as an infant in Mount Cithaeron (wilderness), Oedipus moves from Corinth (city), to the cross-roads (wilderness, where he unwittingly kills his father)...
2/6
#FolkloreThursday @FolkloreThurs @TolkienSociety
to Thebes (city- where he unwittingly marries his mother), to self-exile in desolate spaces away from the city. He is the saviour, but also the destroyer of Thebes, via his patricide and incest. 3/6
@FolkloreThurs #FolkloreThursday @TolkienSociety
Read 6 tweets

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