Prof Dimitra Fimi Profile picture
Jul 3, 2019 15 tweets 18 min read Read on X
4th #Tolkien session @IMC_Leeds: “J.R.R. Tolkien: Medieval Roots and Modern Branches”.
First up: Andrzej Wicher: “How Christian is The Lord of the Rings?: Tolkien’s Work Seen in the Context of the Biblical and Theological Tradition” @TolkienSociety @UofGFantasy
Wicher’s main thesis is that the more Tolkien tries to avoid religion in The #LordOfTheRings, the more he ends up including it. He begins with Tertullian and the idea of Christianity as a paradox. @IMC_Leeds #IMC2019 @TolkienSociety
Wicher: The One Ring as a peculiar avatar of the Anti-Christ, from a theological point of view. It’s history has resonances with the story of Cain and Abel. @IMC_Leeds #IMC2019 @TolkienSociety
Wicher: the “Gollumian” aspects of Boromir - just like Sméagol and the birthday present, Boromir seems to want to rectify something he sees as “illogical“. He is revealed as agnostic. His portrayal may chime with that of doubting Thomas. @IMC_Leeds #IMC2019 @TolkienSociety
Wicher: Aragorn to Boromir: “I forgive your doubt.... I am but the heir of Isildur, not Isildur himself” - again echoing Jesus’s identification as the Son of God, not God himself. Boromir as a “double” of Aragorn in the tradition of Thomas Didymos (Twin). @IMC_Leeds #IMC2019
2nd speaker: Dennis Wilson Wise on “A Straussian Approach to Tolkien’s Medievalism: Or, Reading Tolkien’s Literary Adaptations in Light of the Conflict between Ancient and Modern” @IMC_Leeds #IMC2019 @In_Vico_Veritas @TolkienSociety @UofGFantasy
@In_Vico_Veritas: four approaches of studying Tolkien:
@TolkienSociety @IMC_Leeds #IMC2019
@In_Vico_Veritas now traces major Straussian themes which *may* be useful to study Tolkien:
@IMC_Leeds @TolkienSociety #IMC2019
@In_Vico_Veritas: the most fertile theme for analysing The #LordOfTheRings is the ancient vs. the modern. There is already some discussion that applies Straussian lens to #Tolkien:
@IMC_Leeds @TolkienSociety #IMC2019
3rd speaker: William James Sherwood on “The Medieval Faërie from Keats through Morris to Tolkien”.
@IMC_Leeds @TolkienSociety @UofGFantasy #IMC2019
Sherwood: #Tolkien scholarship has neglected Keats but there’s a line of influence from Keats, to Morris, to Tolkien.
@IMC_Leeds @TolkienSociety @UofGFantasy #IMC2019
Sherwood: Keats as a significant inspiration for the Pre-Raphaelite Brotherhood. Tolkien definitely read Morris and referred to the Pre-Raphaelites (esp. as an analogy for the TCBS).
@IMC_Leeds @TolkienSociety #IMC2019 @UofGFantasy
Sherwood: some references to Keats on #Tolkien’s scholarship but marginal. But notice similarities in diction between Keats and Tolkien’s early poetry:
@TolkienSociety @IMC_Leeds #IMC2019 @UofGFantasy
Sherwood: mental flight as a strong trope of Romantic poetry coupled with synesthesia - a Keatsian element. Note these in this extract from The #LordOfTheRings:
@TolkienSociety @IMC_Leeds #IMC2019
Sherwood: Morris’s poetry is also full of examples of synesthesia. The chain of transmission from Keats to Tolkien goes through Morris.
@IMC_Leeds @TolkienSociety #IMC2019 @TolkienSociety

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More from @Dr_Dimitra_Fimi

Oct 25, 2022
Inspired by my last post, here's how #Tolkien got carried away and made a mistake:
The Book of Mazarbul is a manuscript compilation recording the fate of Balin and his Dwarves that the Fellowship of the Ring found and read in Moria.
1/21
@TolkienSociety @theoneringnet @JRRTolkien
It is described this way:
"It had been slashed and stabbed and partly burned, and it was so stained with black and other dark marks like old blood that little of it could be read. Gandalf lifted it carefully, but the leaves crackled and broke as he laid it on the slab…
2/21
he gingerly turned the leaves… written by many different hands, in runes, both of Moria and of Dale, and here and there in Elvish script."
3/21
Read 21 tweets
Jul 24, 2022
THREAD: The scene below from the @LOTRonPrime trailer brought to mind #Tolkien’s the Hill of the Slain (Haudh-en-Ndengin in Sindarin) the memorial of the “Battle of Unnumbered Tears” the Elves fought against Morgoth in the First Age. Art: Ted Nasmith 1/11
#RingsOfPower #LOTRROP ImageImageImage
The monument first appears in the ‘Book of Lost Tales’, written c. 1916-18, where it is named
‘the Hill of Death’, is described as the ‘greatest cairn in the world’, and it is made
by the sons of Feanor, who arrive late and find their kin slaughtered (Lost Tales I: 241). 2/11 Image
It reappears in ‘The Lay of the Children of Húrin’, composed c. 1920-25, where it is now described as a ‘mighty mound’, but this time Túrin passes by some time after its construction, so it evokes past memories and acquires a sacred aura.
3/11 Image
Read 12 tweets
Jul 3, 2022
THREAD: Re-reading Marina Warner’s (@marina_warn) From the Beast to the Blonde, in preparation of welcoming her to @UofGlasgow and @UofGFantasy soon for @OnceFantasies! Her emphasis on transformation in fairy tales really foregrounds the affordances of fantasy:
1/6
#OnceFuture
For Warner, metamorphosis/shape-shifting/change, defines the fairy-tale. The wonders of the fairy-tale “disrupt the apprehensible world in order to open spaces for dreaming alternatives” - a lot of common ground with many definitions of fantasy/the fantastic here.
2/6
#OnceFuture
I like Warner’s double reading of the verb “to wonder” (cf. wonder tale/märchen): both to marvel and also to enquire, to seek to know. Together they highlight to key elements of the fairy tale (and fantasy, I’d say!): “pleasure in the fantastic, curiosity about the real”.
3/6
Read 6 tweets
Sep 28, 2021
THREAD🧵We don’t know if #Tolkien read Hope Mirrlees’ Lud-in-the-Mist (no evidence he even knew of it) but thinking about Nathaniel Chanticleer and Bilbo Baggins, both middle-class, middle-aged, unlikely/reluctant heroes, going there + back again, 1/7
@TolkienSociety @UofGFantasy ImageImage
and returning having lost their respectability but having gained something more important, makes one wonder… 2/7
(Art above👆by Michael Herring and David Wenzel)
(Below👇 first edition covers) ImageImage
Consider also appearance: Nathaniel is “rotund, rubicund” with eyes “in which the jokes, before he uttered them, twinkled like a trout in a burn” while Bilbo (like all hobbits) is “inclined to be fat in the stomach” and laughing “deep, fruity laughs”Art: @ben_towle + #Tolkien 3/7 ImageImage
Read 8 tweets
Aug 3, 2021
Do you remember this iconic scene from Peter Jackson’s The #LordoftheRings? I think it’s visual origins go back to the early 20th century, long before #Tolkien ever thought about hobbits and Black Riders! THREAD 🧵👇 1/12
@TolkienSociety @theoneringnet @UofGFantasy @JRRTolkien Image
In the film, the hobbits hide away as they hear a horse approaching. They’ve found the perfect hiding spot, the root of a tree, but it’s touch-and-go! They’re nearly discovered! 2/12 Image
The scene seems to have come from artist #JohnHowe (who worked on the films) and reproduces exactly this specific work, initially created for the 1987 Tolkien Calendar (john-howe.com/portfolio/gall…). But Howe himself points to yet another source -some of you will have spotted it! 3/12 Image
Read 13 tweets
Aug 27, 2020
For @FolkloreThurs’s #wild men theme: in #Tolkien’s hapless Túrin Turambar 3 myths collide: Kullervo (Finnish), Sigurd (Old Norse) + Oedipus (Greek). Oedipus is important not only for the incest motif
1/6
#FolkloreThursday @TolkienSociety
Art: @TedNasmith, Akseli Gallen-Kallela
but also because of his movement from wilderness to city. Abandoned as an infant in Mount Cithaeron (wilderness), Oedipus moves from Corinth (city), to the cross-roads (wilderness, where he unwittingly kills his father)...
2/6
#FolkloreThursday @FolkloreThurs @TolkienSociety
to Thebes (city- where he unwittingly marries his mother), to self-exile in desolate spaces away from the city. He is the saviour, but also the destroyer of Thebes, via his patricide and incest. 3/6
@FolkloreThurs #FolkloreThursday @TolkienSociety
Read 6 tweets

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